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Elton John - Honky Château (1972) [Japan LP 1st pressing] 24-bit/96kHz & CD-format

Posted By : aksman | Date : 07 Sep 2011 06:46:26 | Comments : 11 |
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Elton John - Honky Château
Vinyl rip in 24-bit/192kHz (presented in 24/96 & 16/44.1) | FLAC | m3u, cue & Tech Log
Artwork | DR Analysis | 930 / 280 mb incl. recovery | FSonic, FF & WU | Rock | 1972
Japan LP (1st pressing) / Cat.#: Toshiba EMI Ltd IFP-80566

What makes Honky Chateau a classic is the songcraft, and the way John ties disparate strands of roots music into distinctive and idiosyncratic pop -- it's one of the finest collections of mainstream singer/songwriter pop of the early '70s.
- Stephen Thomas Erlewine/AMG (5/5 Stars)


Honky Château is the fifth studio album by British singer/songwriter Elton John, released in 1972. In 2003, the album was ranked number 357 on Rolling Stone magazine's list of the 500 greatest albums of all time. This was the final Elton John album on the Uni label in the US and Canada before the Music Corporation of America consolidated all of its various labels under the MCA brand. This and Elton's earlier Uni albums were later reissued on MCA Records.

Music

This is the first album since John's debut (Empty Sky) not to feature strings on any songs, except for violinist Jean-Luc Ponty on "Mellow" and "Amy". It also marks the beginning of his transition from a singer/songwriter in the mould of James Taylor, Leon Russell or Carole King to a more rock 'n roll style that would become more evident on such albums as Goodbye Yellow Brick Road, Caribou and Rock of the Westies.

It was also the first album to feature John's road band of Dee Murray on bass and Nigel Olsson on drums (along with new member Davey Johnstone on guitars and other fretted instruments) as the sole core group of musicians. Previously, due to his record label's insistence, John had been limited to using his road band for only one track each on Tumbleweed Connection and Madman Across the Water; the rest of the songs on those two albums were performed by various groupings of session players.

The opening track "Honky Cat" is a New Orleans funk track reminiscent of Dr. John and Allen Toussaint and features a four-piece horn section arranged by producer Gus Dudgeon. Also of note is the debut on record of the backing vocal combination of Johnstone, Murray and Olsson, who first added what would soon become their "trademark" sound to "Rocket Man." The trio's unique approach to arranging their backing vocal tracks would be a fixture on John's singles and albums for the next several years.

Critical appraisal and chart action

Critically Honky Château is regarded as John's finest record. Jon Landau of Rolling Stone approved the original LP as "a rich, warm, satisfying album that stands head and shoulders above the morass of current releases". Other reviews were likewise mostly positive. More recently[when?], Stephen Thomas Erlewine of Allmusic has written that "it plays as the most focused and accomplished set of songs Elton John and Bernie Taupin ever wrote".

Honky Chateau became the first of a string of albums by Elton John to hit number 1 in the Billboard Charts in the United States. In Canada, the album peaked at number 3 on the RPM 100 Top Albums Chart, reaching this position on July 29, 1972, dropping two places to number 5, then returning to number 3 for a further twelve consecutive weeks before falling to number 9 on November 4 of the same year.



Track listing

All songs written by Elton John and Bernie Taupin.
    Side one

    "Honky Cat" – 5:13
    "Mellow" – 5:32
    "I Think I'm Going to Kill Myself" – 3:35
    "Susie (Dramas)" – 3:25
    "Rocket Man (I Think It's Going to Be a Long, Long Time)" – 4:45

    Side two

    "Salvation" – 3:58
    "Slave" – 4:22
    "Amy" – 4:03
    "Mona Lisas and Mad Hatters" – 5:00
    "Hercules" – 5:20

Personnel
    Elton John - acoustic and electric pianos, organ
    Davey Johnstone - guitars, banjo, mandolin
    Dee Murray - bass
    Nigel Olsson - drums, congas, tambourine

    Additional musicians

    Davey, Dee, and Nigel - backing vocals (tracks 3, 5, 6, 8, 10)
    Ivan Jullien (fr.) - trumpet (track 1)
    Jacques Bolognesi (fr.) - trombone (track 1)
    Jean-Louis Chautemps & Alain Hatot - saxophones (track 1)
    Jean-Luc Ponty - electric violin (tracks 2 and 8)
    "Legs" Larry Smith - tap dance (track 3)
    David Hentschel - A.R.P. synthesizer (tracks 5 and 10) (credited as "David Henschel" on sleeve)
    Ray Cooper - congas (track 8)
    Gus Dudgeon - rhino whistle & backing vocals (track 10)
    Madeline Bell, Liza Strike, Larry Steel, Tony Hazzard - additional backing vocals

Dynamic Range

--------------------------------------------------------------------------------
Analyzed: Elton John / Honky Chateau [Japan LP]
--------------------------------------------------------------------------------

DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR12 -2.59 dB -17.34 dB 5:09 01-Honky Cat
DR13 -3.10 dB -18.70 dB 5:29 02-Mellow
DR13 -3.75 dB -18.83 dB 3:32 03-I Think I'm Going To Kill Myself
DR13 -3.36 dB -18.46 dB 3:21 04-Susie (Dramas)
DR13 -3.65 dB -20.57 dB 4:38 05-Rocket Man (I Think It's Going To Be A Long Long Time)
DR12 -2.46 dB -17.62 dB 3:56 06-Salvation
DR12 -3.30 dB -18.09 dB 4:18 07-Slave
DR11 -1.79 dB -16.75 dB 4:00 08-Amy
DR13 -4.84 dB -19.71 dB 4:57 09-Mona Lisas And Mad Hatters
DR12 -1.88 dB -16.70 dB 5:17 10-Hercules
--------------------------------------------------------------------------------

Number of tracks: 10
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 882 kbps
Codec: FLAC
================================================================================


Technical Log

RCM Hannl 'limited' with "Rotating Brush"
Music Hall MMF 9.1 Turntable
Tonearm: Pro-Ject 9cc evo with Pure Silver Wires
Cartridge: Nagaoka MP-500
Brocksieper Phonomax (Tube Phono PreAmp)
E-MU 0404 external USB 2.0 Audiointerface
Interconnections : Silent Wire NF5
WaveLab 6 recording software
iZotope RX Advanced 2.00 for resampling and dithering

Vacuum cleaning > TT > Brocksieper Phonomax > E-MU 0404 > WaveLab 6 (24/192) > manual click removal >
analyze (no clipping, no DC Bias offset) > converted to 24/96 (16/44.1) with iZotope RX Advanced 2.00
> split into individual Tracks > FLAC encoded (Vers. 1.21)

No silence been removed, please burn gapless to match original tracklayout.


Ripping Note

This wonderful record comes in a very exclusive structured fold-out cover. Only the OBI strip was missing..... Unfortunately the pictures didn't show how nice this one is made. The condition of the record is a clear mint, maybe played a couple times. After a the obligatoric standrad washing procedure on my RCM the record plays extremly quite and virtually without any clicks. (Though I found a few which I removed)



All files are inside the folders.
High resoulution files are marked as "hr", CD-compatible files as "rb".


The files are interchangeable!!!

Hope you enjoy!!!

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Posted By: yerbas07 Date: 07 Sep 2011 08:53:47
Not easy to find vinyl, first edition, which is 40 years old, in perfect condition.

Muchas gracias.
Posted By: jpics Date: 07 Sep 2011 10:05:22
Thanks aksman going to compare with the pssacd's SACD rip, but im shure what the result will be ;-)
Posted By: Dualtrack Date: 07 Sep 2011 10:15:23
I'm grabbing this for "I Think I'm Going to Kill Myself" ... hilarious tune and I haven't heard it since this album was on the charts. Thanks, man!
Posted By: binkin Date: 07 Sep 2011 10:54:25
Isn't the SACD squashed? No comparison there. Anyway, pbthal released the "Ultimate Master" of this recently. That would be a more relevant comparison.
Posted By: Dr. Robert Date: 07 Sep 2011 11:05:26
Looking forward to hearing this. I am a big Elton John fan of his early 70's work up to Caribou. But getting decent vinyl pressings has thus far been a akin to a search for the Holy Grail. I have a few Japanese Elton John reissues from the late 70's that sound disappointing when compared to the MFSL CD's. The later pressings were released by King Records. I have do have more faith with a Toshiba pressing.
Posted By: Sakamanno Date: 07 Sep 2011 15:06:01
Muito obrigado, Aksman.
Posted By: Narayan23 Date: 07 Sep 2011 16:03:51
Thanks a lot!
Posted By: jaisoncruz Date: 07 Sep 2011 16:15:33
Wohoo!!! thanks from Brazil!
Posted By: LivinLarge Date: 07 Sep 2011 16:26:42
Woohoo !! Thanks from Ca. Mr. Aksman!!
Posted By: Dr Debaser Date: 08 Sep 2011 00:51:27
Thank You-Great album.
Posted By: vaultman110 Date: 10 Sep 2011 19:19:40
I usually like Pb's rips but his has some strange NR artifacts or something especially noticeable on the first two tracks right at the beginning. Kind of sounds similar to some effects I've had with some NR filters in Audition that are level sensitive. Since I really do not have the expertise with these types of filters I can't honestly say what is causing it.
Looking forward to hearing this one.
Thanks
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