Conceived, written and illustrated by fantasy artist and writer Patrick Woodroffe, The Pentateuch was his first fully-fledged art-book combined with Dave Greenslade's second solo album, released at a time when the punk revolution had revised the outlook of many former Prog musicians!

Third Eye Open is a 1992 album release by the Funk/Rock band Hardware. Hardware consists of lead guitarist Steve Salas, P-Funk bassist Bootsy Collins, and drummer Buddy Miles, formerly of the Band of Gypsys. The album was produced by Bill Laswell and co-produced by Steve Salas. The album was the first to be released as part of Laswell's Black Arc Series, which includes "Lord of the Harvest" by Zillatron, "Out Of The Dark by O.G. Funk, and "Under The 6" by Slave Master.

The Disregard of Timekeeping is the debut album of British hard rock band Bonham, son of Led Zep drummer John.

Electric studio project with Billy Cobham and group of Italian musicians with guest appearances by Michael and Randy Brecker, Eddie Gomez, and even Gregg Brown from Osibisa. Billy lays down a solid groove and the musicians solo over and around the beat, through instrumental and vocal tracks. The group perform original jazz/funk/fusion material, and a new version of Billy Cobham's 'Red Baron' with vocals.

Renowned jazz drummer Billy Cobham started his illustrious career playing with legendary acts like Miles Davis, Dreams, and the Mahavishnu Orchestra. Billy Cobham is one of the greatest drummers on the planet and needs no introduction or validation. He is one of the true masters and pioneers of jazz fusion. His group Culturemix continues that legacy without compromise or disappointment.
While each song captures a different mood, all provide good listening. Colours will expand the musical and sonic horizons of listeners...

When I first heard of this "supergroup", which consists of drummer Billy Cobham, keyboardist George Duke, guitarist John Scofield, and bassist/Stick player Alphonso Johnson, my expectations were high. While not exactly a grand-slam of an album, I was hooked from the first listen.
This album contains, on most tracks, a blend of funk, rock, R&B, and jazz. This is demonstrated best on the instrumental tracks "Hip Pockets", "Ivory Tattoo", "Sweet Wine", and "Juicy". These four songs are what really make the album special to me, the band just gels so well together that it amazes me how short-lived this group was. These instrumentals show the group in full democratic mode when it comes to soloing and overall representation on each track...

In the 1970s, Billy Cobham was one of the most dynamic names in jazz-rock fusion. He recorded with Miles Davis and John McLaughlin’s Mahavishnu Orchestra before striking out on his own. He became highly influential in jazz and rock drum sounds, with his high pitched, tuned drums and his interesting mixtures of traditional beats with experimental melodic drumming. This album is a re-release of the second of five albums...
This album was made with a fairly impressive cast of musicians including Randy Jackson on bass, Pete Escovedo on percussion, as well as Pete Maunu on guitar and Mark Soskin on keyboards. Additionally Alvin Baptiste adds clarinet on several tracks, which seems to alternate between truly innovative and simply out-of-place. Much of this album feels dated to the modern listener, especially when songs will be broken out of for extended grooves with the band doing a vocal shout chorus.

This album is constitutes by itself, a profound shift, with the invaluable support of his friends. Pat Metheny, Bob James, Peter Erskine. I knew about him for the first time with an outstanding work in collaboration with Chick Corea in Munich, where both of them simply shone. His untiring dedication, innovative search and pleasant tone make of this album a wise choice in case you accept the challenge. And believe me, this will be the first step in your collection. I swear it. There are many interesting tracks along this Cd, but my favorite is Gorgeous.

In their first offering of recorded music as a trio, the Chick Corea New Trio has masterfully interpreted ten excellent, original compositions written by Chick Corea and one jazz standard written by Thomas "Fats" Waller on their Stretch Records CD titled Past, Present, and Futures. Just as the mind interprets what the ear hears, the trio's mind builds on Corea's meticulous and beautiful inspirations and arrive at concepts that are spiritual, metaphysical, and open-minded.

Jamming with Edward! is an album recorded by three members of The Rolling Stones with Nicky Hopkins and Ry Cooder at London's Olympic Studio during the Let It Bleed sessions of 1969, and released on Rolling Stones Records in 1972. On the strength of The Rolling Stones' association with the album, Jamming With Edward! reached #33 on the U.S charts, although it failed to reach the UK listings.

...Although the new members are not as distinctive as their predecessors, the high-quality material played on this release (which includes Jimmy Heath's "CTA," "Blue Miles" and a variety of Corea originals) is very jazz-oriented and occasionally there are straightahead sections. This set is recommended even to listeners who have not yet acquired a taste for fusion.

This encounter between Chick Corea (sticking to acoustic piano), tenor saxophonist Michael Brecker, bassist Eddie Gomez, and drummer Steve Gadd lives up to one's expectations. The original program featured three lengthy "quartet" pieces, including sections dedicated to Duke Ellington and John Coltrane.

Jeff Beck toured to promote Wired, backed by a jazz fusion group led by synthesizer player Jan Hammer. This straightforward live souvenir combines songs from Blow by Blow and Wired, plus a few other things, and while it features typically fiery playing from Beck, the backup is a bit too heavy-handed and the occasional vocals (by Hammer and drummer Tony Smith) are embarrassing.