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Little Feat - Dixie Chicken [Speakers Corner 180g LP] 24-bit/96kHz & CD-format; New Rip!!

Posted By : aksman | Date : 20 Aug 2011 09:37:16 | Comments : 11 |
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Little Feat - Dixie Chicken
Vinyl rip in 24-bit/192kHz (presented in 24/96 & 16/44.1) | FLAC | m3u, cue & Tech Log
Artwork | DR Analysis | 702/195 mb incl. recovery | FSonic, FF & WU | Rock | 1973
Speakers Corner 180g LP / Cat.#: Warner BS-2686
Mastered by Kevin Gray @ AcousTech, Camarillo

It all adds up to a nearly irresistible record, filled with great songwriting, sultry grooves, and virtuosic performances that never are flashy.
- Stephen Thomas Erlewine(AMG (5/5 Stars)


Dixie Chicken is the third studio album by the American rock band Little Feat, released in 1973. The artwork for the front cover was by illustrator Neon Park.

The album is considered their landmark album with the title track as their signature song that helped further define the Little Feat sound. This was augmented by two additional members (guitarist Paul Barrere and percussionist Sam Clayton) added to make the more complete and familiar lineup that continued until their 1979 breakup. Bassist Kenny Gradney was brought in to replace original bassist Roy Estrada. This new lineup radically altered the band's sound, leaning toward New Orleans R&B/funk.

Review by Stephen Thomas Erlewine

Following Roy Estrada's departure during the supporting tour for Sailin' Shoes, Lowell George became infatuated with New Orleans R&B and mellow jamming, all of which came to a head on their third album, 1973's Dixie Chicken. Although George is firmly in charge - he dominates the record, writing or co-writing seven of the 10 songs - this is the point where Little Feat found its signature sound as a band, and no album they would cut from this point on was too different from this seductive, laid-back, funky record. But no album would be quite as good, either, since Dixie Chicken still had much of the charming lyrical eccentricities of the first two albums, plus what is arguably George's best-ever set of songs. Partially due to the New Orleans infatuation, the album holds together better than Sailin' Shoes and George takes full advantage of the band's increased musical palette, writing songs that sound easy but are quite sophisticated, such as the rolling "Two Trains," the gorgeous, shimmering "Juliette," the deeply soulful and funny "Fat Man in the Bathtub" and the country-funk of the title track, which was covered nearly as frequently as "Willin'." In addition to "Walkin' All Night," a loose bluesy jam by Barrere and Bill Payne, the band also hauls out two covers which fit George's vibe perfectly: Allan Toussaint's slow burner "On Your Way Down" and "Fool Yourself," which was written by Fred Tackett, who later joined a reunited Feat in the '80s. It all adds up to a nearly irresistible record, filled with great songwriting, sultry grooves, and virtuosic performances that never are flashy. Little Feat, along with many jam bands that followed, tried to top this album, but they never managed to make a record this understated, appealing and fine.




Track listing
    Side A

    "Dixie Chicken" (Lowell George, Fred Martin) – 3:55
    "Two Trains" (George) – 3:06
    "Roll Um Easy" (George) – 2:30
    "On Your Way Down" (Allen Toussaint) – 5:31
    "Kiss It Off" (George) – 2:56

    Side B

    "Fool Yourself" (Fred Tackett) – 3:10
    "Walkin' All Night" (Paul Barrère, Bill Payne) – 3:35
    "Fat Man In The Bathtub" (George) – 4:29
    "Juliette" (George) – 3:20
    "Lafayette Railroad" (George, Payne) – 3:40

Personnel
    Paul Barrère - guitar, vocals (first album with group)
    Sam Clayton - congas (first album with group)
    Lowell George - vocals, guitar, cowbell
    Kenny Gradney - bass (first album with group)
    Richard Hayward - drums, backing vocals
    Bill Payne - keyboards, synthesizer, vocals

    Additional personnel

    Bonnie Bramlett - backing vocals
    Malcolm Cecil - synthesizer
    Tret Fure - backing vocals
    Danny Hutton - backing vocals
    Milt Holland - tabla
    Gloria Jones - backing vocals
    Debbie Lindsey - backing vocals
    Bonnie Raitt - backing vocals
    Stephanie Spruill - backing vocals (typo on the cover: Stephanie Spurville)
    Fred Tackett - guitar (joined band 1988)

Dynamic Range Analysis

--------------------------------------------------------------------------------
Analyzed: Little Feat / Dixie Chicken [Speakers Corner 180g LP]
--------------------------------------------------------------------------------

DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR12 -1.58 dB -17.08 dB 3:54 01-Dixie Chicken
DR12 -3.19 dB -18.09 dB 3:05 02-Two Trains
DR13 -5.28 dB -23.24 dB 2:33 03-Roll Um Easy
DR14 -0.92 dB -18.54 dB 5:31 04-On Your Way Down
DR14 -1.86 dB -21.13 dB 2:58 05-Kiss It Off
DR12 -2.60 dB -18.14 dB 3:16 06-Fool Yourself
DR13 -1.29 dB -16.10 dB 3:34 07-Walkin' All Night
DR12 -3.18 dB -17.94 dB 4:31 08-Fat Man In The Bathtub
DR12 -3.41 dB -17.65 dB 3:29 09-Juliette
DR14 -2.94 dB -20.15 dB 3:38 10-Lafayette Railroad
--------------------------------------------------------------------------------

