Loading...
Done
Home > Vinyl & HR

Pink Floyd - The Wall (1979 [Japan LP 1st press] Definitive Master vinyl rip in 24-bit/96kHz & CD-format

Posted By : aksman | Date : 27 Dec 2011 09:45:46 | Comments : 23 |
|



Pink Floyd - The Wall
Definitive Master vinyl rip (presented in24/96 & 16/44.1) | FLAC | m3u, cue & Tech Log
Artwork | DR Analysis | 1.52 gb/427 mb incl. recovery | FS, FF & FP | ProgRock |1979
Japan LP 1st pressing / Cat.#: 40 AP 1750/1

Generally, the fully developed songs are among the finest of Pink Floyd's later work, but The Wall is primarily a triumph of production: its seamless surface, blending melodic fragments and sound effects, makes the musical shortcomings and questionable lyrics easy to ignore.
- Stephen Thomas Erlewine/AMG (4.5/5 Stars)


The Wall is the eleventh studio album by English progressive rock group Pink Floyd. Released as a double album on 30 November 1979, it was subsequently performed live with elaborate theatrical effects, and adapted into a feature film, Pink Floyd—The Wall.

As with the band's previous three studio albums The Wall is a concept album, and deals largely with themes of abandonment and personal isolation. It was first conceived during the band's 1977 In the Flesh Tour, when bassist and lyricist Roger Waters's frustration with the spectators' perceived boorishness became so acute that he imagined building a wall between the performers and audience. The album is a rock opera that centres on Pink, a character based on Waters or maybe Syd Barrett. Pink's life experiences begin with the loss of his father during the Second World War, and continue with ridicule and abuse from his schoolteachers, an overprotective mother and finally, the breakdown of his marriage. All contribute to his eventual self-imposed isolation from society, represented by a metaphorical wall.

The Wall features a notably harsher and more theatrical style than Pink Floyd's previous releases. Keyboardist Richard Wright left the band during the album's production but remained as a salaried musician, performing with Pink Floyd during The Wall Tour. Commercially successful upon its release, the album was one of the best selling of 1980, and as of 1999, it had sold over 23 million RIAA certified units (11.5 million albums) in the United States. Rolling Stone magazine placed The Wall at number 87 on its list of The 500 Greatest Albums of All Time.

More backgrround infos on Wikipedia...



Track listing
    A1 In The Flesh?
    A2 The Thin Ice
    A3 Another Brick In The Wall (Part 1)
    A4 The Happiest Days Of Our Lives
    A5 Another Brick In The Wall (Part 2)
    A6 Mother

    B1 Goodbye Blue Sky
    B2 Empty Spaces
    B3 Young Lust
    B4 One Of My Turns
    B5 Don't Leave Me Now
    B6 Another Brick In The Wall Part 3
    B7 Goodbye Cruel World

    C1 Hey You
    C2 Is There Anybody Out There?
    C3 Nobody Home
    C4 Vera
    C5 Bring The Boys Back Home
    C6 Comfortably Numb

    D1 The Show Must Go On
    D2 In The Flesh
    D3 Run Like Hell
    D4 Waiting For The Worms
    D5 Stop
    D6 The Trial
    D7 Outside The Wall

Personnel


    Pink Floyd

    David Gilmour – guitars, vocals, synthesisers, clavinet, sound effects
    Nick Mason – percussion
    Roger Waters – vocals, guitars, synthesiser, sound effects
    Richard Wright – organ, piano, Rhodes electric piano, synthesisers, bass pedals

    Additional musicians

    Bruce Johnston – backing vocals
    Toni Tennille – backing vocals
    Joe Chemay – backing vocals
    Jon Joyce – backing vocals
    Islington Green School – children’s choir
    Michael Kamen – orchestral arrangement
    Bob Ezrin – orchestral arrangement

    Additional musicians

    Bob Ezrin – organ, piano, synthesiser, backing vocals
    James Guthrie – percussion, synthesiser, sound effects
    Jeff Porcaro – drums
    Joe Porcaro, Blue Ocean & 5 others – snare drums
    Lee Ritenour – guitars
    Ron di Blasi – classical guitar
    Fred Mandel – Hammond organ
    Bobbye Hall – congas, bongos
    Frank Marrocco – concertina
    Larry Williams – clarinet
    Trevor Veitch – mandolin
    New York Orchestra – orchestra
    New York Opera – choral vocals
    Unnamed children's choir from New York – children’s choral vocals
    "Vicki & Clare" – backing vocals
    Harry Waters – child's voice, "Goodbye Blue Sky"
    Chris Fitzmorris – male telephone voice
    Trudy Young – voice of the groupie
    Phil Taylor – sound effects

