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Hyperion Schubert Edition - Songs by Schubert's Friends & Contemporaries Vol 2
Posted By : royse | Date : 09 Feb 2010 17:48:02 | Comments : 7

Hyperion Schubert Edition - Songs by Schubert's Friends & Contemporaries Vol.2
Classical | Easy CD-DA, FLAC tracks, No CUE, No Log | 1 CD, Cover, LQ | 274 MB
CD Date: 04/11/2006 | Hyperion

"...is Schubert's originality a mirage? Of all people, the British pianist Graham Johnson raises the question in his anthology "Songs by Schubert's Friends and Contemporaries" from Hyperion: three CD's with 81 songs by 40 composers, running alphabetically from Carl Banck to Johann Rudolf Zumsteeg and chronologically from Haydn (1732-1809) back to Banck (1809-89)...Defining contemporaries broadly, Mr. Johnson journeys from the musical world as Schubert found it to the world he helped shape. Notable in the lineup are Schubert's teacher Antonio Salieri (1750-1825); his model Zumsteeg (1760-1802); Franz Anton Schubert (1768-1827), of Dresden; Beethoven (1770-1827), whose invention of the song cycle, with "An die Ferne Geliebte"
Hyperion Schubert Edition - Songs by Schubert's Friends & Contemporaries Vol 1
Posted By : royse | Date : 08 Feb 2010 16:37:40 | Comments : 4

Hyperion Schubert Edition - Songs by Schubert's Friends & Contemporaries Vol.1
Classical | Easy CD-DA, FLAC tracks, No CUE, No Log | 1 CD, Cover, LQ | 280 MB
CD Date: 04/11/2006 | Hyperion

"...is Schubert's originality a mirage? Of all people, the British pianist Graham Johnson raises the question in his anthology "Songs by Schubert's Friends and Contemporaries" from Hyperion: three CD's with 81 songs by 40 composers, running alphabetically from Carl Banck to Johann Rudolf Zumsteeg and chronologically from Haydn (1732-1809) back to Banck (1809-89)...Defining contemporaries broadly, Mr. Johnson journeys from the musical world as Schubert found it to the world he helped shape. Notable in the lineup are Schubert's teacher Antonio Salieri (1750-1825); his model Zumsteeg (1760-1802); Franz Anton Schubert (1768-1827), of Dresden; Beethoven (1770-1827), whose invention of the song cycle, with "An die Ferne Geliebte"
Monteverdi - Quinto Libro de Madrigali - Rinaldo Alessandrini
Posted By : royse | Date : 08 Feb 2010 16:34:40 | Comments : 0

Monteverdi - Quinto Libro de Madrigali - Rinaldo Alessandrini
Classical | Easy CD-DA, APE tracks, No CUE, No Log | 1 CD, Cover, LQ | 238 MB
CD Date: March 10, 1997 | Opus 111

Monteverdi's Fifth Book of Madrigals begins like the Fourth Book--the first half of the publication contains five-voice a cappella madrigals (with optional continuo) that use surprising dissonances to express the images and sentiments of their texts with extraordinary intensity. The second half, however, breaks new ground: the continuo (i.e., accompanying chord instrument like harpsichord or lute) part becomes independent (and indispensable), thus enabling Monteverdi to set extended passages for one or two voices.
Salvatore Accardo Vesuvio 1727
Posted By : royse | Date : 06 Feb 2010 19:24:33 | Comments : 7

Salvatore Accardo Vesuvio 1727
Classical | Easy CD-DA, FLAC tracks, No CUE, No Log | 1 CD, Cover, HQ | 393 MB
CD Date: Jul 2007 | FONE

Salvatore Accardo is an outstanding Italian violin virtuoso, best known as a master of the works of Niccolo Paganini, but equally accomplished across a wide variety of repertory for the instrument. His playing is characterized by a taut, visceral tone and a disciplined musical approach that avoids self-indulgence. Having also established himself as a successful conductor, chamber musician and teacher, Accardo may be considered one of the most accomplished and influential musicians of his generation.
Best Internet Links
Posted by :: Alex | Date :: Aug 20, 2008 19:05:00 | [ 34 comments ]


Johann Strauss - Unvergessene Melodien Vol. 1
Posted By : royse | Date : 05 Feb 2010 15:54:30 | Comments : 2

Johann Strauss - Unvergessene Melodien Vol. 1
Classical | Easy CD-DA, FLAC tracks, No CUE, No Log | 1 CD, Cover, HQ | 383 MB
CD Date: September 1990 | Pilz

