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Nina Simone - Sings The Blues [Speakers Corner 180g LP] 24-bit/96kHz & CD-format; New Rip!

Posted By : aksman | Date : 24 Aug 2011 05:09:23 | Comments : 17 |
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Nina Simone - Sings The Blues
Vinyl rip in 24-bit/192kHz (presented in 24/96 & 16/44.1) | FLAC | m3u, cue & Tech Log
Artwork | DR Analysis | 680 / 200 mb incl. recovery | FSonic, FF & WU | Blues, Jazz | 1967
Mastered by Willem Makkee @ EBS, Hannover, Germany
Speakers Corner 180g LP / Cat.#: RCA LSP-3789

The set closes with the slow yet sassy "Blues for Mama," ending with the same sexy strut the album began with, giving it the feel of a Möbius strip. Nina Simone Sings the Blues is a hallmark recording that endures; it deserves to be called a classic.
- Thom Jurek/AMG (5/5 Stars)


Sings the Blues (1967) is an album by singer/pianist/songwriter Nina Simone (1933-2003). This was Simone's first album for RCA Records after previously recording for Colpix Records and Philips Records. The album was also reissued in 2006 with bonus tracks, and re-packaged in 1991 by RCA/Novus as a 17-track compilation under the title The Blues.

Song information
    "My Man's Gone Now", from the opera Porgy & Bess by George Gershwin.
    "Backlash Blues", one of Nina's civil rights songs. The lyrics were written by her friend and poet Langston Hughes.
    "I Want a Little Sugar in My Bowl", based on a song by Nina's great example, Bessie Smith, but with somewhat different lyrics.
    "The House of the Rising Sun", previously recorded by Simone in 1962 on Nina At The Village Gate. After its cover by The Animals became a hit she re-recorded it. The fast-paced version on this album is completely different from the slow, intimate version Nina did earlier on Nina at the Village Gate (1962).

Review by Thom Jurek

Nina Simone Sings the Blues, issued in 1967, was her RCA label debut, and was a brave departure from the material she had been recording for Phillips. Indeed, her final album for that label, High Priestess of Soul, featured the singer, pianist, and songwriter fronting a virtual orchestra. Here, Simone is backed by a pair of guitarists (Eric Gale and Rudy Stevenson), bassist (Bob Bushnell), drummer (Bernard "Pretty" Purdie), organist (Ernie Hayes), and harmonica player who doubled on saxophone (Buddy Lucas). Simone handled the piano chores. The song selection is key here. Because for all intents and purposes this is perhaps the rawest record Simone ever cut. It opens with the sultry, nocturnal, slow-burning original "Do I Move You," which doesn't beg the question but demands an answer: "Do I move you?/Are you willin'?/Do I groove you?/Is it thrillin'?/Do I soothe you?/Tell the truth now?/Do I move you?/Are you loose now?/The answer better be yeah...It pleases me...." As the guitarists slip and slide around her husky vocal, a harmonica wails in the space between, and Simone's piano is the authority, hard and purposely slow. The other tune in that vein, "In the Dark," is equally tense and unnerving; the band sounds as if it's literally sitting around as she plays and sings. There are a number of Simone signature tunes on this set, including "I Want a Little Sugar in My Bowl," "Backlash Blues," and her singular, hallmark, definitive reading of "My Man's Gone Now" from Porgy and Bess. Other notable tracks are the raucous, sexual roadhouse blues of "Buck," written by Simone's then husband Andy Stroud, and the woolly gospel blues of "Real Real," with the Hammond B-3 soaring around her vocal. The cover of Buddy Johnson's "Since I Fell for You" literally drips with ache and want. Simone also reprised her earlier performance of "House of the Rising Sun" (released on a 1962 Colpix live platter called At the Village Gate). It has more authority in this setting as a barrelhouse blues; it's fast, loud, proud, and wailing with harmonica and B-3 leading the charge. The original set closes with the slow yet sassy "Blues for Mama," ending with the same sexy strut the album began with, giving it the feel of a Möbius strip. Nina Simone Sings the Blues is a hallmark recording that endures; it deserves to be called a classic.




Track listing
    Side A

    "Do I Move You" (Simone) - 2:46
    "Day and Night" (Stevenson) - 2:35
    "(Romance) In the Dark" (Green) - 2:57
    "Real Real" (Simone) - 2:21
    "My Man's Gone Now" (Gershwin, Heyward) - 4:16
    "Backlash Blues" (Hughes, Simone) - 2:31

    Side B

    "I Want a Little Sugar in My Bowl" (Simone) - 2:32
    "Buck" (Stroud) - 1:52
    "Since I Fell for You" (Johnson) - 2:52
    "The House of the Rising Sun" (Traditional) - 3:53
    "Blues for Mama" (Lincoln, Simone) - 4:00

    Recording: 1967 by Ray Hall and Mickey Crofford at RCA Victor’s Studio B, New York

Personnel
    Nina Simone: vocal, piano
    Eric Gale: guitar
    Rudy Stevenson: guitar
    Ernie Hayes: organ
    Bob Bushnell: bass
    Bernard Purdie: drums, timpani
    Buddy Lucas: harmonica, tenor sax