    Production

    Bob Ezrin – co-producer
    David Gilmour – co-producer
    Roger Waters – co-producer
    James Guthrie – co-producer and engineer, remastering supervisor
    Krieg Wunderlich – digital remastering (MFSL issue)
    Doug Sax – mastering (original LP) and digital remastering (EMI/Sony re-issues)
    Nick Griffiths – engineer
    Patrice Quef – engineer
    Brian Christian – engineer
    Rick Hart – engineer
    Phil Taylor – sound equipment
    Gerald Scarfe – sleeve design
    Roger Waters – sleeve design


Notes
    Japanese First Press
    Inner sleeves contain lyrics

    Gatefold cover

    Recorded at Superbear, Miravel, France
    Producers Workshop, Los Angeles, US; & C.B.S., New York
    Between April & November 1979

    ?? 1979 Pink Floyd Music Limited
    All lyrics By Roger Waters
    All songs ? 1979 Pink Floyd Music Publishers, Ltd. (BMI)
    Manufactured By CBS/SONY Inc. (Tokyo Japan)
    ¥4,000

Barcode and Other Identifiers
    Matrix / Runout (A side): 40AP - 1750A1
    Matrix / Runout (B side): 40AP - 1750B1
    Matrix / Runout (C side): 40AP - 1751A1
    Matrix / Runout (D side): 40AP - 1751B1
    Other (Rights society): JASRAC

Dynamic Range Analysis

foobar2000 1.1.7 / Dynamic Range Meter 1.1.1
log date: 2011-12-25 15:48:01

--------------------------------------------------------------------------------
Analyzed: Pink Floyd / The Wall [JApan LP 1st pressing; DMR]
--------------------------------------------------------------------------------

DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR12 -3.22 dB -18.64 dB 3:22 01-In The Flesh?
DR14 -4.13 dB -23.93 dB 2:31 02-The Thin Ice
DR14 -2.74 dB -22.44 dB 3:16 03-Another Brick In The Wall - Part I
DR15 -0.76 dB -20.54 dB 1:51 04-The Happiest Days Of Our Lives
DR16 -3.41 dB -22.33 dB 4:04 05-Another Brick In The Wall - Part II
DR16 -3.55 dB -23.87 dB 5:36 06-Mother
DR11 -11.24 dB -25.28 dB 2:51 07-Goodbye Blue Sky
DR13 -8.32 dB -24.65 dB 2:10 08-Empty Spaces
DR15 -2.41 dB -20.21 dB 3:34 09-Young Lust
DR15 -0.28 dB -22.06 dB 3:40 10-One Of My Turns
DR14 -4.34 dB -23.87 dB 4:10 11-Don't Leave Me Now
DR16 -1.50 dB -21.78 dB 1:52 12-Another Brick In The Wall - Part III
DR9 -16.65 dB -31.13 dB 0:51 13-Goodbye Cruel World
DR14 -2.48 dB -21.26 dB 4:45 14-Hey You
DR15 -5.53 dB -24.92 dB 2:50 15-Is There Anybody Out There?
DR13 -7.59 dB -24.43 dB 3:23 16-Nobody Home
DR12 -9.50 dB -25.29 dB 1:39 17-Vera
DR12 -1.06 dB -18.23 dB 1:21 18-Bring The Boys Back Home
DR13 -2.89 dB -18.49 dB 6:29 19-Comfortably Numb
DR14 -4.22 dB -20.89 dB 1:37 20-The Show Must Go On
DR16 -0.86 dB -20.06 dB 4:19 21-In The Flesh
DR16 -1.45 dB -19.25 dB 4:20 22-Run Like Hell
DR14 -1.25 dB -18.79 dB 4:04 23-Waiting For The Worms
DR2 -1.70 dB -28.35 dB 0:32 24-Stop
DR15 -2.85 dB -21.85 dB 5:22 25-The Trial
DR12 -20.90 dB -37.77 dB 1:47 26-Outside The Wall
--------------------------------------------------------------------------------