Strauss was born in Vienna, Austria, on 25 October 1825, to the famous composer Johann Strauss I. His father did not want him to become a musician but rather a banker;[1] nevertheless, Strauss Junior studied the violin secretly as a child, ironically with the first violinist of his father's orchestra, Franz Amon.[1] When his father discovered his son secretly practising on a violin one day, he gave him a severe whipping, saying that he was going to beat the music out of the boy
Händel: Water Music; Music for the Royal Fireworks
Posted By : royse | Date : 05 Feb 2010 15:49:32 | Comments : 4

Handel: Water Music Hwv 348-350, Music For The Royal Fireworks Hwv 351 / Guglielmo, L'arte Dell'arco
Classical | Easy CD-DA, FLAC tracks, CUE, No Log | 1 CD, Cover, HQ | 337 MB
CD Date: July 29, 2008 | Cpo Records

These are exceptionally well-played renditions of works that have had perhaps more attention--in almost every shape, size, and instrumental configuration imaginable--than any other 18th-century orchestral music. Crisp, clean, snappy articulation, rich-toned horns, bright trumpets, mellifluous strings and winds, and ideal, unhurried tempos and well-balanced ensemble sound makes for a very satisfying hour-plus concert.
Gabriel Pierne: Cello Sonata; Charles Koechlin: Cello Sonata; Chansons Bretonnes
Posted By : royse | Date : 04 Feb 2010 15:53:45 | Comments : 4

Gabriel Pierne: Cello Sonata; Charles Koechlin: Cello Sonata; Chansons Bretonnes
Classical | Easy CD-DA, FLAC, CUE, No Log | 1 CD, Cover, HQ | 215 MB
CD Date: June 9, 1998 | Hyperion UK

Of all the divine French cello sonatas, only the Debussy from 1915 is heard live today. But getting to know Pierné's puts French cello music in a new perspective. His Sonata is absolutely loaded with beautiful material and, as far as cello writing goes, Pierné knew no limits. The fast middle section starts out strict, however hinting desire. Build-up upon build-up become frustrating, and yet, sensual. The more he wants the thicker the chords, the bigger the shifts. It's all terribly exciting, but the expression is serious.
Shostakovich: Symphonies Nos. 5 & 9
Posted By : royse | Date : 04 Feb 2010 15:49:20 | Comments : 1

Shostakovich: Symphonies Nos. 5 & 9
Classical | Easy CD-DA, FLAC tracks, CUE, No Log | 1 CD, Cover, HQ | 383 MB
CD Date: September 14, 1999 | Sony

Leonard Bernstein's performances of Shostakovich were almost as highly regarded as his Mahler. This performance of the Fifth Symphony was the highlight of his celebrated tour of the Soviet Union with the New York Philharmonic in 1959. The composer himself attended the performances and approved of Bernstein's interpretation, which is the exact opposite of the traditional Russian one. Rather than take the finale ponderously, Bernstein flies through the music at a frantic pace, carrying it forward with irresistible momentum. The Ninth Symphony is the composer's lightest and most carefree. Bernstein walks the fine line between humor and seriousness with acrobatic skill.
Giovanni Battista Fontana - Sonatas Vol.1 - Gruppo Seicento
Posted By : royse | Date : 04 Feb 2010 13:04:59 | Comments : 0

Giovanni Battista Fontana - Sonatas Vol.1 - Gruppo Seicento
Classical | Easy CD-DA, APE tracks, CUE, No Log | 1 CD, Cover, HQ | 270 MB
CD Date: May 2006 | ARSIS

Giovanni Battista Fontana (c. 1571, Brescia, Italy – c. 1630, Padova, Italy) was an Italian Baroque composer and violinist.
He worked in Brescia, Rome, Padova. He died in 1630 during a plague.
Nearly all information preserved about him comes from the preface of his posthumously published 18 (sometimes incorrectly stated 12) sonatas (Sonate a 1.2.3. per il violino, o cornetto, fagotto, chitarone, violoncino o simile altro istromento, Venice, 1641). They are among the earliest sonatas of this form, consisting of 6 sonatas for solo violin/cornetto with continuo and 12 sonatas for various instruments.
Vesselina Kasarova - Mozart Arias
Posted By : royse | Date : 03 Feb 2010 20:19:49 | Comments : 2

Vesselina Kasarova - Mozart Arias
Classical | Easy CD-DA, APE, CUE, No Log | 1 CD, Cover, LQ | 262 MB
CD Date:August 12, 1997 | RCA Red Seal

This disc was nominated for the 1998 Grammy Award for "Best Classical Vocal Performance."
Wolfgang Amadeus Mozart's compositions are, on the whole, pieces of ageless beauty. Hearing the voice of Vesselina Kasarova bring life to his arias is a testament to the power of performance. Bulgarian-born Kasarova is a unique voice, in that from early youth her musical training focused on the piano. It was only after earning her concert degree that she turned her attention to vocal performance. Her additional study adds depth to her understanding of the music, and this comes through when she sings.
Triology - Plays Ennio Morricone
Posted By : royse | Date : 03 Feb 2010 16:22:59 | Comments : 2

