James Galway, Moray Welsh, Solisti di Zagreb, Phillip Moll, Kyung-Wha Chung

Extensions was released on October 31, 1979 and debuted on Billboard's Top Pop Album charts on December 8, 1979. Extensions began what Alan recalls as "a new chapter for the group." Artistically and commercially, their fourth studio album was one of several new levels: It was the first one with Cheryl Bentyne, who had replaced Laurel Masse. Cheryl proved to be the perfect complement to the group's already dynamic style and performance. It was also the first album that contained hits in both the jazz and pop categories. "Twilight Zone/Twilight Tone" went to #30 and "Trickle, Trickle" went to #73 on the Billboard's Hot 100 chart. Overall, the album peaked at #55 on the Billboard Top LP's chart. "A very exciting time," Janis remembers.

This self-titled album is the first of four albums recorded by the second incarnation of The Manhattan Transfer: Tim Hauser, Janis Siegel, Alan Paul and Laurel Massé. The album was released on April 2, 1975 and debuted on Billboard's Top Pop Album charts on May 3, 1975 and eventually went to #33, based partially on the strength of the single "Operator" which went to #22 on Billboard's Hot 100 Chart.

This self-titled album is the first of four albums recorded by the second incarnation of The Manhattan Transfer: Tim Hauser, Janis Siegel, Alan Paul and Laurel Massé. The album was released on April 2, 1975 and debuted on Billboard's Top Pop Album charts on May 3, 1975 and eventually went to #33, based partially on the strength of the single "Operator" which went to #22 on Billboard's Hot 100 Chart.

Composers: Jacques Ibert, Aram Khachaturian, et al.
Artists: Jean-Pierre Rampal (flute), Robert Veyron-Lacroix (piano)
Conductor: Louis de Froment, Jean Martinon, et al.
Orchestra/Ensemble: Lamoureux Concerts Association Orchestra, ORTF National Orchestra
Release Date: November 3, 1992
Format: CD (2 Discs)

Mecca For Moderns was the highest charting album for The Manhattan Transfer, peaking on Billboard's Top Pop Album charts at #22. The album also helped The Manhattan Transfer make music history by becoming the first group to win Grammy Awards in both the pop and jazz categories in the same year. "Boy From New York City" became their first top 10 hit, reaching #7 on Billboard's Hot 100 charts. The song also won them the Grammy for "Best Pop Performance by a Duo or Group with Vocal." "Until I Met You (Corner Pocket)" earned them a Grammy for "Best Jazz Performance, Duo or Group." The song "Spies In The Night" also charted on Billboard's Bubbling Under charts, peaking at #103.