DSType Priva Pro WinALL Commercial FontSet
DSType Volupia WinALL Commercial FontSet
FF Jambono Commercial FontSet
FF Meta 3 WinALL Commercial FontSet
HI United Entire Collection WinALL Commercial FontSet
T26 Dirt Devil WinAll Commercial Font
T26 Gazz WinAll Commercial Font

This Collection includes:
*Serif, Sans, and Italic Styles
*Unique Stencil Styles
*Featured in the Smithsonian's Cooper Hewitt Triennial Exhibit in 2003
*Readable in Text and Display Applications
*105 Fonts
*Five Widths
*Seven Weights

Fakir is a Hindu ascetic or religious mendicant, especially one who performs feats of magic or endurance. The well known feats performed by them include sitting steadily on a bed of nails and walking on burning coals.
Blackletter was a script used throughout Western Europe from approximately 1150 to 1500. It continued to be used for the German language until the 20th century.

As one of the most widely used typefaces in the world, Erik Spiekermann's FF Meta requires little introduction. Since its original release in 1991, the family has grown steadily with versions suited for various purposes and to support many of the world's languages. With this FontFont release Light, Thin, and Hairline weights are added to the FF Meta family, greatly expanding the family's range of use. The Hairline weight is so paired down, one might say it represents the essence of FF Meta.

185 Fonts from Canada Type including several NEW fonts like Silk Script, Fantini and Genie - True Type andType One - 9,6 Mb

"Whomp" OpenType Script Font & User's Guide - 1,6 Mb
About this typeface
"Whomp" takes its inspiration from the work of an American master in sign painting and alphabet manipulation: Alf Becker. In 1932, Becker began designing a series of alphabets to be published in [EM]Signs of the Times[/EM] magazine at the rate of one alphabet per month. Nine years later, 100 of those alphabets were compiled in one book that became an enormous success among sign painters.
In the late 1990s and early 2000s, many Alf Becker alphabets were digitized with blurbs that falsely credit them as "an Alf Becker typeface". Alf Becker was not really a typeface kind of guy. He was more of a calligrapher and sign painter. His alphabets were either incomplete or full of variations on different letters, and didn't become typefaces until the digital era.

Commercial Fonts Bay Animation - 2322 TrueType fonts - 58 Mb

Ambroise is a contemporary interpretation of various typefaces belonging to Didot’s late style, conceived circa 1830, including the original forms of g, y, &; and to a lesser extent, k. These characters are found in Vibert’s typefaces. Vibert was the appointed punchcutter of the Didot family during this period. It is the Black, of which sources were surest, and which was the basis for the conception of the family. In the second half of the 19th century, it was normal to find fat Didots in several widths in the catalogs of French type foundries. These same typefaces continued to be offered until the demise of the big French foundries in the 1960s.