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Ray Charles - selftitled debut [Japanese LP P-4580A] 24-bit/96kHz & Cd-compatible format

Posted By : aksman | Date : 06 Sep 2010 05:49:56 | Comments : 10 |
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Ray Charles - selftitled debut
Japanese LP P-4580A (Original released as Atlantic 8006)
Vinyl rip in 24-bit/192kHz (converted to 24/96 & 16/44.1) | FLAC (dual-mono) | m3u, cue & Tech Log
Artwork incl. Lyrics | 440 / 150 mb incl. recovery | Rapidshare & Filefactory | 1957 | Soul, Blues, R&B

Allmusic.com rating: 4.5 / 5

One of the first handful of LPs issued by Atlantic, Ray Charles (later retitled Hallelujah I Love Her So) is a bona fide classic of its genre.
- Bruce Eder/AMG



Review by Bruce Eder

One of the first handful of LPs issued by Atlantic, Ray Charles (later retitled Hallelujah I Love Her So) is a bona fide classic of its genre. Weighted about three to one in favor of Charles' own compositions, its raison d'etre was the hits "Hallelujah I Love Her So" and the pounding, soaring "Ain't That Love," which opens the LP. As with other Atlantic albums of the period, its content was determined more by Charles' recent singles than by a real plan for the LP, but even within those limitations it's an amazingly subtle record. Charles does just as well with his interpretations of others' work, most notably the ominous, gospel-focused rendition of "Sinner's Prayer" (which offers a virtuoso piano performance, and comes courtesy of the pen of Charles' former mentor Lowell Fulson) and Henry Glover's wrenching ballad "Drown in My Own Tears," which is topped out on each verse by a gorgeous chorus. "Funny (But I Still Love You)" offers a guitar break played in such an understated fashion that it almost doesn't seem so much a part of R&B as it was usually being offered in 1957 as it does a part of Charles' early career output. The second side of the LP is even better, opening with the title track, a number that is almost too ubiquitous in its various cover versions — the original has a mix of urgency and playfulness that's absolutely bracing, and the album carries this mood forward with "Mess Around," an Ahmet Ertegun-authored piano- and sax-driven romp with Charles at his most ebullient as a singer. "This Little Girl of Mine" offers him in a surprisingly light, almost acrobatic vocal mode, while "Greenbacks" is a knowing, clever cautionary narrative that is almost a throwback to 1940s-style R&B. "Don't You Know" is as salacious a piece of R&B as one was likely to hear in 1957, and "I Got a Woman" closes the record out on a pounding, driving note.





Track listing

All songs written by Ray Charles except as indicated.

    Side A

    "Ain't That Love" – 2:51
    "Drown in My Own Tears" (Henry Glover) – 3:21
    "Come Back Baby" – 3:06
    "Sinner's Prayer" (Lloyd Glenn, Lowell Fulson) – 3:24
    "Funny (But I Still Love You)" – 3:15
    "Losing Hand" (Charles E. Calhoun) – 3:14
    "A Fool for You" – 3:03

    Side B

    "Hallelujah I Love Her So" – 2:35
    "Mess Around" (A. Nugetre) – 2:42
    "This Little Girl of Mine" – 2:33
    "Mary Ann" – 2:48
    "Greenbacks" (Renald Richard) – 2:52
    "Don't You Know" – 2:57
    "I Got a Woman" (Charles, Richard) – 2:54





Dynamic Range analyzis

----------------------------------------------------------------------------------------------
Analyzed folder: D:\Ray Charles - selftitled (1957) [flac] {Japanese pressing P-4580A; 16-44}\
----------------------------------------------------------------------------------------------
DR Peak RMS Filename
----------------------------------------------------------------------------------------------

