In the small village of Arcetri, on a wooded hillside just south of Florence, an old man sat writing his will. He had to make a journey to Rome and wanted to be prepared for every eventuality. If the plague did not get him on the road, the strain of travelling might finish him off; in addition he had been ill most of the autumn, with dizziness, stomach pains and a serious hernia. And even if he survived these difficulties, and the cold winter wind from the Apennines did not give him pneumonia, he had no idea what awaited him in Rome, only that his arrival was unlikely to be celebrated with a special mass.

Swedish author Lindqvist's debut, a horror novel, offers few twists that won't already be familiar to readers of modern vampire fiction. Oskar, a much bullied 12-year-old schoolboy living in a Stockholm suburb, notices that his next-door neighbor, Eli, has some peculiar traits: Eli only comes out at night, smells like death warmed over and is of ambiguous gender. Eventually, Eli reveals he's a vampire who survives by feeding off the neighborhood lowlifes. Occasionally, his bite accidentally turns victims into undeads who, unaware of their vampirization, go on rampages that end in spectacularly gruesome fates. As sweet as the pure and wholesome friendship between Oskar and Eli may be, it's the gory set pieces that propel the predictable plot.

A central theme of this work concerns the influence of psychedelics on users and society in general; the editors assert that the drugs have had more impact than is generally recognized. Many articles examine the creative potentials of mind-mani drugs including spiritual and psychological learning; self-actualization; mental liberation; therapeutic possibilities, and understandings that can be integrated into everyday life. Problems associated with drug usage are also discussed; there is a special note on adverse effects, This fascinating work is essential for any professional or layperson interested in psychedelic drugs or culture.