“

Behold Maurice Ravel's best known and some lesser known yet wonderfull works. Nearly complete Stage, Piano, Orchestral & Chamber Works... Missing some of the shorter choral & vocal works. Orchestral works by: Orchestre de le Suisse Romande directed by Armin Jordan with various soloists... Will be updated regularily until complete.

”

“

It sure have taken a long time but here they are ! Enjoy... Bavouzet’s previous two volumes have been very well received both critically and commercially. In a recent review of volume two the LA Times wrote, ‘In what may turn out to be the greatest complete recorded survey of the composer’s piano music yet, Jean-Efflam Bavouzet… plays with such bracing clarity that hearing the early Romantic pieces, one feels like jumping into an icy pond after an hour in the sauna’. Of the same volume International Record Review has noted, ‘I had the highest praise for Jean-Efflam Bavouzet’s first volume of Debussy, and the present disc is fully the equal of that one in terms of colour, refinement of touch, spontaneity and technical finish… 'This is the fourth and final disc in Jean-Efflam Bavouzet’s Debussy series for Chandos, and perhaps the most impressive… Bavouzet’s performances manage to reconcile perfectly those echoes of the earlier sensuous writing with the newly invented, harder-edged sonorities. He is just as convincing in the two sets on Images as well, whether perfectly gilding the swoops and swirls of Poissons d’Or, or evoking the stately monumentality of Hommage à Rameau.' The Guardian Some tracks on Disc 4 were messy & had a too long filename, so I re-ripped the entire album with EAC.

”

“

I was plannig to upload theses a bit sooner... but I had to prepare for auditions and exams. Sorry for the cover I couldn't find any better-looking one... Anyway behold: Dutilleux's Chamber Music, with Piano Works by Genevieve Joy and Dutilleux himself on Figures de resonances. Followed by major works 3 strophes sur le nom de S A C H E R by David Geringas and the string quartet Ainsi la nuit with Quatuor Sine Nomine . Plus various pieces for baritone/piano and Les Citations for oboe, harpsichord, double bass and percussion. Nearly the complete chamber works... What are you waiting for ? Go get it !

”

“

I said I'll provide you with some more Ipecac Recordings... Here comes the mastermind behind all of this(Patton), at work on his most astounding project ! Enjoy Responsible for one of the most eclectic catalogs of recent memory, Fantômas return with Suspended Animation, a thirty-track set that both celebrates the art of cartoon composition and the many reasons to behold the fourth month of our calendar, April (with one piece for each day of the month). Who knew that April is subtitled “national humor and anxiety month”? Who knew that the dreaded April 15 was actually titled “That Sucks Day” or that April 24 marks the beginning of National Karaoke Week? Leave it to the creative minds behind Fantômas to enlighten us to the many forgotten holidays throughout April. The brainchild of Mike Patton, Fantômas is an anti-hero from a series of pre-WWI French crime novels, sometimes dubbed the “lord of terror.” Rounding out the ensemble are Buzz Osborne on guitar (Melvins), Trevor Dunn on bass (Mr. Bungle, Trevor Dunn’s Trio Convulsant) and Dave Lombardo on drums (Slayer).

”

“

Though you guys have provided this board with amazing stuff, there's still not enough Dutilleux around here, if you ask me... So I'm gonna try and fill the voids ! In the mid-sixties, Dutilleux met Mstislav Rostropovich, who commissioned him to write a cello concerto. Rostropovich premièred the work, titled Tout un monde lointain, in 1970. It is one of the most important additions to the cello repertoire of the 20th century and is considered one of the composer's major achievements. In five movements, Tout un Monde Lointain is a nocturnal, mysterious work with a delicate orchestration and an eerily beautiful, yet highly virtuosic solo part. While most of the concerto is introspective and meditative, it also has occasional outbursts of violence and a frantic build-up to the ambiguous, suspended finale. In 1985, Isaac Stern premiered L'Arbre des Songes, a violin concerto that he had commissioned Dutilleux to write. Like its cello counterpart, it is an important addition to the instrument's 20th century repertoire. Edit: Now in mp3...

”

“

As promised, here comes some more Bavouzet... For lovers of Debussy, and great piano playing, this is essential listening ! 'Absorbing playing from a French pianist with something new to say about these much-recorded piano masterpieces, and an interpretative range that calls upon clarity, haziness and Lisztian panache as appropriate.' Telegraph ‘CDs of the year’ 'Bavouzet plays even such neglected gems as the Ballad and Valse romantique as though he were suspended in a dream-world, revelling in the music’s multi-layered sonic terracing with a captivating range of keyboard touch and micro-pedalling…. Playing that takes us through new realms of experience.' 'Diapason d’Or 2008' Edit: Now in Mp3!!!!

”

Paul goes on a school trip, one night he desguises himself as ghost whith his friend to scare the other childrens. By messing with an electric wire the joke turns against them creating a portal trough another dimension. Paul goes through and end up being stuck on the other side...

Paul part en voyage scolaire avec ses copains de classe, pendant la nuit il décide de faire peur aux autres en se déguisant en fantôme. Avec son ami Alex, ils tendent un câble pour que leur blague soit plus convaincante et à ce moment là une surtension électrique provoque une bulle d'éclairs. Paul s'en approche et voyant quelque chose de l'autre côté franchis le passage. Paul se retrouve devant une tour métallique, il enlève un objet mystérieux et le passage se referme...

“

Zu, the Roman metal/math/no-wave/free noise/punk/jazz trio, is perhaps best known in the US as a band who have had an unbelievable line-up of recording partners which includes The Stooges’ Steve Mackay, Fugazi’s Joe Lally and Guy Picciotto, Sonic Youth’s Thurston Moore, Can’s Damo Suzuki, jazz masters Ken Vandermark and Mats Gustafsson, percussionists Han Bennink and Hamid Drake, improvisationalist Eugene Chadbourne and the like-minded Nobukazu Takemura. Now making their Ipecac debut, Carboniferous follows a year of performing overseas with label owner Mike Patton and features contributions from both the aforementioned Patton and The Melvins’ King Buzzo. Further cementing the Ipecac – Zu relationship is the rumored new BigBand, this one coupling Zu and dälek. The Italian trio of Jacopo Battaglia (drums), Massimo Pupillo (bass) and Luca T. Mai (saxophone) formed in 1999 after having worked together in local theater. Driven by a punk rock work ethic, Zu have played an astounding number of over 1,000 gigs worldwide including Europe, North America, Asia, Russia, and even Africa. The have released fourteen albums to date. "...combining the abstractions of Sonic Youth with the out-there explorations of the best free jazz" – The Times “Musically they’re one mind only, ever-so-slightly inconvenienced by the necessity of being spit into 3 bodies. Their post-human tightness and devious compositions have carried them across the world’s ocean, and attracted collaborators ranging from free-jazz legends to the godfathers of experimental sludge” Rock-A-Rolla Source on Ipecac Band Website

”