Based on Rita Haywerth and Shawshank Redemption. King needs no introduction, and Library Journal calls Muller the first superstar of audio. In this audiobook, Muller tells King's earthy story of perseverance in Shawshank Prison in raw, gutteral tones. Harsh though the story is, the delivery carries the intimacy of a friend talking to the listener from the passenger seat. Muller's flawless reading enriches King's powerful story, providing a superlative audio presentation.

Based on the chilling best-seller by Stephen King, Misery was brought to the screen by director Rob Reiner as one of the most effective thrillers of the 1990's. From a brilliant adaptation by screenwriter William Goldman, Reiner turned King's cautionary tale of fame and idolatry into a mainstream masterpiece of escalating suspense, translating King's own experience with obsessive fans into a frightening tale of entrapment and psychotic behavior. Kathy Bates plays an unbalanced devotee of romance novels written by Paul Sheldon (Caan), whose books provide Annie with a much-needed escape from her pathetic life and her secret, violent past. After Annie rescues the injured Sheldon from a car accident, she seizes the opportunity to nurse her favorite writer back to health, but her tender loving care soon turns to terrorism as she demands that Sheldon write his latest novel according to her wish-fulfillment fantasies. From this point forward, Misery percolates to a boil as equal parts mystery, thriller, and cleverly dark comedy, with the helpless author pitched in deadly warfare against his number one fan. While Bates carefully modulates her role from doting kindness to sympathetic loneliness and finally to horrifying ferocity, Caan is equally superb as the celebrated author who must literally write for his life. It's essentially a two-actor film, but Richard Farnsworth and Lauren Bacall are excellent in supporting roles as they investigate the writer's mysterious disappearance.

Roland's ka-tet remains intact, though scattered over wheres and whens. Susannah-Mia has been carried from the Dixie Pig (in the summer of 1999) to a birthing room -- really a chamber of horrors -- in Thunderclap's Fedic Station; Jake and Father Callahan, with Oy between them, have entered the restaurant on Lex and 61st with weapons drawn, little knowing how numerous and noxious are their foes. Roland and Eddie are with John Cullum in Maine, in 1977, looking for the site on Turtleback Lane where "walk-ins" have been often seen. They want desperately to get back to the others, to Susannah especially, and yet they have come to realize that the world they need to escape is the only one that matters.

The next-to-last novel in Stephen King's seven-volume magnum opus, Song of Susannah is a fascinating key to the unfolding mystery of the Dark Tower. To give birth to her "chap," demon-mother Mia has usurped the body of Susannah Dean and used the power of Black Thirteen to transport to New York City in the summer of 1999. The city is strange to Susannah...and terrifying to the "daughter of none" who shares her body and mind.

Roland Deschain and his ka-tet are bearing southeast through the forests of Mid-World, the almost timeless landscape that seems to stretch from the wreckage of civility that defined Roland's youth to the crimson chaos that seems the future's only promise. Followers of Stephen King's epic series know Roland well, or as well as this enigmatic hero can be known. They also know the companions who have been drawn to his quest for the Dark Tower: Eddie Dean and his wife, Susannah; Jake Chambers, the boy who has come twice through the doorway of death into Roland's world; and Oy, the Billy Bumbler.

Roland and his band have narrowly escaped the city of Lud and boarded Blaine, a train that will take them to, of all places, Kansas, where the ghost city of Topeka has been depopulated by a superflu and where, alongside Interstate 70, an emerald palace rises enchantingly. Before Roland and the companions of his ka-tet continue along the Path of the Bean, Roland must tell his companions the tale that defines him both as a man and hero, a long-ago romance of witchery and evil, of the beautiful, unforgettable Susan Delgado, of the Big Coffin Hunters and Reah of the Coos. And when his tale is finished, Roland confronts a man who goes by many names, a man who "darkles and tincts" and who holds perhaps the key to the Dark Tower.

Roland continues his quest for the Dark Tower, but he is no longer alone. He has trained Eddie and Susannah-who entered Mid-World from their separate whens in New York City in The Drawing of the Three-in the old ways of the gunslingers. But their ka-tet is not yet complete. Another must be drawn from New York into Mid-World, someone who has been there before, a boy who has died not once but twice, and yet still lives.

