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Posted By : royse | Date : 04 Dec 2009 19:19:39 | Comments : 2

Bach: Goldberg Variations Bwv 988 / András Schiff
Classical | Easy CD-DA | FLAC tracks, CUE, No Log | 1 CD, Covers HQ | 234 Mb
Date CD: Nov, 2006 | Decca

Among recordings of Bach's monumental "Goldberg Variations" on the piano, András Schiff's 1982 set is justly famous. Unlike so many discs that have been issued in tired series designated "legendary recordings" or some other such term, this one fully lives up to the billing with its incredible delineation of Bach's contrapuntal lines. You hear every note, every hidden piece of the inner clockwork of each variation. Sample variation 14, with its trills erupting sharply from each line like spring flowers blooming with freakishly rapid intensity -- nobody else has ever given this variation such a glittering quality. Even as Schiff uses the full resources of the piano, with lots of pedal and thoroughly unidiomatic crescendos, he articulates every note Bach wrote. Schiff sets himself technical challenges and then surmounts them. Beginning with the opening Aria he sets a blistering pace -- one that may seem too fast, especially in the slow variations, to those raised on Glenn Gould's dreamy readings. But listen to the high-wire act Schiff performs in the canonic variation 21.
Posted By : royse | Date : 04 Dec 2009 19:19:09 | Comments : 3

Couperin - les Apotheoses de Lully et de Corelli
Classical | Easy CD-DA | APE tracks, No CUE, No Log | 1 CD, Covers HQ | 343 Mb
Date CD: January 1990 | ERATO
Posted By : royse | Date : 03 Dec 2009 20:08:19 | Comments : 1

Nielsen & Sibelius: Symphonies
Classical | Easy CD-DA | FLAC tracks, CUE, No Log | 1 CD, Covers HQ | 308 Mb
Date CD: January 6, 2009 | Emi Uk/Zoom
Posted By : royse | Date : 03 Dec 2009 20:08:12 | Comments : 2

The Glory of Venice - Music of Andrea & Giovanni Gabrielli
Classical | Easy CD-DA | FLAC tracks, No CUE, No Log | 1 CD, Covers LQ | 313 Mb
Date CD: August 12, 1996 | Eloquence

Stephen Cleobury conducts the Philip Jones Brass Ensemble, the Choir of King's College, Cambridge, with Richard Farnes and Stephen Layton as organists and soloists Charles Brett (counter tenor), William Kendall and Peter Hall (tenors) and Ian Caddy (bass) in a selection of works by Giovanni Gabrieli in the wonderfully resonant acoustic of the King's College Chapel. The included works are 'Quem vidistis pastores?', 'Canzones IV a 6', XII a 8, and per sonar a 4', 'O Jesu mi dulcissime', 'Jubilate Deo', 'In ecclesiis', 'Timor et Tremor', and 'O magnum mysterium'. Cleobury mixes the works for brass alone with the antiphonal works with chorus and soloists. The music is haunting and sonorous and exquisitely balanced.
Posted By : royse | Date : 03 Dec 2009 20:03:54 | Comments : 3

The Best of Fauré
Classical | Easy CD-DA | FLAC tracks, CUE, No Log | 1 CD, Covers HQ | 262 Mb
Date CD: June 22, 1999 | Naxos

This is an absolutely lovely compilation of Faure's music. Beautifully orchestrated! The CD has great sound, very clear and the recordings are wonderful. Without a doubt one of my new favorite CDs! All the songs are brilliant, but my favorite is Pavane; it is elegant and simple but extremely moving and a bit haunting. This CD would be a welcome addition to any classical music lover's library.
Posted By : royse | Date : 02 Dec 2009 19:01:44 | Comments : 1

Mozart: Così fan tutte / Te Kanawa, Murray
Classical | Easy CD-DA | APE, CUE, No Log | 3 CD, Covers HQ | 815 Mb
Date CD: September 27, 1989 | Deutsche Grammophon

