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Posted By : prikolchik | Date : 13 Oct 2007 05:31:00 | Comments : 6
George Winston - Plains

George Winston - Plains (1999)
Lossless: APE (Single Tracks)+cue+cover 304 MB | MP3 320 CBR HQ+cov 172 MB
Instrumental, New Age, Solo Piano | RS.com, MU.com


Having exhausted the seasons and then dallying with Vince Guaraldi's music on Linus & Lucy, pianist George Winston returns to a favorite field of exploration, American landscapes. He started out with Forest in 1994 and now returns with Plains, his first new album in three years. Inspired largely by the open spaces of Montana where he grew up, Plains nevertheless mixes in traditional Irish and Hawaiian traditional, as well as standards from Sammy Cahn and Chet Atkins. Always an astute listener, Winston also finds contemporary gems from Angelo Badalamenti and Sarah McLachlan. Winston has two styles. One is the open, flowing liquid drops of sound heard on his original compositions that have made him a favorite since his Windham Hill debut, Autumn; the other is a rootsy Americana. Winston is competent and sincere, but undistinguished in the latter terrain, playing Cahn's "Teach Me Tonight" like any number of long-forgotten cocktail lounge pianists. But on originals like "Rainsong," "Cloudburst," and "Plains," Winston's piano rings out like an echo from the big sky. A special limited edition of the disc includes two songs on acoustic guitar. --John Diliberto, amazon.com
Posted By : prikolchik | Date : 10 Oct 2007 18:06:00 | Comments : 11
Nikolai Demidenko - Live at Wigmore Hall, front cover

Nikolai Demidenko - Live at Wigmore Hall (1993) [2CD]
Classical | Ape (Single Tracks) +cue+cover+log | 2CD/345MB | RS.com

The performances on this 2-CD set were recorded during Piano Masterworks, a series of six concerts given by Nikolai Demidenko in Wigmore Hall, London, between January and June 1993. Devised by Ates Orga, under the patronage of The Lord Birkett, sponsored by Lloyds Private Banking, these recitals ranged across 250 years of keyboard music, instrumental technique and the development of modern piano resource - from Scarlatti to Gubaidulina. As a concept the series was modelled on nineteenth-century Romantic practice. In Paris, between 1873 and 1877, Charles-Valentin Alkan gave regular 'Petits Concerts de Musique Classique' -six recitals each, surveying the repear rtoire from Couperin, Bach, Handel and Scarlatti to Weber, Chopin, Schumann and Mendelssohn. Later, the Russian Anton Rubinstein created a cycle of seven Historical Recitals with which he took his farewell of Europe in the mid-1880s. At over three hours individually, these embraced a repertoire from Byrd and John Bull to Balakirev and Tchaikovsky. Like Franz Liszt, Ferruccio Busoni, too, was historically aware, his programming ranging from Bach to Liapunov.
Within a framework selectively subjective, Piano Masterworks sought to present an historical overview, offering a panorama of changing styles, aesthetic values and imaginative responses. The series was launched in Northern Ireland during 1991/92, opening at the Belfast Festival and continuing under the auspices of Queen's University, Belfast, and the Arts Council of Northern Ireland.
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Posted by :: Alex | Date :: Aug 20, 2008 19:05:00 | [ 34 comments ]