With version 4, KONTAKT enhances its position as the professional's sampler of choice. Building on the outstanding features of the previous versions, including the unrivaled audio engine and state-of-the-art semi-modular architecture, KONTAKT 4 delivers new sonic horizons for your music.

Sonic Implants’ Symphonic Brass Collection, featuring solo and ensemble French Horns, Trombones, Trumpets and Tubas, is the newest addition to Sonic Implants’ premium Symphonic Collection. Like the acclaimed Symphonic String Collection, this is another “must have” library for composers and producers.

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This Symphonic Brass Collection has it all: beautiful, rich samples, well-chosen range of articulations, consistency across velocity layers, and superior programming. If you want realism and playability, this is the brass choir to get. Dean Grinsfelder Credits Include: Shows for Discovery Channel, UPN, Fox, A&E CBS, the Learning Channel, PBS, plus numerous film trailers and commercials

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Having received high acclaim for the Solo Woodwinds, the Vienna Symphonic Library team felt compelled to create the Woodwind Ensembles, implementing the same exhaustive use of our Performance Elements.

Kyrill<Kirill> Kondrashin was principal conductor of the Moscow Philharmonic Orchestra from 1960 to 1975. A friend of the composer for 40 years, he saw him as "the moral conscience of music in Russia" and made a close study of his symphonies, which he insisted were "inseparable from the events of the composer's life".

Kyrill<Kirill> Kondrashin was principal conductor of the Moscow Philharmonic Orchestra from 1960 to 1975. A friend of the composer for 40 years, he saw him as "the moral conscience of music in Russia" and made a close study of his symphonies, which he insisted were "inseparable from the events of the composer's life".

Kyrill<Kirill> Kondrashin was principal conductor of the Moscow Philharmonic Orchestra from 1960 to 1975. A friend of the composer for 40 years, he saw him as "the moral conscience of music in Russia" and made a close study of his symphonies, which he insisted were "inseparable from the events of the composer's life".

Kyrill<Kirill> Kondrashin was principal conductor of the Moscow Philharmonic Orchestra from 1960 to 1975. A friend of the composer for 40 years, he saw him as "the moral conscience of music in Russia" and made a close study of his symphonies, which he insisted were "inseparable from the events of the composer's life".

Kyrill<Kirill> Kondrashin was principal conductor of the Moscow Philharmonic Orchestra from 1960 to 1975. A friend of the composer for 40 years, he saw him as "the moral conscience of music in Russia" and made a close study of his symphonies, which he insisted were "inseparable from the events of the composer's life".

Kyrill<Kirill> Kondrashin was principal conductor of the Moscow Philharmonic Orchestra from 1960 to 1975. A friend of the composer for 40 years, he saw him as "the moral conscience of music in Russia" and made a close study of his symphonies, which he insisted were "inseparable from the events of the composer's life".

Kyrill<Kirill> Kondrashin was principal conductor of the Moscow Philharmonic Orchestra from 1960 to 1975. A friend of the composer for 40 years, he saw him as "the moral conscience of music in Russia" and made a close study of his symphonies, which he insisted were "inseparable from the events of the composer's life".

Kyrill<Kirill> Kondrashin was principal conductor of the Moscow Philharmonic Orchestra from 1960 to 1975. A friend of the composer for 40 years, he saw him as "the moral conscience of music in Russia" and made a close study of his symphonies, which he insisted were "inseparable from the events of the composer's life".

Kyrill<Kirill> Kondrashin was principal conductor of the Moscow Philharmonic Orchestra from 1960 to 1975. A friend of the composer for 40 years, he saw him as "the moral conscience of music in Russia" and made a close study of his symphonies, which he insisted were "inseparable from the events of the composer's life".

Kyrill<Kirill> Kondrashin was principal conductor of the Moscow Philharmonic Orchestra from 1960 to 1975. A friend of the composer for 40 years, he saw him as "the moral conscience of music in Russia" and made a close study of his symphonies, which he insisted were "inseparable from the events of the composer's life".

Completed in 1911, Petrouchka was the second of Stravinsky's great ballets and is one of the most famous ballet scores of the twentieth century, equally at home in the concert hall as in the theatre. Now published in The Masterworks Library: Landmark 20th century works from the Boosey & Hawkes catalogue available for the first time in full score format at pocket score prices with introductory notes, illustrations and photographs. Ideal for students, conductors, performers, libraries, CD collectors and general music enthusiasts.

Sibelius 6 is a giant leap forward for the world¿s best-selling notation software, with new features and workflow improvements for educators, students, composers, arrangers, copyists and musicians of all kinds. Magnetic Layout makes your scores beautiful right from the very first note, Versions allows you to track progress and easily collaborate with others, Live Tempo puts you on the podium so that you can conduct your compositions from your keyboard, ReWire makes synchronizing Sibelius with Pro Tools a snap, and the integrated Sibelius Player, using technology from the award-winning Structure sampler for Pro Tools and high-quality sampled sounds, means that your creations sound better than ever!