| “ | Supraphon's first-rate sonics also distinguish this, the most consistently excellent of all complete Dvorák symphony cycles, from the rest of the pack. - David Hurwitz | ” |
| “ | Grumiaux's Mozart cycle remains largely unchallenged | ” |
| “ | And fine as these performances are... the best Slavonic Dances of all is Karel Sejna's with this same orchestra, which was recorded in very good stereo. - David Hurwitz | ” |
| “ | Zubin Mehta (Decca) is an unquestionable first choice, and with excellent recorded sound and vital playing from the Vienna Philharmonic, what more could you want? | ” |
| “ | George Szell's Dvorák performances feature his customary blend of razor sharp orchestral discipline allied to a wholly idiomatic, singing line. - David Hurwitz | ” |
| “ | Even in these days of super-efficient Rites and Petrushkas, Boulez can still find in these scores many subtle and beautiful details that are lost in the rush or the brilliance of some showier readings, and his precision of ear is audible on page after page. | ” |
| “ | Menuhin and Kempff seem in just about total agreement about how to play these sonatas: with enough attack to project their dramatic moments in a domestic context, and with enough repose to show their lyrical moments in the very best of lights. | ” |
| “ | Recorded live in concert in January, 1998, the Günter Wand/Berlin Philharmonic Bruckner Fourth was released in Europe that fall. It got a rave review in Gramophone and garnered that magazine's disc of the year award. - Jed Distler | ” |
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