| “ | One of the best argentinian rock bands at their highest point. | ” |
| “ | Excellent progressive rock band from Argentina. This album compiles their first two albums in a nice sounding CD. Very recommended! | ” |
| “ | Have you ever wondered what Dark Side of the Moon would sound like if Pink Floyd had written it for NES, instead of for a rock band? | ” |
| “ | Taken from three nights of recording in February of 1975, Gato Barbieri's Chapter 4 is a continuation -- albeit in a concert setting -- of the music explored on his first three chapters for Impulse. Finally available on CD this set includes three Barbieri compositions, including the four-part suite "La China Leonicia" and his ubiquitous "Milonga Triste." The band here includes percussionist Ray Armando, bassist Ron Carter, multi-instrumentalist Howard Johnson (here on tuba, flügelhorn, and bass clarinet), pianist Eddie Martinez, guitarist Paul Metzke, and Brazilian drummer Portinho. [...] by Thom Jurek | ” |
| “ | Chapter Three: Viva Emiliano Zapata is the third of the four excellent "chapters" in saxophonist and composer Gato Barbieri's four-part "Latin America" series for Impulse, and released in 1974 with the core of a band he would use for his live outing on Chapter Four: Alive in New York. [...] by Thom Jurek | ” |
| “ | The second entry in Gato Barbieri's series of Impulse albums dealing with Latin America picks up where the first one left off, and in its way, follows its format closely yet not without some key differences. Based on the critical reviews of Chapter One: Latin America, he was emboldened to take some new chances on this, Chapter Two: Hasta Siempre (which translates to "As to Always.") The album was recorded between Rio de Janeiro and Los Angeles with the set's final cut recorded in Buenos Aires, Barbieri's homeland. [...] by Thom Jurek | ” |
| “ | God Gave Rock And Roll To You! A compilation for people that believe... in rock! | ” |
| “ | In 1973, Argentinean saxophonist Gato Barbieri contemplated a move to a more commercially viable, accessible sound, one that appealed to both North and South American audiences. He moved from the jazz vanguard toward it's exotic center (and finally into the commercial world altogether) with a number of records, including this one, which explored the various rhythms, melodies, and textures of Afro-Cuban and Latin American sounds. Bolivia features Barbieri immediately prior to his Impulse recordings that resulted in the celebrated four-chapter Latin America series. [...] - Read full review by Thom Jurek at Allmusic | ” |
| “ | The album on which a fire-breathing revolutionary transformed himself into a smooth Latin love man, under the guidance of producer Herb Alpert and associate producer Michelle (Mrs. Gato) Barbieri. The rhythm tracks are tight and funky in a facile '70s fuzak sort of way, and Jay Chattaway's CTI-inspired orchestrations sound dated and corny. The arrangements conspire to stifle the Third World scream in Barbieri's raw and impassioned tenor sax tone. Yet he still manages to mate the steamy temperament of the tango with upscale funk on covers of Santana's "Europa" and Marvin Gaye's "I Want You." --Rick Mitchell | ” |
| “ | Aftermath, first released on 15 April 1966, by Decca Records is the fourth British studio album by The Rolling Stones. It was released in the United States on 20 June 1966 by London Records as their sixth American album. The album proved to be a major artistic breakthrough for The Rolling Stones, being the first full-length release by the band to consist exclusively of Mick Jagger/Keith Richards compositions. Aftermath was also the first Rolling Stones album to be recorded entirely in the United States, at the legendary RCA Studios in Hollywood, California at 6363 Sunset Boulevard, and the first album the band released in stereo. | ” |
| “ | Re-Re-Re-Reupload of the Japanese first pressing of this classic album, yet another great sounding version of Wish you were, let your ears decide your favourite. Enjoy! | ” |
| “ | First pressing of this classic, shares the same digital mastering as the US first. Very nice sound, not as much bottom end as pb vinyl rip but I think the top end is a bit softer on these early cd's. Definitely worth getting :) | ” |
| “ | Hendrix in the West was a posthumous live album by Jimi Hendrix, released in January 1972 by Polydor Records, and later in February by Reprise Records. The album contains songs from Hendrix's performances at the Royal Albert Hall on February, 24, 1969, the San Diego Sports Arena on May, 24, 1969, Berkeley Community Theatre on May 30, 1970 and the Isle of Wight Festival on August 30, 1970. The album's credits mislabel "Little Wing" and "Voodoo Child (Slight Return)" as being recorded at the San Diego Sports Arena, when in fact these 2 tracks were recorded at the Royal Albert Hall on February 24, 1969. | ” |
| “ | Powerful voice and great guitar skills from this german blues player. | ” |
| “ | Powerful voice and great guitar skills from this german blues player. | ” |
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