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Talking Heads - Fear of Music (1979) [Sire LP, German 1st pressing] 24-bit/96kHz & CD-format

Posted By : aksman | Date : 30 Aug 2011 05:29:46 | Comments : 16 |
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Talking Heads - Fear of Music
Vinyl rip in 24-bit/192kHz (presented in 24/96 & 16/44.1) | FLAC | m3u, cue & Tech Log
Artwork | DR Analysis | 825 / 245 mb incl. recovery | FSonic, FF & WU | Rock | 1979
Sire LP (German 1st pressing) / Cat.#: SIR 56707
Mastered @ Strawberry Mastering, London

I'm impressed with the gritty weirdness of the music.... - Robert Christgau (A-)


Fear of Music is the third studio album by American New Wave band Talking Heads, released on 3 August 1979 on Sire Records. It was recorded at locations in New York City between April and May 1979 and was produced by the quartet and Brian Eno. The album entered the Billboard 200 in the United States at number 21 and peaked at number 33 on the UK Albums Chart. Three songs were released as singles between 1979 and 1980: "Life During Wartime", "I Zimbra", and "Cities". The record was certified Gold in the U.S. in 1985.

Fear of Music received favourable reviews from critics. Praise centred on its unconventional rhythms and frontman David Byrne's lyrical performances. The record is often considered one of the best Talking Heads releases. It has featured in several publications' lists of the best albums of all time. England's Channel 4 named the record at number 76 in its 2005 countdown of The 100 Greatest Albums. In 2006, it was remastered and reissued with four bonus tracks.


Critical reception

The album was well received by reviewers. Jon Pareles, writing in Rolling Stone, was impressed with its "unswerving rhythms" and Byrne's lyrical evocations; he concluded, "Fear of Music is often deliberately, brilliantly disorienting. Like its black, corrugated packaging (which resembles a manhole cover), the album is foreboding, inescapably urban and obsessed with texture." John Rockwell of The New York Times suggested that the record was not a conventional rock release, while Stephanie Pleet of The Daily Collegian commented that it showed a positive progression in Talking Heads' musical style. Robert Christgau, writing in The Village Voice, praised the album's "gritty weirdness", but noted that "a little sweetening might help". Richard Cromelin of the Los Angeles Times was impressed with Byrne's "awesome vocal performance" and its nuances and called Fear of Music "a quantum leap" for the band. Tom Bentkowski of New York concluded, "But what makes the record so successful, perhaps, is a genuinely felt anti-elitism. Talking Heads was clever enough to make the intellectual infectious and even danceable."

Allmusic's William Ruhlmann claimed that Fear of Music is "an uneven, transitional album", but gave it a rating of four-and-a-half stars out of five by pointing out that it includes songs that match the quality of the band's best works. In the 1995 Spin Alternative Record Guide, Eric Weisbard gave the record a rating of nine out of ten and called it Talking Heads' most musically varied offering. In a 2003 review, Chris Smith of Stylus praised Byrne's personas and Eno's stylised production techniques. In The Rough Guide to Rock published the same year, Andy Smith concluded that the album is a strong candidate for the best LP of the 1970s because it is "bristling with hooks, riffs and killer lines".

Accolades

Fear of Music was named as the best album of 1979 by NME ahead of Public Image Ltd.'s Metal Box, by Melody Maker ahead of Ry Cooder's Bop till You Drop, and by the Los Angeles Times ahead of Pere Ubu's Dub Housing. The New York Times included it in its unnumbered shortlist of the 10 best records issued that year. Sounds placed the album at number two in its staff list behind The Specials' eponymous release. It featured at number four in the 1979 Pazz & Jop critics' poll run by The Village Voice, which aggregates the votes of hundreds of prominent reviewers.

In 1985, NME named Fear of Music at number 68 in its writers' list of the All Time 100 Albums. In 1987, Rolling Stone placed it at number 94 in its list of the best albums of the previous 20 years. In 1999, it was included at number 33 in The Guardian's list of the Top 100 Albums That Don't Appear In All The Other Top 100 Albums Of All Time. In 2004, Pitchfork Media featured the record at number 31 in its Top 100 Albums Of The 1970s list, while, in 2005, Channel 4 ranked it at number 76 during The 100 Greatest Albums countdown.



