Loading...
Done
Home > Vinyl & HR

Boz Scaggs - Boz Scaggs (1969) [Friday Music 180g LP] 24-bit/96kHz & CD-format; New Rip!!

Posted By : aksman | Date : 10 Sep 2011 16:29:34 | Comments : 12 |
|



Boz Scaggs - Boz Scaggs
Vinyl rip in 24-bit/192kHz (presented in 24/96 & 16/44.1) | FLAC | m3u, cue & Tech Log
Artwork | DR Analysis | 911 / 265 mb incl. recovery | FSonic, FF & WU | Rock | 1969
Half-speed mastered from the original analog master tapes by J. Reagoso & R. McMaster
Friday Music 180g LP / Cat.#: FRM 9003

It would grow smoother and more assured over the years, but the slight bit of raggedness suits the funky, down-home performances and helps make this not only a great debut, but also an enduring blue-eyed soul masterpiece.
- Stephen Thomas Erlewine/AMG (4.5/5 Stars)


Boz Scaggs is the second album by Boz Scaggs. After two years with the Steve Miller Band, Scaggs once again set out on his own, recording at Muscle Shoals Sound Studio in Muscle Shoals, Alabama. The musicians include Duane Allman, Eddie Hinton, Jimmy Johnson, Barry Beckett, David Hood, Roger Hawkins and Al Lester. Produced by Rolling Stone Magazine Founder and Editor Jann Wenner, Boz Scaggs and Marlin Greene.

The album (SD-8239) sold slowly despite positive reviews. It remained in the catalog for a number of years and was deleted.

Originally mixed by Stax Records' engineer Terry Manning, in 1977 the album was remixed in Los Angeles by Tom Perry and was released by Atlantic (SD-19166) in 1978 to spotlight Duane Allman's guitar playing. The result was that many of the background voices and keyboards were much lower in the mix. This is the only mix currently available on CD, with the exception of "Loan Me a Dime" which is featured on the Duane Allman: An Anthology in its original incarnation.

In 2008, the album was reissued by Friday Music on a 180 gram vinyl LP using the original mix for the first time since the album was originally released.



Track listing

All tracks composed by Boz Scaggs; except where indicated
    Side A

    "I'm Easy" (Scaggs, Barry Beckett)
    "I'll Be Long Gone"
    "Another Day (Another Letter)"
    "Now You're Gone"
    "Finding Her"
    "Look What I Got" (Charles Chalmers, Donna Rhodes)

    Side B

    "Waiting for a Train" (Jimmie Rodgers)
    "Loan Me a Dime" (Fenton Robinson)
    "Sweet Release (aka Desolation Avenue)" (Scaggs, Barry Beckett)

Personnel
    Boz Scaggs – guitar, vocals
    Tracy Nelson – background vocals
    Jeanie Greene – background vocals
    Duane Allman – guitar, dobro, slide guitar
    Joe Arnold – tenor saxophone
    Barry Beckett – keyboards
    Ben Cauley – trumpet
    Charles Chalmers – tenor saxophone
    Joyce Dunn – background vocals
    Roger Hawkins – drums
    Eddie Hinton – guitar, slide guitar, dobro
    Mary Holliday – background vocals
    David Hood – bass
    Jimmy Johnson – guitar
    Al Lester – fiddle, violin
    Gene Miller – trombone, trumpet
    James Mitchell – baritone saxophone
    Floyd Newman – baritone saxophone
    Terry Manning – engineer
    Irma Routen – background vocals
    Donna Thatcher – background vocals

Notes
    (P)2008 Atlantic Recording Corp. Produced under license from Atlantic Recording Corp.
    Manufactured by Rhino Entertainment Company.

    "FridayMusic Vinyl presents Boz Scaggs"
    1/2 Speed Master from original 1969 source tapes
    Limited Edition (2000 run) in Texture Classic Gatefold Cover"

    "Half Speed Mastering at Frieday Music Studios
    Surf City, California June 2008
    This fine Album is pressed on 180 Gram audiophile Vinyl with a protective poly-lined album sleeve. Enjoy!"

    Made in the U.S.A.