    Production: Danny Davis

Dynamic Range Analysis

--------------------------------------------------------------------------------
Analyzed: Nina Simone / Sings The Blues [Speakers Corner 180g LP]
--------------------------------------------------------------------------------

DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR10 -1.17 dB -14.79 dB 2:45 01-Do I Move You
DR11 -2.84 dB -16.19 dB 2:34 02-Day and Night
DR10 -1.25 dB -15.11 dB 2:56 03-In the Dark
DR10 -2.83 dB -15.30 dB 2:21 04-Real Real
DR9 -3.76 dB -17.85 dB 4:15 05-My Man's Gone Now
DR10 -1.81 dB -14.60 dB 2:30 06-Backlash Blues
DR10 -3.43 dB -16.64 dB 2:32 07-I Want a Little Sugar in My Bowl
DR9 -1.67 dB -13.81 dB 1:52 08-Buck
DR9 -3.26 dB -15.16 dB 2:51 09-Since I Fell for You
DR10 -1.03 dB -14.36 dB 3:52 10-The House of the Rising Sun
DR10 -2.71 dB -15.78 dB 3:59 11-Blues for Mama
--------------------------------------------------------------------------------

Number of tracks: 11
Maximum peak difference (-1.03 dB - -3.76 dB): 2.73 dB

Official DR value (Song Mode): DR10
================================================================================


Technical Log

RCM Hannl 'limited' with "Rotating Brush"
Music Hall MMF 9.1 Turntable
Tonearm: Pro-Ject 9cc evo with Pure Silver Wires
Cartridge: Nagaoka MP-500
Brocksieper Phonomax (Tube Phono PreAmp)
E-MU 0404 external USB 2.0 Audiointerface
Interconnections : Silent Wire NF5
WaveLab 6 recording software
iZotope RX Advanced 2.00 for resampling and dithering

Vacuum cleaning > TT > Brocksieper Phonomax > E-MU 0404 > WaveLab 6 (24/192) > manual click removal >
analyze (no clipping, no DC Bias offset) > resampling and dithering with iZotope RX Advanced 2.00
> split into individual Tracks > FLAC encoded (Vers. 1.21)

No silence been removed, please burn gapless to match original tracklayout.


Personal Note

With my vinyl transfers, I try to catch the whole beauty of vinyl records; therefore I don't use any post-processing or any sound improvement. What you get is a clear and flat transfer. For getting a clear sound, I'll do an extended washing of each record with my RCM, which can take up to 30 minutes brushing on each side. Resistant ticks and clicks I try to remove as good as possible, but the priority is not to lose any musical information in the process. Surface noises, as long they are not too high, are left in place. Only on bad pressings or on records recorded at extremely low levels do I use a fade in-/-out. As John Peel said, "Life is full of surface noises." In some cases this means that I have to make a compromise.... The result has to pass my personal quality criteria, which is IMO quite high.



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Posted By: Oaktree Date: 24 Aug 2011 06:36:37
oh la la ... :))
Posted By: The Purple Parrot Date: 24 Aug 2011 07:04:51
oooh la la :D
Posted By: jpics Date: 24 Aug 2011 07:56:37
Nina, what a voice. Thanks aks
Posted By: kurioso Date: 24 Aug 2011 09:08:40
oh là là! :)
Nina and a nice cup of coffee early in the morning...
Many thanks!
Posted By: Narayan23 Date: 24 Aug 2011 10:10:14
Outta words here....
Posted By: panicman Date: 24 Aug 2011 18:26:52
OOOH LA LA, thank you sir for another fine share.
Posted By: jaisoncruz Date: 24 Aug 2011 23:21:21
"Best of the best" Aksman!!!
Posted By: jazzever Date: 25 Aug 2011 02:24:34
Thank you aksman,apprecieted::))
Posted By: rigoletto Date: 25 Aug 2011 12:24:21
More More please : ))))))
Posted By: duthie Date: 25 Aug 2011 23:25:44
Dear Aksman,

I got the problem to open all your postings: I do not know if it is the pass word problem or the files...Just can not unzip them.
Posted By: aksman Date: 26 Aug 2011 05:47:22
@ duthie

Send you PM.
Posted By: Felix Serrano Date: 28 Aug 2011 17:03:06
Dear Askman,
I can´t open the rar files, maybe wrong password problem?.

Regards

P.D :Very nice rips
Posted By: aksman Date: 28 Aug 2011 18:37:20
@ Felix Serrano
Sended you PM.
Posted By: kantatenwerk Date: 04 Sep 2011 12:37:10
Thousand thanks, amigo ;)
Posted By: StoneMagnet Date: 05 Sep 2011 15:16:02
Great music. Too bad it sounds rather compressed.
Posted By: know-im-a-dreamer Date: 09 Sep 2011 09:27:02
awesome album:-) thanks!!
Posted By: Gntlmn Jim Date: 14 Nov 2011 00:16:05
This is a great album and a great rip!! Thank you
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