Features stunning performances by Steve Walsh & the legendary Steve Morse. Tracks include 'Dust In The Wind', 'Point Of No Return' & 'Carry On Wayward Son' and more. Recorded on Fe b 14, 1989 at the Tower Theater in Philadelphia, Pa. 1999 release.

Гарик Сукачев и группа "Неприкасаемые" решили широко отметить десятилетие коллектива: выходом нового альбома "Третья чаша" и большим юбилейным концертом на крупнейшей площадке страны. В новый диск вошли композиции "Оборотень с гитарой", "Третья чаша", "Watch TV", " IKEЯ", "О чем поет гитара", "Белые дороги", "In the death car", "Иероглифы", "Плачь", которые станут достойными приемниками хитов "Напои меня водой" и "Ольга". "Неприкасаемые" вместе с Гариком Сукачевым - это яркое явление в русском роке. За время существования коллектива в нем участвовало созвездие музыкантов: Сергей Воронов, Анатолий Крупнов, Алексей Ермолин, Рушан Аюпов и другие. Новый, юбилейный диск "Третья чаша" открывает новую веху в творчестве Гарика Сукачева и "Неприкаcаемых".

В середине 70-х годов студенческий ансамбль Будапештского университета после победы в телевизионном конкурсе решил полностью посвятить себя музыке. Neoton Familia, а именно так стал называться молодой коллектив, не сразу нашёл своё лицо. Возможно, одна из причин тому – попытка отказаться от привычного штампа.

Rising is a heavy metal album by Rainbow, released in 1976 (see 1976 in music). With only Ronnie James Dio and Ritchie Blackmore remaining from the previous album, Rising has become known as the best album of Rainbow's career. Rising is characterized for its heavy guitar riffs and the keyboard skills of Tony Carey coupled with the thunderous energised drumming of Cozy Powell. Recorded in Munich in less than a month, the album has surprisingly few overdubs and was overseen by famous rock producer Martin Birch

his is the second IAn GIllan Band album, and Gillan allowed his musicians to fly free in their musical ideas. The result was this funk-jazz-rock album, different and creative, that may not be good to some GIllan fans.

This group was formed in 1969 in Enschede. The first lineup was: Hilda Felix (vocals), Henk Westendorp (vocals, later in Superfly), John Snuverink (vocals, guitar), Frans Schaddelee (bass), leader Koos Versteeg (vocals & keys) and Ruud Nijhuis (drums). In 1972, only Koos and Rudi remained in the group, and the rest of the band comprised: Getty Kaspers (vocals, in 1976 solo as Getty), John Gaasbeek (bass, in 1964 in the Stora Combo, later known as Orkest Freddie Golden, left in 1976), Chris de Wolde (guitar) and Ard Weenink (until 1976). New members joined in 1976: Hans Nijland (bass, in 1977 replaced by Nick de Vos), Betty Vermeulen (vocals), Marianne Wolsink (vocals, ex-Head). In 1975, Teach-In participated in the Eurovision Song Contest.

Beck-Ola (Cosa Nostra) was the second full-length LP by Jeff Beck and his backing group. It was released in the U.S. on Epic and in the U.K. on EMI/Columbia.
Released four months before the group's disbanding, it famously boasted that it wasn't anything original, but is nonetheless a fine example of British blues-rock. Featuring five originals by various pairings of band members (with two radically reworked numbers originally done by Elvis Presley filling out the remainder), it continuing the second chapter of Beck's career as a musician (the first being the days before his solo career began).

Ten years after their breakthrough 1983 EP And a Time to Dance, Los Lobos released their first retrospective, the double-disc Just Another Band from East L.A. Seven years after that, the career-spanning four-disc box El Cancionero: Mas y Mas appeared, so there hasn't been a shortage of comprehensive Los Lobos collections. What has been missing is a succinct overview, designed for neophytes and casual fans, and that finally arrives in the form of Warner/Rhino's 2006 set, Wolf Tracks: The Best of Los Lobos.

Rolling Stone (7/8-22, p.144) - 3 1/2 Stars (out of 5) - "...Eclectic, lively and only occasionally goofy, SUPERNATURAL offers a glossy but winning context of musical fusion that highlights Santana's unique ability to make that guitar of his cry expressively..." Entertainment Weekly (6/18/99, p.79) - "...Whether he's spraying lyrical notes over a soulful Lauryn Hill composition, trading molten licks with Clapton, or playing spacey blues with Everlast, Santana still has that old 'Black Magic Woman' thing goin' on..." - Rating: B+ Mojo (9/99, p.103) - "...easily the best place to hear this pleasantly inconsequential noise would be at a barbecue on a hot summer night, especially if you didn't want to disturb the neighbors." CMJ (1/10/00, p.23) - Included in CMJ's "Triple A '99 Top 5" - "...proves in 1999 that veteran rockers don't have to burn out or fade away....utilizing his unique salsa-blues-rock approach..."

Santana’s debut album, boosted by their dynamic performance at Woodstock, had shimmied into the US top 5. In an era of turgid blues jams, Santana’s danceable, sexy blend of blues, jazz and latin music certainly made them distinctive, as well as hot favourites at Bill Graham’s FillmoreWest.