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DaDa is the 15th studio album by Alice Cooper, released in 1983. DaDa would be Cooper's last album until his sober re-emergence in 1986 with the album Constrictor. The album's theme is ambiguous, however, ongoing themes in the songs' lyrics suggest that the main character in question suffers from mental illness, resulting in the creation of many different personalities. the album alludes strongly to the dadaist movement.

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Zipper Catches Skin is the 14th studio album by Alice Cooper, released in 1982. Produced by Cooper and his bassist at the time, Erik Scott, Zipper Catches Skin is musically known for its dry and energetic pop-rock style with punk rock and post-punk influences and less emphasis on hard riffs, carrying on a similar musical direction of the preceding Special Forces with sonically slicker and clearer results.

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When I was tender 9 years old, my dad came with 2 singles Inti-Illimani's group. Appeared "Tatatí" and "El aparecido"...

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Special Forces is the 13th studio album by Alice Cooper, released in 1981, and was produced by Richard Podolor. Singles included "You Want It, You Got It", "Who Do You Think We Are" and "Seven and Seven Is". Flo and Eddie, former members of The Turtles, performers, and radio personalities, performed on this album.

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Welcome to My Nightmare by Alice Cooper, released in 1975, is Alice Cooper's first solo album (all previous Alice Cooper releases were band efforts). The cover artwork was created by Drew Struzan for Pacific Eye & Ear. Rolling Stone would later rank it as one of the "Top 100 Album Covers Of All Time". Welcome to My Nightmare is a concept album. The songs, heard in sequence, form a journey through the nightmares of a child named Steven. Famed film actor of the Horror genre Vincent Price provided the introductory monologue in the song "The Black Widow".

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ATTENTION: All Alice Cooper rips have been updated as of today (4/09/2012) with brand new rips. This is because of my recent change to a new turntable (See equipment log). Flush the Fashion is the 12th studio album by Alice Cooper, released in 1980, and produced by Roy Thomas Baker. Musically, the album was a drastic change of style for Cooper, leaning towards a new wave influence. Though the lead single "Clones (We're All)" only touched the Billboard Top 40, the album was Cooper's most successful album in three years and is widely considered by fans as a hidden gem in his musical catalogue.

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Foghat are a British rock band who had their peak success in the mid- to late-1970s. Their style can be described as "Blues-Rock", dominated by electric and electric slide guitar. The band has achieved five gold records. The group remained popular during the disco era, but their popularity waned in the early 1980s.

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This recording, originally released some 15 years ago, was a catalogue landmark at the time. Jordi Savall's arrangement of the Art of Fugue was bold and unique, and his scoring, for two instrumental groups (four winds and four viols), was innovative. It has withstood the test of time, and has now been re-released in a remastered version, in new packaging, on Savall's AliaVox label.

Still immersed in the burgeoning electronic jazz-rock explosion of the times, Cannonball Adderley goes further toward a rapprochement with the rock and soul audiences than ever before on this fascinating, overlooked double album. For starters, he recorded it live at West Hollywood's Troubadour club, then known as a showcase for folk and rock acts. He also imported additional players into his quintet, expanding into exotic percussion effects with Airto Moreira (whom Miles Davis had previously featured), hard rock guitar with sessionman Mike Deasy, fiery tenor sax from the young Ernie Watts, and occasional seasoning from conguero Buck Clarke and clarinetist Alvin Batiste.

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This time the first solo David Gates's album. This LP is great from start to finish and shows that the group "Bread" was David Gates,...

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