Dynamic Range

--------------------------------------------------------------------------------
Analyzed: Boz Scaggs / Boz Scaggs
--------------------------------------------------------------------------------

DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR12 -3.41 dB -17.86 dB 3:03 01-I'm Easy
DR11 -1.89 dB -16.72 dB 4:02 02-I'll Be Long Gone
DR11 -2.14 dB -16.21 dB 3:13 03-Another Day (Another Letter)
DR12 -1.54 dB -15.60 dB 3:50 04-Now You're Gone
DR11 -2.68 dB -17.27 dB 4:10 05-Finding Her
DR11 -1.60 dB -16.36 dB 4:13 06-Look What I Got
DR12 -1.46 dB -15.60 dB 2:40 07-Waiting for a Train
DR13 -1.22 dB -18.99 dB 12:59 08-Loan Me a Dime
DR11 -1.76 dB -15.78 dB 6:20 09-Sweet Release (aka Desolation Avenue)
--------------------------------------------------------------------------------

Number of tracks: 9
Official DR value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 765 kbps
Codec: FLAC
================================================================================


Technical Log

RCM Hannl 'limited' with "Rotating Brush"
Music Hall MMF 9.1 Turntable
Tonearm: Pro-Ject 9cc evo with Pure Silver Wires
Cartridge: Nagaoka MP-500
Brocksieper Phonomax (Tube Phono PreAmp)
E-MU 0404 external USB 2.0 Audiointerface
Interconnections : Silent Wire NF5
WaveLab 6 recording software
iZotope RX Advanced 2.00 for resampling and dithering

Vacuum cleaning > TT > Brocksieper Phonomax > E-MU 0404 > WaveLab 6 (24/192) > manual click removal >
analyze (no clipping, no DC Bias offset) > converted to 24/96 (16/44.1) with iZotope RX Advanced 2.00
> split into individual Tracks > FLAC encoded (Vers. 1.21)

No silence been removed, please burn gapless to match original tracklayout.


Ripping Note

Friends, take my advíce to never listened to vinyl while drinking.... You could feel sorry later. This happens to me to this record. Too much beer and the record slips out of my hand and gets scratched on the last song of side one. Luckily I could remove all clicks so you can enjoy the whole beauty. For me this record is now a reminder of one wild party ;)


All files are inside the folders.
High resoulution files are marked as "hr", CD-compatible files as "rb".


The files are interchangeable!!!

Hope you enjoy!!!

Check my blog for more audiophile stuff.



Links: (Filesonic) Folder

Links: (Filefactory) Folder

Links: (WUpload) Folder

Pass: aksman
ADVERTISING » High Speed Download « ADVERTISING




Posted By: eventide Date: 10 Sep 2011 16:50:32
Thanks aksman, not only for bringing us the finest selection in music but also for your experienced advices (not ironical). +1 for never playing vinyl while drinking.
Here's another one: Don't let your unexperienced friends handle your vinyls. After having a friends fingerprints all over a disc, I never let anyone touch anything again :P

Fornutately it was only the record that was damaged here and not the gear, so let's be thankful for that. ;)

Oh and thanks for the recording and for cleaning the damaged parts up. It's nice music if you're in the right mood and I'll give it a try when I am.
Posted By: terra6 Date: 10 Sep 2011 16:53:02
Gruss und Dank aus Eierland. Cheers aks!
Posted By: Dr. Robert Date: 10 Sep 2011 16:55:48
Many thanks for this upgrade. This release was the first new record I bought in over 25 years all thanks to your previous rip. My copy is still in mint condition.
Posted By: rokosh Date: 10 Sep 2011 19:18:24
And thanks from me too; any Scaggs is (always) appreciated. Maybe Silk Degrees down the line?
Posted By: garybx Date: 10 Sep 2011 19:51:35
Thanks for this rip. It will be interesting to compare it to the original release.
Posted By: priority Date: 10 Sep 2011 23:21:09
Nice, thanks for this Boz Scaggs rip
Posted By: Ear Relevant Date: 11 Sep 2011 00:41:48
Thanks for the chance to hear a new rip of Friday Music's Boz Scaggs S/T.

I prefer your Feb.2009 rip. This one has too much energy in the vocal sibilants for me.

The new artwork is, of course, much better!

Cheers.
Posted By: greatfranks Date: 11 Sep 2011 04:11:50
aksman,

if i were in a squirrel hole with another man, and i wanted to listen to some great vinyl, i'd pick you!
Posted By: appreciative Date: 15 Sep 2011 15:40:18
My comparison to the 2009 rip has been very brief. I wanted a first impression (and will listen to both more carefully later) but based on some recent rips here from aksman's current rig (the James Taylor "JT" in particular) expected to concur with Ear Relevant's concern.

However, I don't yet hear the excessive or even minor vocal sibilance he mentions. I do easily hear more detail and honest character of both instruments and Scagg's voice without hyped-up treble.
Posted By: humyaimakmak Date: 17 Sep 2011 02:34:33
Many thanks, aksman!
Posted By: cuddlywudly Date: 28 Sep 2011 11:22:47
thanks aksman, I listened to this rip (Redbook version) and I do not hear any sibilance issues.
Posted By: nedjo Date: 30 Sep 2011 07:35:06
Thanks Aksman,
Recent searches: