| “ | THE NEY Mystics' favourite musical instrument, para-religious, esoteric or profane instrument, it is simply called as the vegetal : "ney" meaning reed in Persian. | ” |
| “ | Action, poi, and love songs, stick games and hakas performed by various Maori singers and groups. | ” |
| “ | Soliman Gamil experiments with Egyptian folk music instruments to extract the capacity of the innate dramatic expression of thousands of years ago | ” |
| “ | The present recording is based upon the work of Suzanne Haïk Vantoura to decode the monophonic notation which accompanies the Hebrew Old Testament | ” |
| “ | Musique chorale russe orthodoxe et oeuvres chorales sacrées bulgares | ” |
| “ | Originally composed in 1978 for the King Tutankhamun Exhibit at the Seattle Art Museum. Inspired by the artistry of the ancient treasures and the religious symbolism of the Egyptian Book of the Dead which suggested the titles of the compositions. | ” |
| “ | Collection of urban songs and instrumentals recorded between 1927 and 1946 by Greek musicians centred on the underground world | ” |
| “ | Arabic art music is based on the taqâsîm, themes cast in an improvised form which the instrumentalist unfolds and expands in elaborate styles and in free rhythmic patterns. In vocal music this kind of improvisation is called Layâlî. | ” |
| “ | For more than 40 years, Maria del Mar Bonet has been one of the major voices of Mediterranean music. Born in Palma de Majorca, she moved to Barcelona at the end of the 60's and formed part of what was called 'La Nova Canco' (The New Song), an artistic movement that emerged during the final years of General Franco's dictatorship. Other famous members of the movement are Joan Manual Serrat and Lluis Llach. Raixa (the name of a garden in Majorca), was recorded in concert at Placa Del Rei Barcelona and celebrates Bonet's 25th year of concerts in this venue. -- amazon.com | ” |
| “ | La waṣla est une suite de pièces vocales et instrumentales composées et improvisées dans le même maqām. La présentation d'une waṣla repose sur un soliste, un chœur d'hommes et un ensemble instrumental qui se joint au chœur. L'ensemble des pièces d'une waṣla inclut des œuvres de plusieurs poètes et compositeurs. | ” |
| “ | Hery Cortés kam 1972 mit der Gruppe LOS RUPAY nach Europa. 1978 gründete er seine eigenen Gruppe UKAMAU, der heute außer ihm selbst seine Frau Isabel und seine Söhne José Domingo und Juan Manuel angehören. Hery Cortés versteht seine Arbeit folgendermaßen: „Die indianische Musik ist die Stimme eines gedemütigten Volkes auf der Suche nach seiner vollständigen Befreiung." | ” |
| “ | Stylistically, de Monte's Madrigali are closer to those of Palestrina than to the madrigals of Orlando di Lasso. One rarely finds the 'modern' stylistic elements of 'word painting' and chromaticism that are so characteristic of di Lasso's madrigals. De Monte tends to be more conservative in approach, which may in part be explained by the rather cautious taste of the German (Holy Roman) Emperors. | ” |
| “ | Also named Guzheng, the Zheng is sometimes known as the chinese zither, and in Japan it is called koto. The traditional Zheng has 13 to 16 strings but some modern models have as many as 25 to 30 strings. It is tuned to the pentatonic scale with a range exceeding three octaves. | ” |
| “ | It is the chief accompanying instrument included in all forms of Greek folk music ensembles, both on the mainland and the islands. It is often found in small ensembles, such as lyre-lute, violin-lute, clarino-lute. When used for accompaniment, the lute keeps the rhythm, beating the various rhythmic combinations. | ” |
| “ | Compilación de dos grabaciones anteriores de los años '90: • Distant Love, Songs of Jaugre Rudel & Martin Codax (Paul Hillier & Andres Lawrence-King) • Cantigas from the Court of Dom Dinis (Theatre of Voices, Paul Hillier). | ” |
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