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King Crimson - Discipline [Japan LP 1st pressing / 28MM 0064] 24-bit/96kHz & CD-compatible format

Posted By : aksman | Date : 26 Sep 2010 19:47:12 | Comments : 17 |
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King Crimson - Discipline
Japan LP 1st pressing / 28MM 0064
Vinyl rip in 24-bit/192kHz (converted to 24/96 & 16/44.1) | FLAC | m3u, cue & Tech Log
Artwork | 800 / 225 mb incl. recovery | Rapidshare & Filefactory | ProgRock | 1981

Allmusic.com rating: 4.5 / 5

Many Crimson fans consider this album one of their best, right up there with In the Court of the Crimson King. It's easy to understand why after you hear the inspired performances by this hungry new version of the band.


Discipline is an album by the band King Crimson, released in 1981. This album was King Crimson's first album following a seven-year hiatus. Only founder Robert Fripp and later addition Bill Bruford remained from previous incarnations. The rest of the band was Adrian Belew (guitar, vocals), who had played with David Bowie and Frank Zappa, and Peter Gabriel alumnus Tony Levin (bass, Chapman Stick). The album resulted in a more updated 1980s new wave pre-techno sound mixed with the previous dark and heavy sounds of the 1970s.

Song notes

"Matte Kudasai" literally means "please wait". The original release of Discipline featured only one version of "Matte Kudasai", with a guitar part by Robert Fripp that was removed from the track on a subsequent release of the album. The latest versions of the album to be released contains both versions of the song - track 3, "Matte Kudasai", without Robert Fripp's original guitar part; and track 8, "Matte Kudasai (alternative version)", with the guitar part included.

The lyrics of "Indiscipline" were based on a letter written to Adrian Belew by his then-wife Margaret, concerning a sculpture that she had made.

"Thela Hun Ginjeet" is an anagram of "heat in the jungle". When it was first performed live, some of its lyrics were improvised around an illicit recording made by Robert Fripp of his neighbours having a vicious argument when he was living in New York; this recording is featured on the track "NY3" on Fripp's solo album Exposure. While the track was being recorded for the Discipline album, Adrian Belew, walking around Notting Hill Gate in London with a tape recorder looking for inspiration, was harassed first by a gang and then by the police. On returning to the studio, he gave a distraught account to his bandmates of what had just happened to him. This account was recorded by Fripp without Belew's knowledge as well, and is featured on the Discipline version of the track (as well as almost all live versions), in place of those earlier lyrics that were based on Fripp's New York recording.

"The Sheltering Sky" is named after and partially inspired by the 1949 novel of the same name by Paul Bowles. Bowles is often associated with the Beat generation, which would be an inspiration for King Crimson's subsequent studio album Beat.

Live versions of "Elephant Talk", "Indiscipline", and "Thela Hun Ginjeet" included partial vocal improvization during spoken-word parts. One such example can be found in the August 13, 1982 performance, which, as of February 19, 2007, was still available for free download in both MP3 and FLAC formats from DGM. (sample (from "Indiscipline"))

The band used the Celtic knot on the original LP cover without knowing that it was copyrighted, and for the most recent releases, it is replaced with a similar knot redesigned by Steve Ball (used with his permission). The back cover features the statement "Discipline is never an end in itself, only a means to an end".




Track listing

All songs written by Adrian Belew, Bill Bruford, Robert Fripp and Tony Levin.

    Side one

    "Elephant Talk" – 4:43
    "Frame by Frame" – 5:09
    "Matte Kudasai" – 3:47
    "Indiscipline" – 4:33

    Side two

    "Thela Hun Ginjeet" – 6:26
    "The Sheltering Sky" – 8:22
    "Discipline" – 5:13


Personnel
    Adrian Belew – guitar, lead vocals
    Robert Fripp – guitar, devices (Frippertronics)
    Tony Levin – Chapman stick, bass, backing vocals
    Bill Bruford – drums, percussion


Dynamic Range analyzis
----------------------------------------------------------------------------------------------
Analyzed folder: D:\Recording\16-44 (redbook)\King Crimson - Discipline (1981) [flac] {Japan LP 1st press; 16-44}\
----------------------------------------------------------------------------------------------
DR Peak RMS Filename
----------------------------------------------------------------------------------------------

DR15 -0.58 dB -17.53 dB A1 - Elephant Talk.wav
DR13 -1.29 dB -17.20 dB A2 - Frame by Frame.wav
DR11 -2.25 dB -16.61 dB A3 - Matte Kudasai.wav
DR11 -0.86 dB -15.53 dB A4 - Indiscipline.wav
DR13 -0.33 dB -15.67 dB B1 - Thela Hun Ginjeet.wav
DR13 -4.63 dB -21.45 dB B2 - The Sheltering Sky.wav
DR15 -1.69 dB -18.71 dB B3 - Discipline.wav
----------------------------------------------------------------------------------------------