DR12 -0.62 dB -14.90 dB A1 - Ain't That Love.wav
DR11 -1.49 dB -15.83 dB A2 - Drown in My Own Tears.wav
DR12 -3.08 dB -17.89 dB A3 - Come Back Baby.wav
DR11 -1.39 dB -15.79 dB A4 - Sinner's Prayer.wav
DR12 -1.46 dB -16.24 dB A5 - Funny (But I Still Love You).wav
DR12 -2.72 dB -17.41 dB A6 - Losing Hand.wav
DR11 -1.95 dB -15.46 dB A7 - A Fool for You.wav
DR12 -1.30 dB -15.57 dB B1 - Hallelujah I Love Her So.wav
DR11 -0.70 dB -13.15 dB B2 - Mess Around.wav
DR11 -1.91 dB -14.74 dB B3 - This Little Girl of Mine.wav
DR12 -3.19 dB -18.03 dB B4 - Mary Ann.wav
DR13 -1.43 dB -16.14 dB B5 - Greenbacks.wav
DR13 -2.75 dB -17.82 dB B6 - Don't You Know.wav
DR11 -2.82 dB -16.45 dB B7 - I Got a Woman.wav
----------------------------------------------------------------------------------------------

Number of files: 14
Official DR value: DR12

==============================================================================================



Technical Log

RCM Hannl 'limited' with "Rotating Brush"
Music Hall MMF 9.1 Turntable
Tonearm: Pro-Ject 9cc evo with Pure Silver Wires
Cartridge: Nagaoka MP-500
Brocksieper Phonomax (Tube Phono PreAmp)
E-MU 0404 external USB 2.0 Audiointerface
Interconnections : Silent Wire NF5
WaveLab 6 recording software
iZotope RX Advanced 1.21 for resampling and dithering

Vacuum cleaning > TT > Brocksieper Phonomax > E-MU 0404 > WaveLab 6 (24/192) > manual click removal >
analyze (no clipping, no DC Bias offset) > converted to 24/96 (16/44.1) with iZotope RX Advanced 1.21
> split into individual Tracks > FLAC encoded (Vers. 1.21)

No silence been removed, please burn gapless to match original tracklayout.


Personal Note

With my vinyl transfers, I try to catch the whole beauty of vinyl records; therefore I don't use any post-processing or any sound improvement. What you get is a clear and flat transfer. For getting a clear sound, I'll do an extended washing of each record with my RCM, which can take up to 30 minutes brushing on each side. Resistant ticks and clicks I try to remove as good as possible, but the priority is not to lose any musical information in the process. Surface noises, as long they are not too high, are left in place. Only on bad pressings or on records recorded at extremely low levels do I use a fade in-/-out. As John Peel said, "Life is full of surface noises." In some cases this means that I have to make a compromise.... The result has to pass my personal quality criteria, which is IMO quite high.



Links: (24-bit/96kHz & Artwork) (File Factory) Part 1 | Part 2 | Part 3

Links: (24-bit/96kHz & Artwork) (RS.com) Part 1 | Part 2 | Part 3

Links: (16-bit/44.1kHz & Artwork) (File Factory) Download -------- (RS.com) Download

The files are interchangeable!!!

Pass: pls use my nick

Hope you enjoy!!!


Check my blog for more audiophile stuff.

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Posted By: nedjo Date: 06 Sep 2010 07:59:26
Thanks aksman,
Posted By: chtimixeur Date: 06 Sep 2010 09:22:32
i'm loving those Ray Charles rips :)
Posted By: muziclover Date: 06 Sep 2010 14:13:11
That was awesome!!! Thanks!!!
Posted By: mrask Date: 06 Sep 2010 19:51:09
Wow Aksman, I never expected this one! I used to have the "Hallelujah I Love Her So" LP and it always gave me joy. I was able to recreate the track lineup from a CD box set but it wasn't the same as hearing it on vinyl. So, a very big thanks to you for putting this out. For Ray Charles novices, this is one of the best sets of his songs available. It's not his "greatest hits" but the songs work incredibly well together and it is a very fun record overall.
Posted By: cheredov Date: 07 Sep 2010 09:32:30
Thank You!
Posted By: SuperFuzz Date: 08 Sep 2010 01:32:13
very nice sounding Japanese reissue. thanks!
Posted By: drasglaf Date: 12 Sep 2010 13:50:24
Thanks a lot!
Posted By: jazzever Date: 27 Sep 2010 03:54:26
One of the greatest work form Ray Charles,appreciate aksman!!
Posted By: ealiagac91 Date: 05 Dec 2011 19:14:11
Thank you very, very much!
Posted By: LarryKern Date: 31 Mar 2012 11:12:03
Great! Thanks!
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