Stephen King returns to The Dark Tower in this second, mesmerizing volume in his epic series. After his confrontation with the man in black at the end of The Gunslinger, Roland awakes to find three doors on the beach of Mid-World's Western Sea, each leading to New York City but at three different moments in time. Through these doors, Roland must "draw" three figures crucial to his quest for the Dark Tower.

Eerie, dream-like, set in a world that is weirdly related to our own, The Gunslinger introduces Roland Deschain of Gilead, of In-World that was, as he pursues his enigmatic antagonist to the mountains that separate the desert from the Western Sea. Roland is a solitary figure, perhaps accursed, who with a strange singlemindedness traverses an exhausted, almost timeless landscape. The people he encounters are left behind, or worse—left dead. At a way station, however, he meets Jake, a boy from a particular time (1977) and a particular place (New York City), and soon the two are joined—khef, ka, and ka-tet. The mountains lie before them. So does the man in black and, somewhere far beyond...the Dark Tower.

Four friends sruggling with life meet in the Maine woods for their annual hunting trip. When a stranger stumbles in to their camp disoriented mumbling things about lights in the sky the four friends put in a struggle with a psychotic army colonel and a being that has taken control of one of their minds.

Once upon a time, in the haunted city of Derry (site of the classics It and Insomnia), four boys stood together and did a brave thing. Certainly a good thing; perhaps even a great thing. Something that changed them in ways they could never begin to understand.

Twenty-five years later, the boys are now men with separate lives and separate troubles. But the ties endure. Each hunting season the foursome reunites in the woods of Maine. This year, a stranger stumbles into their camp, disoriented, mumbling something about lights in the sky. His incoherent ravings prove to be disturbingly prescient. Before long, these men will be plunged into a horrifying struggle with a creature from another world. Their only chance of survival is locked in their shared past -- and in the Dreamcatcher.

Seth Brundle (Goldblum), a brilliant but eccentric scientist attempts to woo investigative journalist Veronica Quaife (Davis) by offering her a scoop on his latest research in the field of matter transportation, which against all the expectations of the scientific establishment have proved successful. Up to a point. Brundle thinks he has ironed out the last problem when he successfully transports a living creature, but when he attempts to teleport himself a fly enters one of the transmission booths, and Brundle finds he is a changed man. This Science-Gone-Mad film is the source of the quotable quote "Be afraid. Be very afraid."

No books. No writing. No drills. And nothing to memorize – ever! With his unique program, Michel Thomas has taught celebrities, corporate leaders, and schoolchildren – with immediate and amazing results. Now the Language Teacher to the Stars invites everyone to join his class!

About the Author
Michel Thomas is a world-famous language teacher with an incredible skill to teach in days what usually takes years to learn. A psychology graduate, Michel survived starvation in French concentration and slave-labour camps, endured torture at the hands of Klaus Barbie and, after the war, hunted Nazis as an officer with U.S. Counter-Intelligence.

Set in Japan during the 1870's, The Last Samurai tells the story of Capt. Nathan Algren (Tom Cruise), a respected American military officer hired by the Emperor of Japan to train the country's first army in the art of modern warfare. As the Emperor attempts to eradicate the ancient Imperial Samurai warriors in preparation for more Westernized and trade-friendly government policies, Algren finds himself unexpectedly impressed and influenced by his encounters with the Samurai, which places him at the center of a struggle between two eras and two worlds, with only his own sense of honor to guide him.

A dark wind is blowing into Jerusalem's Lot, Maine, in the guise of antique furniture dealers R.T. Straker and Kurt Barlow. Novelist Benjamin Mears has returned to the village near Portland to exorcise his childhood demons. Immediately, townspeople begin suffering from strange flu symptoms, or disappearing altogether. Mears and local high school teacher Matt Burke understand the peril the town faces. Soon they're joined by an artist, a doctor, an alcoholic priest, and an 11-year old boy, forming a modern-day team of vampire hunters. Ron McLarty goes straight for the jugular as he reads Stephen King's second novel. His voice is gently welcoming as he portrays the townspeople, giving them authentic rural Maine accents. But he also commands a menacing tone that will have listeners checking over their shoulders and under their beds.