Addressing the output of classical composers seems eventually to have become the dominant thrust of keyboardist Uri Caine's work. Schumann, Wagner, Bach, Beethoven and Mahler have fallen to sometimes radical re-posturing of their grand scores. Caine messes with the old assumed interpretations, deliberately distorting the usual expectations of performance by inserting elements of jazz, rock, funk, soul, blues, hip hop and electronica, always utilizing a cast of players from a broad range of backgrounds.