Number of tracks: 26
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 423 kbps
Codec: FLAC
================================================================================


Technical Log

Hannl "limited" Record Cleaning Machine with Rotating Brush
TT: Bergmann Audio "Magne" (with air-bearing platter)
Tonearm: Bergmann Magne (tangential/linear air-bearing tonearm)
Cartridge: Ortofon MC A 90
Phono Amp: Nagra BPS (battery driven pre amp; 100 Ohm load)
Interconnects by Silent Wire (NF-7)
Benchmark ADC 1 USB
Interconnects by ViaBlue
AC connects by Goldkabel
Wavelab 6.1 recording software (recording & manual click removal)
iZotope RX Advanced 2.0 (resampling & audio restoration)
Traders Little Helper (SBE fix on 16/44.1)


Vacuum Cleaning > Bergmann Magne > Nagra BPS > Laptop > Wavelab 6.1 (24/96) > manual click removal
analyze (no clipping, no DC Bias offset) > resample to 16/44.1 > split into individual Tracks > FLAC encoded (Vers. 1.21)

No silence been removed, please burn gapless to match original tracklayout.


Ripping Note

This original japanese1st press was also very noisy on the first listening.
After a long-term washing on my RCM it plays near mint. The cover was also in great condition but missed the OBI.




All files are inside the folders.
High resoulution files are marked as "hr", CD-compatible files as "rb".


The files are interchangeable!!!

Hope you enjoy!!!

Check my blog for more audiophile stuff.



Links: (Filesonic) Folder

Links: (Filefactory) Folder

Links: (Filepost) Folder

Pass: aksman

ADVERTISING » High Speed Download « ADVERTISING




Posted By: nanx Date: 27 Dec 2011 10:11:09
Nice up, thx, but I have to say that quote from Stephen Erlewine at the top made my day. How clueless can a critic be?
Posted By: Dreasy Date: 27 Dec 2011 10:32:32
Probably he never read lyrics. Musical shortcomings? I wonder what album he's reviewed...
Thanks aksman for this up
Posted By: meurglys0 Date: 27 Dec 2011 11:39:39
I don't really care for the "musical shortcomings" bit, as I personally think The Wall is musically inferior to 3 albums preceding it: Animals, Wish You Were Here and Dark Side of the Moon. But I wonder what "questionable lyrics" that guy's talking about? He obviously believes everyone fits in with and accepts and supports the system. I say "the system," yeah, because there's a single system across the world. The one that reigns in the minds of the people of the Earth. No devillish leader necessary to have a devilllish system...

Thanks aksman. I will download it when my earphones return from maintemamce mid-january...
Posted By: jpics Date: 27 Dec 2011 11:45:59
When i bought this LP i was not even a teenager, i didn't like it, was boring; one week later i got the newly 'And Justice For All' and i loved it!! i needed a few years to understand/feel Pink Floyd, now this incredible album is a must have for me... of course And Justice is also a must have ;)
I've been away so thanks for this and all the late postings, Merry Xmas and Happy New Year Aksman
Posted By: Lizard_King Date: 27 Dec 2011 13:03:35
THANK YOU!!!!!!!!
Posted By: Iconoclast19 Date: 27 Dec 2011 14:03:05
Thanks aksman for another great post.
I don't know if this is PF's best or worst album according to the critics and don't really care. It's the one I listened to the most and brings back a lot of good memories from that period.
After comparing MANY different versions of this album I finally settled on the Sony Japan vinyl.
I'm hoping this first press master will be MY definitive version.
Posted By: nedjo Date: 27 Dec 2011 20:25:26
Thanks Aksman,
Posted By: qwecxz Date: 27 Dec 2011 20:56:07
Yeah, say what you want about the music (I think pretty much every PF album that preceded The Wall is musically superior), but "questionable lyrics?" This album says something very important that needed to be said and Roger said it quite well if you ask me. That guy couldn't be further off the mark. He may as well accuse "The Freewheelin' Bob Dylan" of having questionable lyrics. All bad reviews aside, thanks for this aksman. I still have yet to hear anything ripped with your new rig, so I'm looking forward to this.
Posted By: MaestroJ Date: 28 Dec 2011 06:02:27
The day a whining crit-tic like Erlewine successfully pens a tune even merely as questionable as Comfortably Numb, I'll eat an inflatable pig.