This recording of Cosi fan tutte has an all star cast. Te Kanawa performs an immaculate Fiordiligi. The lyric voice of Hampson is perfectly suited for the role of Guglielmo. I'm also very glad that this recording has both of Guglielmo's arias 'Rivolgete a lui lo sguardo' (which was the original aria which was cut) and (the one which replaced it) 'Non siate ritrosi' as I definitely love both, although I prefer the Rivolgete...far better. Blochwitz has a gorgeous lyric tenor voice and performs the aria 'Un'aura amorosa...' wonderfully and brings out the subtle nuances within the music. Furlanetto also presents a strong Don Alfonso, and adds to the comic personality of the character. This is definitely an all-star mozartian cast and is worth every cent. I highly suggest this recording!
Posted By : royse | Date : 02 Dec 2009 18:50:01 | Comments : 4

Bach: Cantatas And Concertos / Kirkby, Kaiser, Arfken
Classical | Easy CD-DA | FLAC tracks, CUE, No Log | 1 CD, Covers HQ | 264 Mb
Date CD: July 24, 2001 | CARUS

One of the world’s brightest Baroque ensembles performing with one of the world’s most admired Baroque sopranos sounds an enticing proposition‚ and so it should. What is more‚ the solo cantatas on offer here are two of Bach’s most moving: Ich habe genug‚ that serene contemplation of the afterlife; and Mein Herze schwimmt im Blut‚ a relatively early work with a text which moves from the wallowing self­pity of the sinnner to joyful relief in God’s mercy. Each contains music of great humanity and beauty‚ and each‚ too‚ contains an aria of aching breadth and nobility – the justly celebrated ‘Schlummert ein’ in the case of Ich habe genug‚ and in Mein Herze the humble but assured supplication of ‘Tief gebückt’. This aria alone ought to make the cantata a more familiar one‚ but there is plenty more to recommend it‚ including a grief­laden first aria with obbligato oboe‚ a dignified chorale with obbligato cello‚ and recitatives whose expressiveness is enhanced by stoical string accompaniment.
Posted By : royse | Date : 02 Dec 2009 18:08:24 | Comments : 1

Stravinsky: Symphony In C, Symphony In 3 Movements
Classical | Easy CD-DA | FLAC tracks, CUE, No Log | 1 CD, Covers HQ | 296 Mb
Date CD: January 27, 2009 | NAXOS

No one plays Stravinsky's neo-classical works better than Robert Craft. In the Symphony in C he captures the flow of the piece perfectly, understanding that the music's wistful innocence and rhythmic freshness depends far more on precision of execution than on interpretive point-making. The Symphony in Three Movements packs a nice, hefty punch in its outer movements, and the important harp part is very well balanced in the central Andante.
Neither Dumbarton Oaks nor the Octet strikes me as top-notch Stravinsky, though judging from his notes Craft would disagree. In any case, these are wholly winning performances, totally free of artifice. Dumbarton Oaks in particular does not sound like bad Bach, but comes across as energetic and vital, the rhythmic drive of its outer movements never turning mechanical. The fine sonics remain remarkably consistent despite the various recording locations and dates. Highly recommended.
Posted By : royse | Date : 01 Dec 2009 21:32:35 | Comments : 7

Mahler - Symphony 5 - Barshai
Classical | Easy CD-DA | FLAC tracks, No CUE, No Log | 1 CD, Covers LQ | 342 Mb
Date CD: December 21, 1999 | Laurel Record

This live performance of Barshai conducting an elite group of German high school music students is, in my opinion, among the best accounts of this symphony. It is very powerful in a direct, unmannered way, with a swift, flowing approach to the adagietto akin to that of the classic Bruno Walter-NYPO recording. Moreover, the quality of orchestral playing is on a par with leading professional ensembles, and the sound quality is quite good, in particular, conveying percussive details either missed or slighted in most other recordings I have heard, though this may be as much Barshai's doing as that of the recording team.
To order, go to the laurel records site. Not cheap, but well worth it.
Posted By : royse | Date : 01 Dec 2009 21:28:21 | Comments : 2