Track listing

All songs written by David Byrne, unless otherwise noted.
    Side one

    1. "I Zimbra" (David Byrne, Brian Eno, Hugo Ball) 3:09
    2. "Mind" 4:13
    3. "Paper" 2:39
    4. "Cities" 4:10
    5. "Life During Wartime" (David Byrne, Chris Frantz, Jerry Harrison, Tina Weymouth) 3:41
    6. "Memories Can't Wait" (David Byrne, Jerry Harrison) 3:30

    Side two

    7. "Air" 3:34
    8. "Heaven" (David Byrne, Jerry Harrison) 4:01
    9. "Animals" 3:30
    10. "Electric Guitar" 3:03
    11. "Drugs" 5:10

Personnel

Those involved in the making of Fear of Music are:
    Talking Heads

    David Byrne – vocals, guitars
    Jerry Harrison – guitars, keyboards, backing vocals
    Tina Weymouth – bass guitar, backing vocals
    Chris Frantz – drums

    Additional musicians

    Brian Eno – backing vocals, electronic treatments
    The Sweetbreaths – backing vocals ("Air")
    Julie Last – backing vocals ("I Zimbra")
    Robert Fripp – guitar ("I Zimbra")
    Ari – congas ("I Zimbra", "Life During Wartime")
    Gene Wilder – congas ("I Zimbra", "Life During Wartime")

    Production

    Brian Eno – producer
    Talking Heads – producers
    Joe Barbaria – engineer
    Rod O'Brian – engineer
    Neil Teeman – engineer
    Tom Heid – assistant engineer
    Julie Last – assistant engineer
    Chris Martinez – assistant engineer
    Phil Gitomer – engineering crew
    Dave Hewitt – engineering crew
    Booster McAllister – engineering crew
    Fred Ridder – engineering crew
    Greg Calbi – mastering

    Design

    Jerry Harrison – cover art, artwork assistant
    David Byrne – artwork
    Jimmy Garcia – thermograph photography
    Philip Strax – thermograph assistant


Dynamic Range Analysis

--------------------------------------------------------------------------------
Analyzed: Talking Heads / Fear of Music [LP Germany 1st pressing]
--------------------------------------------------------------------------------

DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR14 -3.91 dB -19.98 dB 3:08 01-I Zimbra
DR14 -1.76 dB -18.34 dB 4:12 02-Mind
DR12 -1.70 dB -16.40 dB 2:40 03-Paper
DR14 -1.05 dB -17.50 dB 4:09 04-Cities
DR15 -1.53 dB -17.92 dB 3:41 05-Life During Wartime
DR13 -0.89 dB -15.24 dB 3:29 06-Memories Can't Wait
DR12 -2.21 dB -16.78 dB 3:34 07-Air
DR13 -1.50 dB -17.42 dB 4:01 08-Heaven
DR12 -2.10 dB -17.27 dB 3:29 09-Animals
DR15 -2.64 dB -19.14 dB 3:01 10-Electric Guitar
DR13 -4.35 dB -21.36 dB 5:12 11-Drugs
--------------------------------------------------------------------------------

Number of tracks: 11
Maximum peak difference (-0.89 dB - -4.35 dB): 3.46 dB

Official DR value (Song Mode): DR13
================================================================================


Technical Log

RCM Hannl 'limited' with "Rotating Brush"
Music Hall MMF 9.1 Turntable
Tonearm: Pro-Ject 9cc evo with Pure Silver Wires
Cartridge: Nagaoka MP-500
Brocksieper Phonomax (Tube Phono PreAmp)
E-MU 0404 external USB 2.0 Audiointerface
Interconnections : Silent Wire NF5
WaveLab 6 recording software
iZotope RX Advanced 2.00 for resampling and dithering

Vacuum cleaning > TT > Brocksieper Phonomax > E-MU 0404 > WaveLab 6 (24/192) > manual click removal >
analyze (no clipping, no DC Bias offset) > converted to 24/96 (16/44.1) with iZotope RX Advanced 2.00
> split into individual Tracks > FLAC encoded (Vers. 1.21)

No silence been removed, please burn gapless to match original tracklayout.


