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Trombone Shorty - For True (2011) [Verve Forecast US LP] Definitive Master vinyl rip in 24/96 & CD-format

Posted By : aksman | Date : 18 Dec 2011 09:17:11 | Comments : 9 |
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Trombone Shorty - For True
Definitve Master vinyl rip (presented in 24/96 & 16/44.1) | FLAC | m3u, cue & Tech Log
Artwork | DR Analysis | 992 / 283 mb incl. recovery | FS; FF & FP | Jazz, Funk | 2011
Verve Forecast US LP / Cat.#: 87729

Ultimately, comparing For True to Backatown is pointless: they are of a piece. While you may prefer one over the other, they are, in essence, two parts of a compelling and dynamic musical aesthetic that is firmly in and of the 21st century, as they look back at history and forward to create it.
- Thom Jurek/AMG (4/5 Stars)



New Orleans' Troy “Trombone Shorty” Andrews knows the music biz inside out. Hounded for years by friends and music business types to jump into the game, he understood the lessons of his lineage elders: too many had been been ripped off and discarded. He took his time, assembling, rehearsing, and touring Orleans Avenue, a band steeped in brass band history, jazz improv, funk, soul, rock, and hip hop. He finally signed to Verve Forecast and released Backatown in April of 2010. Entering at number one on the jazz charts, it stayed there for nine straight weeks, and was in the Top Ten for over six months. For True hits while Backatown is climbing again. Chock-full of cameos -- in the manner of modern hip-hop recordings -- it is an extension of Backatown but not necessarily in sound. It's perhaps crisper in production, but the musical diversity more than compensates. In addition to trombone, Shorty plays trumpet, organ, piano, drums, synths, and, of course, sings. Orleans Avenue colors the rest. They are tighter, even more confident, and perhaps even more adventurous here. Though Shorty handles some tracks playing all the instruments himself, or with a guest or two, OA bear the lion's share with gravitas. “Buckjump” is the first clue that this is part two -- it could have been the closing track on Backatown. The Rebirth Brass Band guest and play a big funky horn chart as Shorty's big trombone solo greases the skids. NOLA's Weebie chants in tandem with the break-heavy rhythm track. "Encore" (written with Motown's Lamont Dozier) showcases some of Shorty's B-3 and soulful vocal skills, as Warren Haynes lends his trademark guitar sound. The title track, one of the album's brief musical interludes, features Shorty's solo with a killer trumpet break. “Do to Me” has a melody constructed around Shorty's smoking bone solo and a knife-edged guitar solo from Jeff Beck. "The Craziest Things" and "Dumaine Street" showcase Shorty's and Orleans Avenue's collective ability to create locking, complementary grooves; they play funky second-line rhythms countered by a jazz horn chart and improv in an R&B tune on the former, and a marching stepper on the latter. Ivan and Cyril Neville help with some fine vocal work on "Nervis," and Ledisi's stellar performance on the swinging rhythm & blues “Then There Was You” shines. Quite surprisingly, so does Kid Rock's rap on "Mrs. Orleans." The cut "Big 12," with producer Ben Ellman on blues harmonica, is titled for Shorty's older brother James' nickname, it kicks with big bass drums, hi-hat, and snares, locked on horns, rock guitar vamps, and a dubwise bassline. Ultimately, comparing For True to Backatown is pointless: they are of a piece. While you may prefer one over the other, they are, in essence, two parts of a compelling and dynamic musical aesthetic that is firmly in and of the 21st century, as they look back at history and forward to create it.
- Review from allmusic.com




Track list:
1. Buckjump (Rebirth Brass Band - horns / 5th Ward Weebie - vocals / Ben Ellman & Charlie Smith -
percussion)
2. Encore (Warren Haynes - guitar)
3. For True
4. Do To Me (Jeff Beck - guitar)
5. Lagniappe Part 1 (Stanton Moore - drums)
6. The Craziest Thing
7. Dumaine St.
8. Mrs. Orleans (Kid Rock - vocals / Robert Mercurio - bass)
9. Nervis (Ivan Neville - vocals & clavinet / Cyril Neville - vocals)
10. Roses (Lenny Kravitz - bass)
11. Big 12 (Ben Ellman - harmonica)
12. Unc
13. Then There Was You (Ledisi - vocals)
14. Lagniappe Part 2 (Stanton Moore - drums)