Triology - Plays Ennio Morricone
Classical | Easy CD-DA, FLAC tracks, CUE, No Log | 1 CD, Cover, HQ | 289 MB
CD Date: November 10, 1998 | RCA Records

The music of Ennio Morricone is, of course, cinematic in sweep and its gradations of nuance and emotion. The Vienna-based string trio Triology does an excellent job here massaging these 12 Morricone film pieces for all their cinematic dynamism, but they go further. They transform "Gabriel's Oboe" (from The Mission) into a brief, mournful Baroque-ish piece and elevate "The Man with the Harmonica" (from Once upon a Time in the West) into a howling, bent-note, shuffling delight. Pitching the violins of Daisy Jopling and Aleksey Igudesman together with the cello of Tristan Schulze, Triology utilize their lower-key ranges for deft rhythmic effect, giving Morricone's music a strong swing. With the Morricone Fistful of Film Music anthology and the John Zorn tribute, The Big Gundown, Triology's nod to the master of film music is graceful and talented and full of adventurous fun.
Penderecki: Emanations / Partita / Cello Concerto / Symphony 1
Posted By : royse | Date : 02 Feb 2010 15:13:20 | Comments : 2

Penderecki: Emanations / Partita / Cello Concerto / Symphony 1
Classical | Easy CD-DA, APE, CUE, No Log | 1 CD, Cover, LQ | 331 MB
CD Date: July 11, 1995 | EMI

Penderecki's early avant-garde works are presumably the place to start if you want to get skeptics interested - indeed, one characteristic feature of the music on this disc is that in addition to the uncompromised artistic content, there is also surface excitement; figures, tensions and dynamics that will appeal to even those not used to concentrated listening to this kind of music. And this places Penderecki in a quite special position among the vanguards of the 60s avant-garde. It should be added that the music has lost none of the urgency, intensity, originality or power, even though the shock effect of the new might be gone - these works are, as opposed to many works of the period (or any period) works that has withstood the test of time, and they must, I think, sound as absorbingly, penetratingly raw and extraordinary now as I imagine they did back then.
Donne Barroche - Baroque Women Composers
Posted By : royse | Date : 02 Feb 2010 10:17:17 | Comments : 3

Donne Barroche - Baroque Women Composers
Classical | Easy CD-DA, APE tracks, No CUE, No Log | 1 CD, Cover, HQ | 356 MB
CD Date: May 14, 2002 | Opus 111

Programs dedicated to the contributions of women composers are not that uncommon today, though few offer the richness of repertoire, expert performances, and thoughtful interpretive consideration as Bizzarrie Armoniche and Roberta Invernizzi do here. Many listeners will recognize the efforts of composers such as Barbara Strozzi and to a lesser extent Élizabeth-Claude Jacquet de la Guerre, who already are well represented on CD, though until now few (including this reviewer) had the chance to savor such exquisite pieces such as Antonia Bembo's lovely cantata Lamento della Virgin, a brazenly descriptive testimonial of nun Bembo's devotion to the crucified Christ.
Vivaldi - Wind Concerti
Posted By : royse | Date : 02 Feb 2010 10:13:52 | Comments : 1

Vivaldi - Wind Concerti
Classical | Easy CD-DA, FLAC tracks, CUE, No Log | 1 CD, Cover, HQ | 240 MB
CD Date: May 23, 1995 | Naxos

Once virtually forgotten, Antonio Vivaldi now enjoys a reputation that equals the international fame he enjoyed in his heyday. Born in Venice in 1678, the son of a barber who was himself to win distinction as a violinist in the service of the great basilica of San Marco, where the Gabrielis and Monteverdi had once worked, he studied for the priesthood and was ordained in 1703. At the same time he established himself as a violinist of remarkable ability. A later visitor to Venice described his playing in the opera-house in 1715, his use of high positions so that his fingers almost touched the bridge of the violin, leaving little room for the bow, and his contrapuntal cadenza, a fugue played at great speed. The experience, the observer added, was too artificial to be enjoyable.
Handel - Neun deutsche Arien - Gloria
Posted By : royse | Date : 01 Feb 2010 09:33:56 | Comments : 3

Handel - Neun deutsche Arien - Gloria
Classical | Easy CD-DA, FLAC tracks, No CUE, No Log | 1 CD, Cover, LQ | 357 MB
CD Date: Decem, 2009 | BIS

Among Handel's vocal works - from the early, operatic solo cantatas to the full-blown operas and the oratorios of his London years - the Nine German Arias hold a special place. Possibly composed around the time that the composer made a final journey to Germany to take leave of his ailing mother, they were Handel's last settings of texts in his native language. It seems likely that these circumstances contributed to the intimate character of these highly personal works, in combination with the texts themselves.
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