Number of files: 7
Official DR value: DR13

==============================================================================================


Technical Log

RCM Hannl 'limited' with "Rotating Brush"
Music Hall MMF 9.1 Turntable
Tonearm: Pro-Ject 9cc evo with Pure Silver Wires
Cartridge: Nagaoka MP-500
Brocksieper Phonomax (Tube Phono PreAmp)
E-MU 0404 external USB 2.0 Audiointerface
Interconnections : Silent Wire NF5
WaveLab 6 recording software
iZotope RX Advanced 1.21 for resampling and dithering

Vacuum cleaning > TT > Brocksieper Phonomax > E-MU 0404 > WaveLab 6 (24/192) > manual click removal >
analyze (no clipping, no DC Bias offset) > converted to 24/96 (16/44.1) with iZotope RX Advanced 1.21
> split into individual Tracks > FLAC encoded (Vers. 1.21)

No silence been removed, please burn gapless to match original tracklayout.


Personal Note

With my vinyl transfers, I try to catch the whole beauty of vinyl records; therefore I don't use any post-processing or any sound improvement. What you get is a clear and flat transfer. For getting a clear sound, I'll do an extended washing of each record with my RCM, which can take up to 30 minutes brushing on each side. Resistant ticks and clicks I try to remove as good as possible, but the priority is not to lose any musical information in the process. Surface noises, as long they are not too high, are left in place. Only on bad pressings or on records recorded at extremely low levels do I use a fade in-/-out. As John Peel said, "Life is full of surface noises." In some cases this means that I have to make a compromise.... The result has to pass my personal quality criteria, which is IMO quite high.



Links: (File Factory) Folder

Links: (RS.com) Folder

The files are within the folders.
High resoulution files are marked as 2496, CD-compatible files as 1644


The files are interchangeable!!!

Pass: pls use my nick

Hope you enjoy!!!

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Posted By: meurglys0 Date: 26 Sep 2010 21:53:53
Thanks man. I love every King Crimson album between 1969-1984. I hope you kindly upload all of them.
Posted By: wersollsschonsein Date: 26 Sep 2010 22:05:46
Cheers from Ireland.
Posted By: Dreasy Date: 26 Sep 2010 22:19:42
Thanks aksman, you and Doc are filling my KC collection. I needed these gems like air :)
Posted By: tubert Date: 26 Sep 2010 22:23:07
Thanks aksman. I'm a big Crimson fan but perhaps an even bigger Belew fan (at least from 1980 onwards). For me this is the penultimate collaboration of the two. I mean, this is a DANGEROUS place! This album has been posted before but not this pressing. I can't wait to hear it.


Rock on Aksman! Rock on ALL vinyl rippers!

}---:)
Posted By: MusicLoverMan Date: 27 Sep 2010 00:34:30
Thank You!
Posted By: charliewards Date: 27 Sep 2010 03:08:04
Outstanding album! Many thanks aksman.

I'm also a big Belew fan... anyone have a vinyl rip of "Lone Rhino"?
Posted By: Equalizer23 Date: 27 Sep 2010 07:13:58
Thanks aksman
Great to see this wonderful album in LP form
Posted By: ash49 Date: 27 Sep 2010 07:51:29
very kind of you
Posted By: nedjo Date: 27 Sep 2010 08:04:11
Thanks aksman,
Posted By: durant35 Date: 27 Sep 2010 17:05:52
Would be this one better than SuperFuzz's original UK pressing vinyl? Yes, everyone deserves to say like "Just download it and compare by yourself." but it takes long to me so please understand that everyone wants to listen to better sound eventually. Someone's 20 seconds spent comment could save my 20 hours.
Posted By: jorgeluiz Date: 28 Sep 2010 12:56:24
sounds better than my cd(collection) remastered by R.Fripp with several(5) musics from this album.(can you believe?!?)
this is really a gem brother aksman.
thanks again for your precious job and care in 96-24, the sound is soft and the notes are more than clevers..levels? perfects!
cheers! :-)
Posted By: infernale81 Date: 29 Sep 2010 11:46:46
Thank you for this great album in fantastic quality!

Kind regards
Posted By: thequick1 Date: 30 Sep 2010 09:34:51
Great, thanks as always aksman
Posted By: BasoFF Date: 08 Aug 2011 19:52:54
File Factory say Could not find a folder matching your request

RS say LinkList is password protected.

HELP PLS help download this great album
Posted By: meehoo Date: 30 Aug 2011 12:41:50
The album is no longer downloadable. NEither from File Factory nor RS. and I'd love to have it. :/
Posted By: looro Date: 30 Sep 2011 07:17:05
please reup
Posted By: LarryKern Date: 10 Mar 2012 16:33:27
Please re-up!
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