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James Taylor - JT (1977) [MFSL 180g LP] 24-bit/96kHz & CD-compatible format

Posted By : aksman | Date : 20 Aug 2011 08:12:30 | Comments : 11 |
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James Taylor - JT
Mobile Fidelity Sound Lab 180 g LP / Cat.#: MFSL 1-354
Half-speed mastered by Krieg Wunderlich & Rob LoVerde @ MFSL, Sebastopol, CA

Vinyl rip in 24-bit/192kHz (presented in 24/96 & 16/44.1) | FLAC | m3u, cue & Tech Log
Artwork | DR Analysis | 725/200 mb incl. recovery | FSonic, FF & WU | Contemporary | 1977

JT was James Taylor's best album since Mud Slide Slim and the Blue Horizon because it acknowledged the darkness of his earlier work while explaining the deliberate lightness of his current viewpoint, and because it was his most consistent collection in years. - William Ruhlmann/AMG (4,5/5 Stars)



JT is singer-songwriter James Taylor's eighth album, and his first album for Columbia Records. Released in 1977, it contains hit singles in "Handy Man" and "Your Smiling Face" and was Taylor's highest charting album since Mud Slide Slim and the Blue Horizon.

This album also contains several Taylor classics, such as "Secret O' Life" and "Terra Nova", with the participation of Taylor's then-wife Carly Simon.

Taylor won the Grammy for Best Pop Vocal Performance, Male for "Handy Man".

Review by William Ruhlmann

On his last couple of Warner Brothers albums, Gorilla and In the Pocket, James Taylor seemed to be converting himself from the shrinking violet, too-sensitive-to-live "rainy day man" of his early records into a mainstream, easy-listening crooner with a sunny outlook. JT, his debut album for Columbia Records, was something of a defense of this conversion. Returning to the autobiographical, Taylor declared his love for Carly Simon ("There We Are"), but expressed some surprise at his domestic bliss. "Isn't it amazing a man like me can feel this way?" he sang in the opening song, "Your Smiling Face" (a Top 40 hit). At the same time, domesticity could have its temporary depressions ("Another Grey Morning"). The key track was "Secret O' Life," which Taylor revealed as "enjoying the passage of time." Working with his long-time backup band of Danny Kortchmar, Leland Sklar, and Russell Kunkel, and with Peter Asher back in the producer's chair, Taylor also enjoyed the playing of music, mixing his patented acoustic guitar-based folk sound with elements of rock, blues, and country. He even made the country charts briefly with "Bartender's Blues," a genre exercise complete with steel guitar and references to "honky tonk angels" that he would later re-record with George Jones. The album's Top Ten hit was Taylor's winning remake of Jimmy Jones' "Handy Man," which replaced the grit of the original with his characteristic warmth. JT was James Taylor's best album since Mud Slide Slim and the Blue Horizon because it acknowledged the darkness of his earlier work while explaining the deliberate lightness of his current viewpoint, and because it was his most consistent collection in years. Fans responded: JT sold better than any Taylor album since Sweet Baby James.




Track listing

All songs by James Taylor unless otherwise noted.
    Side A

    "Your Smiling Face" – 2:50
    "There We Are" – 3:02
    "Honey Don't Leave L.A." (Danny Kortchmar) – 3:05
    "Another Grey Morning" – 2:44
    "Bartender's Blues" – 4:12
    "Secret O' Life" – 3:34

    Side B

    "Handy Man" (Otis Blackwell, Jimmy Jones) – 3:17
    "I Was Only Telling a Lie" – 3:24
    "Looking for Love on Broadway" – 2:23
    "Terra Nova" (Carly Simon, Taylor) – 4:32
    "Traffic Jam" – 1:58
    "If I Keep My Heart Out of Sight

Personnel
    James Taylor — guitar, vocals
    Peter Asher — percussion
    Red Callender — bass, tuba
    David Campbell — strings arranger, viola
    Dan Dugmore — guitar, steel guitar
    Danny Kortchmar — guitar
    Leah Kunkel — percussion, vocals
    Russell Kunkel — drums, percussion
    Dr. Clarence McDonald — keyboards
    Graham Nash — vocals
    Linda Ronstadt — vocals
    David Sanborn — saxophone
    Carly Simon — vocals
    Leland Sklar — bass

Dynamic Range Analysis

--------------------------------------------------------------------------------
Analyzed: James Taylor / JT [MFSL 180g LP (MFSL 1-354)]
--------------------------------------------------------------------------------

DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR14 -1.08 dB -18.16 dB 2:45 01-Your Smiling Face
DR14 -6.10 dB -23.27 dB 2:59 02-There We Are
DR14 -3.03 dB -19.13 dB 3:05 03-Honey Don't Leave L.A
DR12 -10.30 dB -25.43 dB 2:42 04-Another Grey Morning
DR14 -5.19 dB -22.10 dB 4:11 05-Bartender's Blues
DR13 -5.96 dB -22.78 dB 3:33 06-Secret O' Life
DR13 -4.79 dB -20.06 dB 3:16 07-Handy Man
DR14 -2.42 dB -19.34 dB 3:23 08-I Was Only Telling a Lie
DR13 -3.94 dB -21.13 dB 2:20 09-Looking for Love on Broadway
DR14 -4.05 dB -21.12 dB 4:31 10-Terra Nova
DR15 -5.23 dB -25.13 dB 1:57 11-Traffic Jam
DR14 -4.86 dB -21.81 dB 2:56 12-If I Keep My Heart Out of Sight
--------------------------------------------------------------------------------

Number of tracks: 12
Maximum peak difference (-1.08 dB - -10.30 dB): 9.22 dB

Official DR value (Song Mode): DR14
================================================================================


Technical Log

RCM Hannl 'limited' with "Rotating Brush"
Music Hall MMF 9.1 Turntable
Tonearm: Pro-Ject 9cc evo with Pure Silver Wires
Cartridge: Nagaoka MP-500
Brocksieper Phonomax (Tube Phono PreAmp)
E-MU 0404 external USB 2.0 Audiointerface
Interconnections : Silent Wire NF5
WaveLab 6 recording software
iZotope RX Advanced 2.00 for resampling and dithering

Vacuum cleaning > TT > Brocksieper Phonomax > E-MU 0404 > WaveLab 6 (24/192) > manual click removal >
analyze (no clipping, no DC Bias offset) > resampling and dithering with iZotope RX Advanced 2.00
> split into individual Tracks > FLAC encoded (Vers. 1.21)

No silence been removed, please burn gapless to match original tracklayout.


Personal Note

With my vinyl transfers, I try to catch the whole beauty of vinyl records; therefore I don't use any post-processing or any sound improvement. What you get is a clear and flat transfer. For getting a clear sound, I'll do an extended washing of each record with my RCM, which can take up to 30 minutes brushing on each side. Resistant ticks and clicks I try to remove as good as possible, but the priority is not to lose any musical information in the process. Surface noises, as long they are not too high, are left in place. Only on bad pressings or on records recorded at extremely low levels do I use a fade in-/-out. As John Peel said, "Life is full of surface noises." In some cases this means that I have to make a compromise.... The result has to pass my personal quality criteria, which is IMO quite high.



Links: (Filesonic) Link List

Links: (FileFactory) Link List

Links: (WUpload) Link List

All files are inside the link list.
High resoulution files are marked as "hr", CD-compatible files as "rb".


The files are interchangeable!!!

Pass: pls use my nick

Hope you enjoy!!!


Check my blog for more audiophile stuff.

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Posted By: infinitykalli Date: 20 Aug 2011 08:23:20
Great, thanks again aksman!
Posted By: coldhead Date: 20 Aug 2011 08:39:12
Thank you!

It seems that the FileFactory link points to FileSonic folder.
Posted By: aksman Date: 20 Aug 2011 08:49:28
Sorry. Link fixed!
Posted By: durant35 Date: 20 Aug 2011 09:29:49
Please let me know if anyone listened to both this and Doc's MFSL SACD then compared.
Posted By: Dr. Robert Date: 20 Aug 2011 11:12:04
Excellent choice. This will be a nice listen and a chance to compare a new MFSL LP with a MFSL SACD. I now have an upgraded PS3 SACD JT rip I added to my old Avax post. It is from my friend at the PS3SACD site. I only have the 24/88.2 FLAC's, not ISO.

http://avaxhome.ws/music/rock/james_taylor_jt_mfsl_sacd.html
Posted By: fredists Date: 20 Aug 2011 11:23:02
Anyone has compare this one with Arend 1st CBS dutch pressing ? http://avaxhome.ws/hraphile/vinyl/james_taylor_jt_vinyl.html
Arend's rip was fine to me, and sometimes i'm disappointed with MFSL release's sound!
Posted By: Laserman59 Date: 20 Aug 2011 17:37:17
This is a truly beautiful album and my favorite of his work.
Thank you Aksman for sharing another "interpretation" of this great classic. :-)
Posted By: kantschu Date: 20 Aug 2011 20:56:48
Thank you!
Posted By: appreciative Date: 25 Aug 2011 13:55:01
Another great rip. And thanks for the update, DocRob. I snagged your 24/88, to compare. Apart from the obvious different tonal balances I'm not sure which I prefer. I need to put together a decent system first ...
Posted By: humyaimakmak Date: 25 Aug 2011 17:18:15
Very nice sound, aksman.
Thanks very much.
Posted By: Medulopes Date: 19 Sep 2011 04:43:54
@Aksman,
Thanks for this beautiful rip. IMHO this is a little more open and natural than SACD rip posted by Dr. Robert, which sounds excelent too!
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