Two streetcar conductors whose streetcar is set to be dismantled sneak into the station late one night to take it for one last spin. They spend all night and most of the next day having small adventured throughout Mexico City. Agustin Isunza is the film's standout as an old man, Papa Pinillos, who worked for the streetcar company most of his life.

Partibrejkers are definitely one of the most important bands for ex-YU rock'n'roll. They are the godfathers of YU garage punk and the whole scene there. Partibrejkers were formed in 1982. Their first LP from 1985 brought good old rhythm'n'blues and rock'n'roll back to one more lost teen generation. That generation was too young for punk, and too angry for arty post punk bands.

This movie is based on the true memoirs of the main character (Curzio Malaparte) during his time when he acted as diplomatic liaison between the Allied forces and the Italian in the newly occupied Italy. The book is a collection of short stories depicting the collapse of the Italian society under Allied occupation. There is no story line between those short stories. The movie puts them in chronological order, but the reigning chaos and lack of moral message (the message is exactly the lack of morality) can confuse the spectator.

A surprisingly sweet little film from director Clint Eastwood, Breezy is a bit too predictable and "cutesy," but still quite enjoyable. Jo Heims' screenplay has dated quite a bit; it was faux hip at the time and now frequently comes across as annoying, especially in its take on the title character.

A young man, Michel (Gérard Philipe), is sleeping in his prison cell when the heavy gates swing open to reveal an open countryside, blue sky and freedom. Michel arrives at the top of a hill, where he finds a completely white village of which all the inhabitants have lost their memory - all, that is, except the accordian player, who can remember the past only when he is playing his instrument. And so the story continues.... "Michel...recognizes Juliette as a woman he once was fond of, and falling in love with her all over again, arranges to meet her later.

Directed by Bernard Michel, this French film stars Claude Amazan as a child coal merchant eager to go to summer camp. When the long awaited departure day arrives, however, he realizes that his mother forgot to register his name with the rest of the group.

Future director Francesco Barilli stars in this film about a young radical torn between his rebellious political views and the easy middle-class lifestyle to which he has become accustomed. Barilli rebels in another way as well, engaging in a love affair with his pretty aunt (Adriana Asti), but soon becomes conflicted in that area as well, choosing in the end to conform to traditional expectations.

A rather strange edition to Tartan’s Cine Lumiere collection, this pleasant enough film positions itself somewhere between a documentary and a fiction film. In fact, it does so in such a unique way that I am not quite sure how to classify it. It starts off with the director and star Laurent Baffie pitching his idea to some French Directors and Producers, including Claude Berri and Alain Sarde, to see if they will help back this film project.