| “ | The young girl Flossie comes straight from a Swiss boarding school to Stockholm where she meets a young embassy clerk. Together with her friend Eva each tell the other two of previous sexual encounters. | ” |
| “ | The Bounty leaves Portsmouth in 1787. Its destination: to sail to Tahiti and load bread-fruit. Captain Bligh will do anything to get there as fast as possible, using any means to keep up a strict discipline. When they arrive at Tahiti, it is like a paradise for the crew, something completely different than the living hell on the ship. On the way back to England, officer Fletcher Christian becomes the leader of a mutiny. | ” |
| “ | Midshipman Roger Byam joins Captain Bligh and Fletcher Christian aboard the HMS Bounty for a voyage to Tahiti. Bligh proves to be a brutal tyrant and, after six pleasant months on Tahiti, Christian leads the crew to mutiny on the homeward voyage. Even though Byam takes no part in the mutiny, he must defend himself against charges that he supported Christian. | ” |
| “ | Cesar runs a bar along Marseilles' port, assisted by his 23 year old son, Marius. Colorful characters abound: M. Panisse, an aging widower and prosperous sail maker; Honorine, a fishmonger with a sidewalk stall near the bar; her daughter, Fanny, who helps her sell cockles; and, various old salts. Friends since childhood, Fanny and Marius love each other, but Marius has a secret wanderlust: every ship's whistle stirs a longing for foreign lands. When M. Panisse seeks Fanny's hand in marriage and when a departing clipper needs a deckhand, Marius and Fanny must decide who and what they love most. Cesar, with his generous, comic spirit, tries to guide his son. | ” |
| “ | Honore Panisse is dying, cheerfully, with friends, wife, and son at his side. He confesses to the priest in front of his friends; he insists that the doctor be truthful. But, he cannot bring himself to tell his son Cesariot that his real father is Marius, the absent son of Cesar, Cesariot's godfather. Panisse leaves that to Fanny, the lad's mother. Dissembling that he's off to see a friend, Cesariot then seeks Marius, now a mechanic in Toulon. Posing as a journalist, Cesariot spends time with Marius and leaves believing tales he is a petty thief. Only after the truth comes out can Marius, Fanny, Cesar, and Cesariot step beyond the falsehoods, benign though they may be. | ” |
| “ | Blue Rita runs a popular nightclub and brothel as well as working for several crime organisations. Having been abused in the past she and her lesbian followers show no mercy to any spies, or politicians that they meet. | ” |
| “ | Ilsa, now a vicious warden, runs a mental-hospital for young women. A girl deliberately "checks" in to the hospital to find out what has happened to her sister who stayed there. Meanwhile Ilsa and one of the guards are forcing the inmates to have sex with male prisoners, filming them and selling it as pornoflicks. | ” |
| “ | In the early 1950s Howard Prince, who works in a restaurant, helps out a black-listed writer friend by selling a TV station a script under his own name. The money is useful in paying off gambling debts, so he takes on three more such clients. Howard is politically pretty innocent, but involvement with Florence - who quits TV in disgust over things - and friendship with the show's ex-star - now himself blacklisted - make him start to think about what is really going on. | ” |
| “ | Patsy Brand is a chorus girl at the Pleasure Garden music hall. She meets Jill Cheyne who is down on her luck and gets her a job as a dancer. Jill meets adventurer Hugh Fielding and they get engaged, but when Hugh travels out of the country, she begins to play around. | ” |
| “ | Three strippers seeking thrills encounter a young couple in the desert. After dispatching the boyfriend, they take the girl hostage and begin scheming on a crippled old man living with his two sons in the desert, reputedly hiding a tidy sum of cash. They become houseguests of the old man and try and seduce the sons in an attempt to locate the money, not realizing that the old man has a few sinister intentions of his own. | ” |
| “ | Young Emmanuelle and her friend Coco visit a friend whose sculptor husband is infatuated with one of his plaster creations. Emmanuelle uses her magic to get him interested again, jump starting their love life. Later, Emmanuelle, Coco and Coco's sister, Paula, travel to a wedding in Africa. They miss their plane to Salima and have to travel by boat, where they all vie for the attention of a male passenger. After Paula misses her chance with him, she travels via rowboat to an African tribal village where her desires are fulfilled. | ” |
| “ | While aboard a long distance flight, both young and old Emmanuelle regale a businessman with tales of their sexual prowess. | ” |
| “ | A husband and wife lock their diaries in a drawer and also know that they read each other's entries, a device which takes them from one sexual encounter to another. | ” |
| “ | Blue is a teenage girl who lives with her Jazz playing father Ham. Ham gets very sick and dies, and now Blue must support herself somehow. Elle, the headmistress at a brothel, talks her into living and working at her establishment. She decides to leave the business and lead a normal life. Elle is hellbent to see that she never has one. | ” |
| “ | The first Franco/Erwin Dietrich effort is probably Franco's most exploitive film with numerous sadistic scenes of torture and perversion. A true exploitation masterpiece that only a director like Franco could make. Maria (Lina Romay) is sentenced to prison for life for killing her father that attempted to rape. She is sent to a special section of the jail know for it's cruel and sadistic treatment of prisoners. The wardress (Monica Swinn) is a sadistic lesbian who knows no mercy and takes pleasure in her job. Maria seduces a male nurse who she eventually kills in order to spring an escape from the hellhole. A must for all fans of sadistic WIP films and for Jess Franco addicts. | ” |
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