Personal Note

With my vinyl transfers, I try to catch the whole beauty of vinyl records; therefore I don't use any post-processing or any sound improvement. What you get is a clear and flat transfer. For getting a clear sound, I'll do an extended washing of each record with my RCM, which can take up to 30 minutes brushing on each side. Resistant ticks and clicks I try to remove as good as possible, but the priority is not to lose any musical information in the process. Surface noises, as long they are not too high, are left in place. Only on bad pressings or on records recorded at extremely low levels do I use a fade in-/-out. As John Peel said, "Life is full of surface noises." In some cases this means that I have to make a compromise.... The result has to pass my personal quality criteria, which is IMO quite high.



All files are inside the folders.
High resoulution files are marked as "hr", CD-compatible files as "rb".


The files are interchangeable!!!

Hope you enjoy!!!

Check my blog for more audiophile stuff.


Links: (Filesonic) Folder

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Links: (WUpload) Folder

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Posted By: Kel bazar Date: 30 Aug 2011 05:32:24
Thank you, it's a great lp !!!
Posted By: amlabella23 Date: 30 Aug 2011 06:02:36
Probably my second favorite Talking Heads album after Remain in Light. Thanks so much for this aksman. :)
Posted By: themaninthemoon Date: 30 Aug 2011 06:20:23
Thanks Aksman

The DVD-A/CD issue has a compressed iPod mastering even on the DVD-A
WHY ????????
How can people get such-a f@#*!! Idea
IDIOTS !!!!!!!!!!!!

That goes for the rest of their albums as well so all of will be welcomed
Posted By: JoJoPurdie Date: 30 Aug 2011 09:13:08
This is my favorite album of them. Thank you aksman!!!
Posted By: knopfler78 Date: 30 Aug 2011 10:49:08
Thank You aksman.Much Appreciated!
Posted By: whitetrash Date: 30 Aug 2011 12:52:29
Thank you, I pretty much alyways prefer 1st press!
Posted By: SuperFuzz Date: 30 Aug 2011 15:39:42
this is my favorite Heads album. I transferred an orig. US (Calbi/Sterling) LP a while back but I'm down for a comparison.
Posted By: haddemall Date: 30 Aug 2011 19:08:02
Hello from a newcomer! The sound is SUPERB. My warmest thanks to Aksman, Kel bazar, Doc Rob and the rest of you lot. Your tireless work is much appreciated. A question.....Life during wartime came out strange, just 1,45 min play time. I use unrar as usual. Any hint on what went wrong.....
Posted By: perlerorneq69 Date: 30 Aug 2011 22:00:00
ditto on haddemall's message...thank you all for your generosity :) :)
Posted By: panicman Date: 31 Aug 2011 01:55:24
Thank you again aksman. FOM is second only to Remain in Light. I still have this on a beat up cassette, but alas perfect sound once again.
Posted By: Flying Ed Date: 31 Aug 2011 03:33:53
@SuperFuzz

Hear hear Super!
Your rip is awesome mate NO problem about that.
I concur re the rating of FOM, IMHO it is one THE most influential albums of the last 30 years and is their greatest moment...
Thanks Aksman - nice choice AGAIN.
F.E.
Posted By: haddemall Date: 31 Aug 2011 09:02:33
I'd love to hear a redbook version of Remain in Light.
Posted By: The Purple Parrot Date: 31 Aug 2011 09:44:22
Great stuff!! thanks aksman

@haddemall it is within your control - just get aksman's rip and convert the files to 16bit yourself using perhaps iZotope (also available here) or even dBpoweramp.
Posted By: haddemall Date: 31 Aug 2011 13:58:57
Thanks for the tip, Purple Parrot!
Posted By: HD-800 Date: 05 Sep 2011 00:17:39
This is great -- many thanks.
Posted By: SuperFuzz Date: 06 Oct 2011 21:53:18
aksman, you should really look for an original US pressing (they are cheap and very common). This German pressing doesn't do it justice...
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