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Sonny Clark - My Conception - (1957 & 1959) {Limited Edition} (Connoisseur Series)

Posted By : ordo | Date : 25 Aug 2010 04:37:23 | Comments : 6

Sonny Clark - My Conception - (1957 & 1959) {Limited Edition} (Connoisseur Series)
EAC Rip | FLAC, Tracks + CUE, LOG | 388 MB | 1CD | STEREO & MONO Recordings| Complete Scans
Jazz, Hard Bop | Label: Blue Note Records|Year: 1957 & 1959| Catalog Number: 7243 5 22674 2 2| RAR 5% Rec. | RS & HF

Transferred using 24-bit resolution and mastered by Ron McMaster


“Pianist Sonny Clark enjoyed a rich recording career in the golden age of Blue Note. MY CONCEPTION is a combination of a 1959 session that included regulars Donald Byrd, Hank Mobley, Paul Chambers, and Art Blakey with a bonus session recorded two years earlier that featured guitarist Kenny Burrell. Clark's amazing dexterity is featured throughout as he trades hot licks with Mobley, Byrd, and Blakey in the first half and blues runs with Burrell and saxophonist Clifford Jordan in the second. As to be expected with this cast of legends, the performances from either session are pristine and swinging. (Cduniverse.com).”
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Hank Mobley - Thinking Of Home - 1970 {Limited Edition} (Connoisseur Series)

Posted By : ordo | Date : 19 Aug 2010 12:30:14 | Comments : 7

Hank Mobley - Thinking Of Home - 1970 {Limited Edition} (Connoisseur Series)
EAC Rip | FLAC, Tracks + CUE, LOG | 282 MB | 1CD | STEREO | Complete Scans
Jazz, Hard Bop | Label: Blue Note Records|Year: 1970| Catalog Number: 7243 5 40531 2 2| RAR 5% Rec. | RS & HF

Transferred using 24-bit resolution and mastered by Ron McMaster


“The great jazz critic Leonard Feather once described Hank Mobley as the middleweight champion of the tenor saxophone. Not a name that the novice jazz fan may recognize, Hank Mobley recorded over twenty LPs for Blue Note. Thinking of Home is his last title for Blue Note; released in 1970, this is a fitting farewell session. It features the powerful trumpet playing of Woody Shaw and the exciting pianist Cedar Walton. Hank Mobley's playing has a fire that ought to remind you of the Jazz Messengers, as it should since he was one of the original members of the group. (By Richton Guy Thomas /AllAboutJazz/).”
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Posted by :: Alex | Date :: Aug 20, 2008 19:05:00 | [ 34 comments ]


Grant Green - Blues For Lou - 1963 {Previously Unissued Tracks} (Connoisseur Series)

Posted By : ordo | Date : 14 Aug 2010 10:27:05 | Comments : 9

Grant Green - Blues For Lou - 1963 {Previously Unissued Tracks} (Connoisseur Series)
EAC Rip | FLAC, Tracks + CUE, LOG | 284 MB | 1CD | STEREO | Complete Scans |
Jazz, Hard Bop | Label: Blue Note Records|Year: 1963| Catalog Number: 7243 5 21438 2 5| RAR 5% Rec. | RS & HF
Transferred using 24-bit resolution and mastered by Ron McMaster


“This pair of 1963 studio sessions by Grant Green remained under wraps until issued as a part of Blue Note's limited edition Jazz Connoisseur series. The guitarist is in fine form, accompanied by organist John Patton and drummer Ben Dixon, starting with a brilliant bop rendition of the popular standard from the Broadway show Oklahoma!, "The Surrey with the Fringe on Top." The soft but intense "Don't Let the Sun Catch You Crying," and Ray Charles' gospel flavored "This Little Girl of Mine" (an obvious reworking of "This Little Light of Mine") are also highlights. ”
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Sonny Criss - The Complete Imperial Sessions - 1956 (Connoisseur Series) (2CD)

Posted By : ordo | Date : 10 Aug 2010 23:26:00 | Comments : 5

Sonny Criss - The Complete Imperial Sessions - 1956 (Connoisseur Series)
EAC Rip | FLAC, Tracks + CUE, LOG | 599 MB | 2CD | MONO | Complete Scans |
Jazz, Hard Bop | Label: Blue Note Records|Year: 1956| Catalog Number: 7243 5 24564 2 0 | RAR 5% Rec. | RS.com, HF.com
Transferred using 24-bit resolution and mastered by Ron McMaster



““This double disc reissue on Blue Note contains the three releases that alto saxophonist Sonny Criss did for Imperial: Jazz U.S.A., Go Man!, and Plays Cole Porter. These sessions were all recorded in 1956 at a time when Criss had honed his amazing bebop alto precision. These 34 performances contain only five of his originals and are surrounded by mainly standards. The bands consisted of solid lineups with Sonny Clark or Kenny Drew on piano; Barney Kessel on guitar; Leroy Vinnegar, Buddy Clark or Bill Woodson on bass; Larry Bunker on vibes; and Larance Marable or Chuck Thompson taking care of drumming duties. While Criss had a career that erratically spanned the '70s, these Imperial sessions (reissued in glorious mono) contained highly regarded performances of passionate blues, moving ballads, and energetic up- tempo pieces.” AMG”

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Art Blakey's Jazz Messengers - Les Liaisons Dangereuses (1959) {Fontana}

Posted By : ordo | Date : 21 May 2009 23:05:47 | Comments : 4

Art Blakey's Jazz Messengers - Les Liaisons Dangereuses (1959) {Fontana}
EAC Rip | FLAC, Tracks + CUE, LOG | 317 MB | Complete Scans |
Jazz, Hard Bop | Label: Universal Music S.A.S. France|Year: 1959 | Catalog Number: 812 017-2 | RAR 5% Rec. | fileserve
OST "Les Liaisons Dangereuses" 1960


““The very first project for "Les Liaisons Dangereuses" was to record Thelonious Monk in Paris during a tour that in fact had to be cancelled. Part of the music was recorded by Monk with Sam Jones on bass, Art Taylor on drums, and Charlie Rouse and Barney Wilen on tenor saxes.

You can here this session in the film but it was never issued on record. The second part, which appears on this CD, was recorded over the two days following the session with Thelonious Monk.” Marcel Romano		”
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Rabih Abou-Khalil - Discography (17 CD lossless)

Posted By : ordo | Date : 20 May 2009 10:49:00 | Comments : 25

Rabih Abou-Khalil - Discography (17 CD lossless)
Jazz | 17CD | (EAC-Rip) lossless (16 Ape & 1 Flac) | 4.96 Gb
(16 digipacks of Enja & 1 cd of ECM)

“Rabih Abou-Khalil grew up in Beirut and moved to Munich, Germany during the civil war in 1978. From early on, he learnt to play the oud, a fretless string instrument, similar to the European lute or Greek bouzouki. He studied in the Beirut conservatory from oud virtuoso Georges Farah. After moving to Germany, he studied classical flute at the Academy of Music in Munich under Walther Theurer. He has often blended traditional Arab music with jazz, and has earned praise such as "a world musician years before the phrase became a label, he makes the hot, staccato Middle Eastern flavour and the seamless grooves of jazz mingle as if they were always meant to" (John Fordham, Guardian 2002). He helped highlight the oud as a vehicle of eclectic "world jazz". Abou-Khalil and his associates are arguably creating a new international platform for improvised music, comparable to John McLaughlin and his associates in Shakti. Humor is a very important ingredient in Abou-Khalil's art and live performances. Various compositions are inspired by humorous stories, common to many is the absurdity of "commuting between cultures". Rabih Abou-Khalil's CDs are conspicuous for their high quality covers depicting Arabic art.”
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