Valeria is a 26-yr-old inhibited and solitary girl. She lives in Turin, Italy, where she works as a simultaneous translator. There are no romantic relationships in her life, but she allows herself one almost ritualistic attachment: that of observing Massimo, a man in his forties who lives in the apartment across the street from her, totally unaware of her. Occasionally, they have a few fleeting encounters - Valeria happens to translate for Massimo at a conference - and eventually something starts growing between them.

''At eleven, everything in Elisa’s life will lose its innocence. One day whilst her father is asleep and her brother is on a swing outside, her father’s friend will rape her, as she cries he tells her if she stops he’ll give her a silver bracelet. It’s from that moment on she will forget what happened to her for a very long time. Fourteen years and four months later she remembers. Scared, she calls her mum, “Help me, I’ve remembered something terrible.” Breaking many rules of cinema and featuring unconventional narration throughout, Eliza K is a heartbreaking story that asks the question of how this young woman will carry on with her life.''

Three episodes. First Valerio is mistaken for a notorious criminal. Very beautiful journalists succeed to bring him to her house for an exclusive interview. She tries to seduce him. Second. Guiseppe, an unlucky and ugly man, gets a job as a maid. His mistress falls in love for him. Third. Plinio is a taxi driver who loves his cab above all. But at one point he is involved with the kidnapping of a woman.

Horror director Jean Rollin followed up Le Viol du Vampire with this equally strange excursion into vampiric eroticism. The plot concerns a suicide cult led by a mysterious figure known as The Master. Oliver Martin is the hero, who tries to rescue pretty Caroline Cartier from the cult, only to find out that yet another group of vampires wants to save her too. There's people with reindeer heads, the usual artsy sex and violence, and a science-fiction subplot about a doorway to another dimension (as in the later Phantasm). Maurice Lemaitre and Bernard Musson co-star in this pretentious but enjoyable shocker.

"After" plot starts one summer night, when three old friends meet after a long time. The three of them get inside a night spiral which brings them back to adolescence and that serves as the only way to breaking free from their ghosts.

When Frédérick, the patriarch of the Alsatian Muller family, is conspicuously absent from his son Charles' funeral, Frédérick's surviving son and his granddaughter, raw from their loss, await an explanation. Once revealed, Frédérick's reasons and the painful secret Charles harbored for years threaten the foundations of the entire family.

22-year-old Czech Gypsy to prison. Marian was born to an alcoholic father and a terrible mother. As a result he is sent to a government orphanage where he is labelled a problem child for his inability to speak Czech. Life in the orphanage is devoid of love and offers only minimal physical comforts. Sometimes life there is brutal. His one bright spot was the time he first spent with a kindly and encouraging teacher who inspired in him hope for a better future. One day something goes wrong and the teacher is forced to punish Marian who retaliates by stabbing her. Marian is a teen by the time he is released from a juvenile reformatory. He falls in love for the first time, but because it is a foreign emotion, he doesn't know how to deal with it.

This movie shows to the audience the beauty of the sea and young love! It's story is simple but well made and it tells us about the adventures of a teenage boy in his summer vacation at the coast of the Adriatic sea, and the experience of his first real love!

Mika Polyakov, an elderly Russian artist, who has been living in Munich his paintings sell well and his exhibitions attract huge audiences. His life is outwardly fine but he is desperately lonely and he seems to have lost his sense of purpose. It is at this point that Alfred appears in his life. The creature which materialized from great things through his supernatural abilities. This incredible event makes Mika remember and review his whole life. But where is the line that should not be crossed by someone who wants to remain pure in mind and soul? Self-defence and murder are very different things.

Mimi is a Sicilian dockworker who loses his job when he votes against the Mafia candidate in what he thinks is a secret ballot. He leaves his wife behind and goes to Turin, where he meets and moves in with Fiore, a street vendor and Communist organizer. They have a child, he works non-union jobs, and again he comes to the Mafia's attention. This time they're impressed, promoting him to a supervisor's job back in Sicily. He must keep Fiore and the child a secret, which is fine with Fiore, as long as he never makes love to his wife. He doesn't, and when she becomes pregnant, he knows he's a cuckold. His personal revenge and the Mafia's tentacles then intertwine in tragicomic ways.

It is August 1941. With the battle line far away in the east, three soldiers who have managed to escape from captivity find it difficult to hide: the territory is occupied by the enemy. The local woods are not safe: you can easily get embogged. Are the villagers loyal? Nobody can say. There is an old man who offers to help them. Is he reliable enough? He may kill them or report them to the local German authorities. Anything may happen, but one of them, the sniper, is his son who is his youngest, his dearest.

Greece, 1654. A seriously wounded Janissary arrives at a cloister situated on a cliff, and the sisters take him in and care for him. Sister Anthi, one of those who tends him, falls in love with the soldier and eventually helps him escape. The central focus of the film does not come out of its historical context but is derived from the relationship between the two main characters and, above all, from the quest for freedom and identity for young Anthi. The initially silent sister, hiding a surprising secret, discovers heretofore unknown desires that lead her to a radically altered view of herself.

A romantic drama partially set in Amsterdam, this standard tale starts out in a mining area in Holland where conditions are about as rough as they get. Two of the miners, Italians Federico (Lino Ventura) and Vincenzo (Bernard Fresson) take off together for the city's red-light district, where the women pose in windows for prospective customers. There the duo meet Else (Marina Vlady) and Carrel (Magali Noel) who are willing to leave their windows to spend a weekend at a resort with the two men. Soon Else has fallen in love with Vincenzo and the future of the two hookers, as well as the miners, seems to look brighter.