Looking forward to Run Like Hell, Goodbye Blue Sky and the aforementioned masterpiece, thank you very much.
Posted By: chtimixeur Date: 29 Dec 2011 00:09:38
Thanks a lot
Posted By: vaultman110 Date: 29 Dec 2011 00:27:34
Someone pinch me. This is definitely too good to be true. One of my "stranded on a desert island" must have albums and on aksmans new rig. I will play the shit this baby. TYVM
Posted By: dazed & confused Date: 29 Dec 2011 09:18:40
Shortcomings here shortcomings there, It's tour was the best Pink Floyd concert I ever went to and Westfallen Halle never sounded so good again.
Thanks Aksman for the great Job of refreshing the good old memories.
Posted By: sid242 Date: 29 Dec 2011 12:16:05
Great sound! Thanks! :)
Posted By: rockness87 Date: 29 Dec 2011 13:23:12
thank you aksman
but I'm pretty sure there's something wrong in this rip..it runs slow (listen to the first seconds of hey you) in comparison to my others sources..
I find it's quite dark sounding too.

anyone else noted these issues?

thank you again btw!
Posted By: aksman Date: 29 Dec 2011 16:59:30
@ rockness87

I tested and setted the speed of the Bergmann TT with highest possible care. I used 2 methods for setup the correct speed.
Method one is the measurement with a stroboscope disc. I hjave 2 dufferent ones, one from ProJect (called "Strobe-It") wich is a 12" disc and another one from Ortofon wich has the size of record label. Both discs have 50 & 60 Hz markers for 33.3 & 45 rpm and I also a 50 & 60Hz switchable Strobelight from Ortofon. With that equipment I can check the speed either with a running record or without.
The 2nd method I used is an APP called "PlatterSpeed", installed on my iPad. This APP comes with a record that have a sinus tone of 3150 Hz. When the APP is started it measure the signal through the inbuild microphone of the iPad. This allow a perfect setting of the speed.
Both methods show an identical correct result.

Out of my own experience and check of many turntables I know that nearly all are running to fast. Most of them didn't have an opportunity to do an adjustment.

Finally I'am sure that there aren't much turntables where the speed is adjusted with that much care.
Posted By: Narayan23 Date: 29 Dec 2011 22:50:17
Much appreciated!
Posted By: martwwa Date: 30 Dec 2011 14:54:56
BARDZO KURWA FAJNE!!!! Thanks, Aksman, will dig on this with great pleasure :o)
Posted By: sid242 Date: 30 Dec 2011 17:16:28
@ rockness87

I've compared this rip with other ones I have and I can't appreciate any difference about the run speed. BUT this Japan pressing sounds a little downtuned for me (or dark sounding as you said) and this peculiarity can cause the illusion of slow speed, especially if you listen it right after other source (what happened to me too). Not necessarily a bad thing, in fact, after a few listens this one sounds more pleasant to my ears than any previous rip I have.

Regards! :)
Posted By: thequick1 Date: 31 Dec 2011 04:44:12
And again and again aksman, thank YOU
Posted By: obukhov.gena Date: 09 Jan 2012 19:47:32
Harvest Records 2xLP-Set / Cat.#: SHDW 411 - VinylRip TITURA - The Best.
Posted By: musicalbox Date: 27 Jan 2012 21:55:28
thanks Aksman, I haven't been here for 2 centuries but went here like crazy when filesonic shut ;) I see you've updated to Benchmark ADC, I used to have DAC1 from them... great company.

once again thank you for the effort, will try to download it but since filesonic is gone...

@obukhov.gena: I don't want to be harsh, but comparing EMU ADC to Benchmark is like comparing VW Golf to Nissan GTR... both are cars. Of course you can have leather seating in Golf, but you'll end up driving just that...a golf. Get a clue about Musical EQ first. So much for your 'superior' TITURA rip...
Posted By: SAllison Date: 29 Jan 2012 07:25:37
Sorry aksman, even with your strict quality controls, I agree that it sounds too slow. Listen to Dr. Robert's his sounds like the correct pitch
Posted By: kamabitch Date: 07 Feb 2012 11:21:59
does it sounds really slow?
Recent searches: