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Captain Beefheart & His Magic Band - Safe As Milk [Music On Vinyl 180g DoLP] "DM series" vinyl rip in 24/96 & CD-format

Posted By : aksman | Date : 17 Nov 2011 10:08:09 | Comments : 17 |
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Captain Beefheart & His Magic Band - Safe As Milk
"DM series" vinyl rip (presented in 24/96 & 16/44.1) | FLAC | m3u, cue & Tech Log
Artwork | DR Analysis | 1.48 gb/ 450 mb incl. recovery | FSonic, FF | ProgBlues | 1967
Music On Vinyl 180g 2xLP-Set / Cat.#: MOVLP343

Beefheart's first proper studio album is a much more accessible, pop-inflected brand of blues-rock than the efforts that followed in the late '60s -- which isn't to say that it's exactly normal and straightforward.
- Richie Unterberger/AMG (5/5 Stars)


Beefheart's debut album, originally released in 1967, was the most accessible and pop inflected of all the releases from his catalogue.
Still Safe As Milk is a very strong and heavily blues-influenced work but it also hints on many of the features that would later become the trademarks of Captain Beefheart.
Nice fact is that not only did a 20-year old Ry Cooder play bass & guitar on 'Abba Zaba' and 'Grown So Ugly,' he also arranged the latter as well as 'Sure 'Nuff 'N Yes I Do.'
Also, Cooder's role in the recording process was "to translate the Captain's wilder nations to the rest of the band and generally acts as musical director".
With him as a supervisor the sessions proceeded more or less smoothly and Safe As Milk was recorded within a month.

Review by Richie Unterberger

Beefheart's first proper studio album is a much more accessible, pop-inflected brand of blues-rock than the efforts that followed in the late '60s -- which isn't to say that it's exactly normal and straightforward. Featuring Ry Cooder on guitar, this is blues-rock gone slightly askew, with jagged, fractured rhythms, soulful, twisting vocals from Van Vliet, and more doo wop, soul, straight blues, and folk-rock influences than he would employ on his more avant-garde outings. "Zig Zag Wanderer," "Call on Me," and "Yellow Brick Road" are some of his most enduring and riff-driven songs, although there's plenty of weirdness on tracks like "Electricity" and "Abba Zaba."




Track listing

    A1 Sure 'Nuff 'N Yes I Do
    A2 Zig Zag Wanderer
    A3 Call On Me
    A4 Dropout Boogie
    A5 I'm Glad
    A6 Electricity

    B1 Yellow Brick Road
    B2 Abba Zaba
    B3 Plastic Factory
    B4 Where There's Woman
    B5 Grown So Ugly
    B7 Autumn's Child

    Bonus Tracks: Disc 2

    C1 Safe As Milk (Take 5)
    C2 On Tomorrow
    C3 Big Black Baby Shoes
    C4 Flower Pot

    D1 Dirty Blue Gene
    D2 Trust Us (Take 9)
    D3 Korn Ring Finger

Personnel

    Musicians

    Don Van Vliet – vocals, harmonica, bass marimba, arrangements

    The Magic Band

    Alex St. Clair Snouffer – guitar, bass, background vocals
    Jerry Handley – bass, background vocals
    John French – drums, background vocals
    Ry Cooder – guitar, slide guitar, bass, arrangements of "Sure 'Nuff 'N Yes I Do" and "Grown So Ugly"

    Additional musicians

    Samuel Hoffman - theremin on "Electricity" and "Autumn's Child"
    Milt Holland – log drum, tambourine
    Taj Mahal – tambourine

    Production

    Richard Perry – producer (at RCA Studio), harpsichord
    Bob Krasnow – producer
    Hank Cicalo – engineer (at RCA Studio)
    Gary Marker – engineer (demos at Original Sound & Sunset Sound)


Dynamic Range Analysis

foobar2000 1.1.7 / Dynamic Range Meter 1.1.0
log date: 2011-11-14 06:15:53

--------------------------------------------------------------------------------
Analyzed: Captain Beefheart and his Magic Band / Safe As Milk
[Music on Vinyl 180g DoLP; DMR series]
--------------------------------------------------------------------------------

DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR11 -2.74 dB -16.23 dB 2:19 01-Sure 'Nuff 'n Yes I Do
DR10 -1.93 dB -13.70 dB 2:44 02-Zig Zag Wanderer
DR10 -2.29 dB -14.35 dB 2:41 03-Call On Me
DR12 -2.87 dB -16.52 dB 2:35 04-Dropout Boogie
DR9 -2.48 dB -14.28 dB 3:36 05-I'm Glad
DR10 -1.03 dB -14.32 dB 3:12 06-Electricity
DR10 -1.27 dB -14.49 dB 2:32 07-Yellow Brick Road
DR10 -0.83 dB -13.34 dB 2:48 08-Abba Zaba
DR12 -2.77 dB -15.48 dB 3:13 09-Plastic Factory
DR11 -2.10 dB -16.09 dB 2:13 10-Where There's Woman
DR11 -1.00 dB -15.17 dB 2:31 11-Grown So Ugly
DR10 -1.85 dB -15.68 dB 4:08 12-Autumn's Child
DR9 -1.09 dB -13.51 dB 4:20 13-Safe as Milk (Take 5)
DR11 -1.73 dB -15.52 dB 7:07 14-On Tomorrow
DR9 -1.65 dB -12.80 dB 4:58 15-Big Black Baby Shoes
DR9 -1.74 dB -12.98 dB 4:01 16-Flower Pot
DR12 -2.22 dB -15.09 dB 2:45 17-Dirty Blue Gene
DR10 -1.40 dB -13.20 dB 7:28 18-Trust Us (Take 9)
DR12 -1.96 dB -18.01 dB 7:35 19-Korn Ring Finger
--------------------------------------------------------------------------------

Number of tracks: 19
Official DR value: DR11

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 782 kbps
Codec: FLAC
================================================================================


Technical Log

Hannl "limited" Record Cleaning Machine with Rotating Brush
TT: Bergmann Audio "Magne" (with air-bearing platter)
Tonearm: Bergmann Magne (tangential/linear air-bearing tonearm)
Cartridge: Ortofon MC A 90
Phono Amp: Nagra BPS (battery driven pre amp; 100 Ohm load)
E-MU 0404 external USB 2.0 Audiointerface
Interconnects by Silent Wire (NF-7)
Wavelab 6.1 recording software (recording & manual click removal)
iZotope RX Advanced 2.0 (resampling & audio restoration)
Traders Little Helper (SBE fix on 16/44.1)


Vacuum Cleaning > Bergmann Magne > Nagra BPS > Laptop > Wavelab 6.1 (24/192) > manual click removal (not neccessary this time)
analyze (no clipping, no DC Bias offset) > resample to 24/96 (16/44.1) > split into individual Tracks > FLAC encoded (Vers. 1.21)

No silence been removed, please burn gapless to match original tracklayout.


Ripping Note

Typical for Music on Vinyl releases the pressing quality was excellent. Sound is good, but the recording never been outstanding.
What makes this set special and worth to get, even for those who have the original release, are the 7 additional bonustracks.




All files are inside the folders.
High resoulution files are marked as "hr", CD-compatible files as "rb".


The files are interchangeable!!!

Hope you enjoy!!!

Check my blog for more audiophile stuff.



Links: (Filesonic) Folder

Links: (Filefactory) Folder

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Posted By: godIsInTheRadio Date: 17 Nov 2011 10:13:01
I hope that "Safe as milk" is a programmatic posting :-) Thanks for continuing.
Posted By: Narayan23 Date: 17 Nov 2011 11:27:09
Much appreciated!
Posted By: terra6 Date: 17 Nov 2011 12:02:46
Gruss & Dank & Cheers aus dem Eierland!
Posted By: floydian_wgwm Date: 17 Nov 2011 15:26:43
nice sound! thanks! But still slowed down, I'm afraid. Just like the wish you were here rip... It sounds thicker, but I'm afraid it's misrepresented...
Posted By: aksman Date: 17 Nov 2011 16:09:11
This is nonsense. The speed is definitive correct... Setted up with stroboscope & test tone. Both results were perfect.
Posted By: AsdDde2456 Date: 17 Nov 2011 18:09:10
Hi aksman!

Thanks for fine music.

What's happened with HiResMusic?

Somewhere there will be a new HiResMusic?
Posted By: boticario Date: 17 Nov 2011 18:55:22
Many Thanks.
Posted By: floydian_wgwm Date: 17 Nov 2011 20:48:20
@aksman Perhaps put your tools aside and listen.. compare it to a CD rip, or PBTHAL's rip of this one. Pitch is lower on your rip. I've been playing the guitar for a long time, I know my tuning. You will also notice that all your tracks are a couple of second longer. You can see this in your recent WYWH rip. And just so for the sake of my own sanity I did some time measurements and this is what I got. I measured it using soundforge.

- From the first cymbal hit on "Shine on you crazy diamond" until the moment the effect is heard when the machine shuts down on "welcome to the machine" the time on:

1) 2011 WYWH CD remaster is: 20:25.178
2)[CBS-Sony Japan 1st Pressing 35DP 4, 1982] 20:24.992
3) on your recent WYWH rip it's 20:39.226.

Now, there is very little difference between the 2011 remaster and the Japanese issue. Maybe my measurement is not perfect and granted I can't hear the pitch difference between the two. BUT I can hear that the pitch is lower on yours. And by the way, where do 14 extra seconds come from, I wonder? any ideas? I didn't check "Safe as milk", but I bet there's time difference there as well, as I can hear it.
Posted By: aksman Date: 17 Nov 2011 21:32:38
@ floydian_wgwm

The whole side A on CD is 21:08, my rip is 21:15 minus 3 seconds for fade in and out is 21:12... This means there is a difference of 4 seconds.
Posted By: floydian_wgwm Date: 17 Nov 2011 22:03:21
I actually measured parts within the tracks to avoid different fade ins and fade outs, and there is no pause between "shine on" and "wttm." AFAIC, 14 seconds give or take a second or two still stands. But let's say I outrageously erred (I know I didn't, though) and the difference is 4 seconds as you say, I'm glad that my ears are more reliable than your stroboscope :-)
Posted By: ManWhoCan Date: 17 Nov 2011 22:51:49
This and 'Strictly Personal' are my favourite Beefheart albums, thanks for the new rip.
Posted By: LX66 Date: 18 Nov 2011 02:47:32
Bravo!! and many many thanks for your rips!
Posted By: godIsInTheRadio Date: 18 Nov 2011 13:19:40
@aksman, @floydian_wgwm,

okay - I compared aksman's wish you were here with PBTHAL's using audacity and importing each rip's track 5 as a single track in an audacity project. I figured that for comparing, best would be to identify a place where a decent dynamic "explosion" would allow for exactely positioning both tracks. so I identified 9.30.558 in aksman's and matched it to ~9.27:375 in PBT's, giving an as close as possible match. Listening from that point gave the impression of one piece of music. But: when going i.e. to 2:02 there is a gap of about a quarter of a second between the peaks of a drum beat - clearly visible and listenable - with the version of aksman having the later punch. Additionally, if going to about 11:24:50, tendency is that things start again drifting away.

BUT: no definitive difference in pitch, which leads to tow possible conclusions.

a) the master is not only differently mastered (different tonal impression and dynamics) but also mixed - somewhere PBTHAL's version lacks a few parts of a second
b) there must be broken musical source, a glitch no one so far identified during listening.

Even more, if the difference had to be explained related to the speed of the turntable, aksman's pitches should have been higher, not lower, as floydian_wgwm hints...

I tend to a)...

Oohh - could of course be an error in audacity, but I tried this trick of shifting and comparing with same versions (but cut at the beginning) of aksman's wish you were here and they were definitively identical :-)
Posted By: floydian_wgwm Date: 18 Nov 2011 16:14:50
I completely disagree with that observation... if the turntable is slowed down then the pitch must be lower.
Aksman's rip lags as the time progresses. Try playing "Have a cigar" for example from wywh rips simultaneously. Play aksman's rip 1 second before the other, you will notice that by the time the guitar solo begins, they will match and then at that point you will get the 'detune' effect (people who use electric guitar effects will know what I mean). Then the other rip overtakes the new rip and you get the delay effect.

Moreover, the whole slow down thing has nothing to do with this specific record, Cap. Beefheart, but also with WYWH and the new Zappa Hot rats rip; I listened to it today. BTW, I actually still have aksman's old rip of the same Zappa Hot Rats 200gr pressing, absolutely my favourite, it blew my mind the first I heard it. Anyway this is the info that came with it:

"Technical Informations

Music Hall MMF 5.1 Turntable
Goldring 1042GX reference Cartridge
Belari VP-129 Tube Phono PreAmp with Sylvania 12AX7WA
Tascam US-144 external USB 2.0 Audiointerface
Interconnections by "Goldkabel"
Wavelab 5 recording software
TT > Belari > Laptop > Wavelab 5.01 (24/96) > manual click removal
analyze (no clipping, no DC Bias offset) > split into individual Tracks > FLAC encoded (Vers. 1.21)

No silence been removed, please burn gapless to match original tracklayout."


I am not 100% sure this is aksman's rip but it sure looks like his info file, people can correct me if I'm wrong.
Anyhow, the latest Zappa rip has the same problem. I compared the old track: "Son of Mr Green Genes" with the new one. Same thing, slowed down, with lower pitch. Accordingly, the old track time: 8:57, new track time: 9:10. It's the same pressing and there's additional 13 seconds on this one track. Even if there are fade ins/outs there is still a couple of more seconds left. Old track length is near identical with PBTHAL's rip of this record. I can't tell what the case is with the other tracks as I already deleted them; I decided to hang on to the old rip, my favorite :-).

I hope none of you guys will take any offence with me being this argumentative about this. That is not my intention here. I have a ton of aksman's rips and I love them and am very thankful for them. I just hope that you would consider these discrepancies, and hopefully make the best possible rips.
Posted By: aksman Date: 18 Nov 2011 17:37:50
This will be my last comment to this topic...

You may be right, there are differences in track lenght on the newest "Hot Rats" rips. The strange is, that most tracks are longer and some are shorter. Normally this isn't possible unless you have trouble with the drive.
The Music Hall 5.1 and the 9.1 were a wonderful TT and great values but haven't any opportunity to make any speed adjust. For that reason I never checked the speed of both previous turntables.
The Bergmann have this opportunity for 33 & 45 rpm. There are only 2 ways how to control and do the adjustment...
The first and most easy is the use of a stroboscope disc. those disc shows very nice if your TT runs to fast to slow or correct. A 2nd way is to use the use of a test tone (e.g. 1kHz )played from a testrecord and to record... A frequency analysing should show the identical frequency if the speed is adjusted correctly.
I did both with the Bergmann TT and the results were perfect.

You have to understand that you can't do anything else on TT's...


Now we should relax and come back to the main thing, enjoing the music and the improved quality.
Posted By: Escher Date: 20 Nov 2011 14:17:54
Thank you for that !

(Just a question - not a big deal - but I think the artwork comes from another edition, isn't it ?)
Posted By: Lord Hasenpfeffer Date: 04 Dec 2011 04:08:53
I just discovered this conversation about pitch differences because I just did some of my own side-by-side, track-for-track comparisons of Aksman's new "Safe As Milk" rip vs. PBTHAL's 2010 rip of the same - and found a *huge* difference in the pitches of these two rips. I didn't know this was already being discussed here but I'm not surprised that it is.

"Safe As Milk" runs at just over 1/2 hour in length and there is a full 75 seconds of difference between Aksman's and PBTHAL's rips. I don't have a CD version of it handy so I can't tell which one is correct and which one is way off the mark. PBTHAL's runs much faster that Aksman's. Both cannot be correct.

I can't see any ripper of their caliber being so far off in pitch by accident so I can only assume that the two LPs are mastered at completely different pitches. ???
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