Number of tracks: 10
Maximum peak difference (-0.92 dB - -5.28 dB): 4.36 dB

Official DR value (Song Mode): DR13
================================================================================


Technical Log

RCM Hannl 'limited' with "Rotating Brush"
Music Hall MMF 9.1 Turntable
Tonearm: Pro-Ject 9cc evo with Pure Silver Wires
Cartridge: Nagaoka MP-500
Brocksieper Phonomax (Tube Phono PreAmp)
E-MU 0404 external USB 2.0 Audiointerface
Interconnections : Silent Wire NF5
WaveLab 6 recording software
iZotope RX Advanced 2.00 for resampling and dithering

Vacuum cleaning > TT > Brocksieper Phonomax > E-MU 0404 > WaveLab 6 (24/192) > manual click removal >
analyze (no clipping, no DC Bias offset) > resampling and dithering with iZotope RX Advanced 2.00
> split into individual Tracks > FLAC encoded (Vers. 1.21)

No silence been removed, please burn gapless to match original tracklayout.


Personal Note

With my vinyl transfers, I try to catch the whole beauty of vinyl records; therefore I don't use any post-processing or any sound improvement. What you get is a clear and flat transfer. For getting a clear sound, I'll do an extended washing of each record with my RCM, which can take up to 30 minutes brushing on each side. Resistant ticks and clicks I try to remove as good as possible, but the priority is not to lose any musical information in the process. Surface noises, as long they are not too high, are left in place. Only on bad pressings or on records recorded at extremely low levels do I use a fade in-/-out. As John Peel said, "Life is full of surface noises." In some cases this means that I have to make a compromise.... The result has to pass my personal quality criteria, which is IMO quite high.



Links: (Filesonic) Link List

Links: (FileFactory) Link List

Links: (WUpload) Link List

All files are inside the link list.
High resoulution files are marked as "hr", CD-compatible files as "rb".


The files are interchangeable!!!

Pass: pls use my nick

Hope you enjoy!!!


Check my blog for more audiophile stuff.


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Posted By: aksman Date: 20 Aug 2011 09:48:51
The previous rip is about 3 years ago... It was one of my first rips ever and therefor far away from being perfect. It lacks most due to the use of Audacity which doesn't accept hires from analog inputs.
This rip comes IMO very close to this excellent sounding Speakers Corner LP, which beats the original and also the MFSL re-issue.
Posted By: durant35 Date: 20 Aug 2011 10:58:08
I still have your previous rip and it's time to replace. Thanks!
Posted By: bazquux Date: 20 Aug 2011 11:29:22
aksman, I PMd you on the 27th of July about Jeff Buckley's Grace EPs missing files.

Cheers.
Posted By: ManWhoCan Date: 20 Aug 2011 12:15:04
When I saw this album I thought it was Euripides as these are one of his favourite bands. Then I searched my HDDs for the rip I knew I had already, somewhere and found I had an Audacity rip by Aksman. It was only then I saw this post was an Aksman upgrade, re-issue.
Thanks a lot for the upgrade and I think Euripides will also be pleased to receive this one.
Posted By: Euripides Date: 20 Aug 2011 17:03:08
Darn tootin' I'm pleased. The Feat get the Aksman treatment. What's not to love? Will blast this one out over the next day or so and let you know what I think... this is an album that I know so well...THANKS! PS MWC I'm halfway through MC QS... :P Soon come.
Posted By: aksman Date: 20 Aug 2011 17:06:56
@ Euripides

Would be great to get your feedback.
Posted By: the whistling goatswain Date: 20 Aug 2011 19:39:07
Wonderful. Euripides got me hooked on these with his spate of Little Feat rips. Looking forward to hearing this one.
Posted By: tubert Date: 21 Aug 2011 19:28:40
Thanks aksman. I have your old rip on a retired hard drive so I can't A-B it rite now but I don't recall it sounding as good as this. This sounds wonderful.

}---:)
Posted By: rg1960 Date: 28 Aug 2011 12:28:35
@aksman

Your first rip was one of my first downloads of a vinyl rip, at all. I heard it very often, because I always liked Little Feat. So now, I am a bit nosy, how this new rip sounds like. As I can see, it´s done with different hard- and software.

First rip with "old" setup:

Music Hall MMF 5.1 Turntable
Goldring 1042GX reference Cartridge
Belari VP-129 Tube Phono PreAmp with Sylvania 12AX7WA
Tascam US-144 external USB 2.0 Audiointerface
Interconnections by "Goldkabel"
Audacity 1.3.5 Recording Software

I guess, it´s absolutely the same record. Anyway, thank you, aksman!

@avax community

Did anybody found the time to compare aksman´s first rip of this wonderful vinyl with his (latest) rip?

rg1960
Posted By: humyaimakmak Date: 23 Sep 2011 01:41:13
Thanks very much!
Posted By: 3lv1scat Date: 18 Dec 2011 16:30:13
Thanks, aksman.
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