Naxos Historical - The Great Violinists
Classical | Easy CD-DA | FLAC tracks, CUE, No Log | 2 CD, Covers HQ | 464 Mb
Date CD: September 23, 2003 | NAXOS
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Posted By : royse | Date : 01 Dec 2009 21:17:54 | Comments : 1

Vivaldi - Sacred Music for Solo Voices & Orchestra
Classical | Easy CD-DA | APE, CUE, No Log | 1 CD, Covers HQ | 270 Mb
Date CD: April 5, 1991 | Philips

The Nisi Dominus, RV608 belongs to Vivaldi’s early period at the Pieta. Nisi Dominus is a Vespers psalm. During the later baroque period it was the Sunday Vespers which attracted most attention from composers.
Posted By : royse | Date : 30 Nov 2009 19:02:18 | Comments : 3

English 18th Century Keyboard Concertos
Classical | Easy CD-DA | FLAC tracks, No CUE, No Log | 1 CD, Covers LQ | 361 Mb
Date CD: May 1994 | Hyperion UK

Posted By : royse | Date : 30 Nov 2009 19:02:04 | Comments : 4

Debussy - Pelléas et Mélisande
Classical | Easy CD-DA | APE tracks, No CUE, No Log | 1 CD, Covers HQ | 707 Mb
Date CD: May 1996 | RCA

This recording rightfully takes it's place, I feel, as the very best interpretation, in total, of all the modern ones available to us, since the Desormier of the 50's....one of those rare occasions where everything "just falls in place" by one of those strokes of good luck. Command, Soyer, Dormoy, Bacquier, and Taillon ALL are ideally suited to their individual roles, and Baudo is truly one of the GREAT interpreters of this monumental work. The sound is just wonderful.
Posted By : royse | Date : 30 Nov 2009 15:35:38 | Comments : 3

Boccherini: Quintetti Op. 56 & 57
Classical | Easy CD-DA | FLAC tracks, No CUE, No Log | 2 CD, Covers HQ | 617 Mb
Date CD: November 12, 2002 | Astree

Luigi Rodolfo Boccherini (February 19, 1743 – May 28, 1805) was an Italian classical era composer and cellist whose music retained a courtly and galante style while he matured somewhat apart from the major European musical centers. Boccherini is most widely known for one particular minuet from his String Quintet in E, Op. 11, No. 5 (G 275), and the Cello Concerto in B flat major (G 482). This last work was long known in the heavily altered version by German cellist and prolific arranger Friedrich Grützmacher, but has recently been restored to its original version. His music was clearly influenced by the Spanish and Mediterranean style in that he composed several quintets for guitar.
Posted By : royse | Date : 29 Nov 2009 23:46:13 | Comments : 2

Barber - Adagio, Violin Concerto
Classical | Easy CD-DA | FLAC tracks, CUE, No Log | 1 CD, Covers HQ | 275 Mb
Date CD: May 98 | DECCA

Over the last few years a surprising number of fine recordings have appeared of the Barber Violin Concerto, notably those from Gil Shaham and Itzhak Perlman, both ripely romantic with the soloist sounding all the richer for being forwardly placed. These two latest versions both have the soloist less forward, and though in places the results are less inviting, the poetry is if anything even more intense, notably in Bell’s Decca recording. There in the central slow movement the long, opening oboe solo leads to a magically hushed first entry for the violin, rapt and intense, and the balance of the soloist also allows a quicksilver lightness for the rushing triplets in the moto perpetuo finale. Shaham may find more humour in that brief movement, but Bell’s view is equally valid, and can be recommended strongly if the Walton/Bloch coupling is preferred.