Organized Crime Bureau officer Lau Man-ching (Chan Kwok-bong) is assigned to the case and finds his work immediately hampered by potential witnesses who refuse to aid in the investigation. Studying the files for the past two years, Lau deduces that the crimes are all the work of one individual and narrows the possible locations of the next attack down to three housing estates. Unfortunately, the police stakeout the wrong building, leaving the culprit (Lee Kar-sing) free to strike again. (City Connection)

Former policeman Pok Tin Leung, now a taxi driver, rescues two nightclub hostesses (Lily and Annie) from difficult customers. The next morning, the hostesses’ boss, Fanny Lin, is found dead. Annie’s boyfriend Shaun, a barman, runs away when police ask questions. Lee, a gangster Pok once arrested, was the boyfriend of the deceased. But he is seen the next day with another woman on his arm. Darwin, the investigating cop, asks Pok for help. Pok is his former boss. Darwin is secretly a friend of Lily. And the way Lily came to work for Fanny is an interesting story in itself.

“Milk” sadly narrates how her husband died on their wedding night, pre-conjugals. Husband’s soul leaves the body and benevolently announces he’ll watch over her while she seeks out a new guy. At a party, Milk is comforted by highly-oversexed friend Maria, while Human Dick (Charlie Cho, who else?) impersonates a….guess what? Milk and her new boyfriend, boyishly-handsome Ronald, are robbed and he chases the robbers, leading to some fun fu antics, but they eventually throw him into the sea, and he can’t swim……. So Milk looks for another boyfriend. Poor painter Wai is tiring of his snooty girlfriend and patron Amy, who pleads with him to paint her in the nude, but he’s not interested. Crooks break into the gallery while Milk is there, and they make everyone strip and tie them up in facing pairs. Wai is paired with Milk with…er, predictable results. So Wai becomes Milk’s third man, but dead hubby starts getting jealous, causing mischief. Milk moves in with Wai, but Ronald turns up again. Ronald had been saved by boat people. And here starts the seriously silly bedroom farce. Milk pretends to be Ronald’s Filipina maid, and tries to keep them ignorant of each other. When the truth comes out, the two guys alternate between fighting each other and fussing over Milk. In the end, she ends up with just one of them…..or does she?

Sweet, peppy news reporter Kitty Wong (Yung Hung) sleeps with an oversized Garfield doll. Computer geek Fred Suen (Simon Yam) sleeps with a plaster mannequin of Kitty Wong; and the only way Suen can possess his beloved is to kill her boyfriend. This film is famous for its bad subtitles which include: “I think I have bothered your much time”, “You are celebraty” “You shot my dicky. You are that cruel”.

Ming (nicknamed Marshmallow) is a pretty ordinary truck driver with a pretty wife Kitty and a charmingly loudmouthed young son Tak. Ming thinks his main troubles are 1) premature ejaculation (which he spends much time and energy fixing) and 2) a just-released murderer moving in next door. But the real problem starts when Kitty meets into an old flame from school, Canner, a triad thug. Canner talks the gullible Kitty into investing in the stock market on margin and, when this fails, arranges a usurious loan to her by his brother Chao, who is the title character. Kitty doesn’t want her husband to find out and, when she can’t pay, Canner slips her an incredibly fast-acting aphrodisiac, the film gets its Category III rating, and Kitty gets dragged into whoring. Ming discovers this only when his trucking friend confesses to being one of Kitty’s clients. Kitty is also drawn into helping Chao kidnap Ming’s sister Chi Kwan. Ming tries to buy Chao off, then crawls to him, but Chao is typical loud-laughing boastful HK movie villain, and he’ll have none of it. Chao’s boys, led by Canner, set Ming’s flat on fire. As a result, one of Ming’s family is burned to death, while the other is saved by the murderer next door. This finally turns Ming from an ordinary coward into a crazed vengeful maniac, and the murderer next door gives him more than able assistance.

Amy Yip of Sex And Zen and Erotic Ghost Story fame stars in this mature erotic drama. To make ends meet, Macau hotel maid (Yip) agrees to work with a group of young prostitutes. Realizing the horrible mistake she has made, May vows to return to Hong Kong and find her lost son, whom she had to give up six years ago.
A brutal story about a Mainland Chinese woman who loses her husband, loses custody of her son, and is forced into a life of prostitution on the island of Macao. She soon plots her escape to Hong Kong to find her son…

Once a wealthy gentleman, Wai was flocked by many single and available women. Now penniless, his “romantic” touch has suddenly disappeared. Follow the adventures of Wai and his renewed quest for wealth, romance, and love.

Odd things are happening to hairdresser May and her fiance Bon, which trace back to a holiday Bon took in Thailand with his three friends – Kong (May’s brother), Nam and Kent. They are caught in a battle between wizard Laimi and an evil wizard and her husband, after which the tourists stay at Laimi’s place for a few days, where they meet his lovely sister. The sister is bored and fancies Bon, and she asks Laimi to put a love hex on him. But the hex is applied to the three other guys by mistake. Under the spell, the guys share a night of lust with the sister, who imagines it’s Bon alone who is with her. In the confusion after the spell lifts, the sister manages to impale herself on a knife. The guys hotfoot it back to HK, but the good Laimi turns bad and sets on a path of revenge. As his evil grows, so does his desire to possess May. Also in this wild romp is a Thai witch Mei, who may have the power to stop Laimi, and Yuen King Tan repeats her lecture on giving great blowjobs that she did in Naked Killer Two.

A secret government agency arranges for the shooting and abduction of a young woman (Jade Leung) who is deemed a worthy candidate for training as an assassin. She is physically revived with a computer chip implanted in her brain to ensure compliance, if needed – although this features very little in the plot. Brought to a high pitch of operational readiness by her trainer and controller (Simon Yam) – who seems to have more than just a professional interest in his pupil – the agent is released into the community and returns to HK to await activation. There she meets a wildlife conservationist with whom she forms a relationship that brings temporary happiness until she is ordered on a mission to Japan. This finally exposes her secret role to her lover, placing his life in immediate jeopardy. She is ultimately faced with a seemingly impossible choice to which she responds with violent decisiveness.

Stooges in Hong Kong (1992) is a sequel to the Stooges in Tokyo. James Wong stars as a late night talk show host who tells some of the dirtiest jokes and is insanely popular. His show is the biggest rated late night show on television. But all of his credit should go to his mistreated joke writer (Tommy Wong). Instead of paying him the money he truly deserves, James Wong short changes him every chance he can get. His personal life is a mess as well. He has a hot wife (Amy Yip) whom he can’t satisfy and no friends. One day Tommy has enough of James’ abuse and heads off on his own.
A funny movie that pays homage to The Zucker Brothers and Jim Abrahms (they’re named in the final credits) and the blue humor of some of America’s raunchiest comedians. Like the first film, James Wong starts out the film with a short act of him telling dirty jokes to the camera (henceforth the Category III rating).