Dynamic Range Analysis

foobar2000 1.1.7 / Dynamic Range Meter 1.1.1
log date: 2011-12-15 22:21:31

--------------------------------------------------------------------------------
Analyzed: Trombone Shorty / For True [Verve US LP; DMR]
--------------------------------------------------------------------------------

DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR11 -0.95 dB -14.17 dB 4:08 01-Buckjump
DR10 -1.57 dB -13.61 dB 4:08 02-Encore
DR12 -1.61 dB -15.37 dB 2:57 03-For True
DR11 -1.13 dB -15.30 dB 4:43 04-Do To Me
DR12 -0.49 dB -15.76 dB 1:11 05-Lagniappe Part 1
DR11 -1.81 dB -15.37 dB 3:23 06-The Craziest Thing
DR11 -2.02 dB -15.46 dB 2:39 07-Dumaine Street
DR11 -1.34 dB -14.77 dB 3:26 08-Mrs. Orleans
DR11 -2.08 dB -15.38 dB 3:13 09-Nervis
DR11 -1.72 dB -15.15 dB 3:06 10-Roses
DR13 -1.68 dB -16.10 dB 3:27 11-Big 12
DR12 -2.40 dB -15.85 dB 2:58 12-Unc
DR11 -1.20 dB -15.30 dB 4:38 13-Then There Was You
DR12 -1.02 dB -16.82 dB 1:36 14-Lagniappe Part 2
--------------------------------------------------------------------------------

Number of tracks: 14
Official DR value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 694 kbps
Codec: FLAC
================================================================================


Technical Log

Hannl "limited" Record Cleaning Machine with Rotating Brush
TT: Bergmann Audio "Magne" (with air-bearing platter)
Tonearm: Bergmann Magne (tangential/linear air-bearing tonearm)
Cartridge: Ortofon MC A 90
Phono Amp: Nagra BPS (battery driven pre amp; 100 Ohm load)
Interconnects by Silent Wire (NF-7)
Benchmark ADC 1 USB
Interconnects by ViaBlue
Wavelab 6.1 recording software (recording & manual click removal)
iZotope RX Advanced 2.0 (resampling & audio restoration)
Traders Little Helper (SBE fix on 16/44.1)


Vacuum Cleaning > Bergmann Magne > Nagra BPS > Laptop > Wavelab 6.1 (24/192) > manual click removal
analyze (no clipping, no DC Bias offset) > resample to 24/96 (16/44.1) > split into individual Tracks > FLAC encoded (Vers. 1.21)

No silence been removed, please burn gapless to match original tracklayout.


Ripping Note

This brand new release is a hot candidate for my record of the year! The pressing could be more quiet but was okay....




All files are inside the folders.
High resoulution files are marked as "hr", CD-compatible files as "rb".


The files are interchangeable!!!

Hope you enjoy!!!

Check my blog for more audiophile stuff.




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Posted By: boticario Date: 18 Dec 2011 12:55:09
Personalmente, este tipo de música no me gusta nada, así que esperaré a otro de sus vinilos para conocer las bondades de su milenaria y nueva tarjeta de sonido (Benchmark ADC 1 USB).
Posted By: jpics Date: 18 Dec 2011 16:04:33
Thanks a lot for this wonderful album
Posted By: Lizard_King Date: 18 Dec 2011 19:25:00
Wow, Thanks and your new ADC :-)
Posted By: vaultman110 Date: 18 Dec 2011 19:59:51
Is this the first rip with the new benchmark? What do you think so far?
Posted By: derty2 Date: 19 Dec 2011 17:11:27
There are a few "firsts" here for me...
It's my first download of a rip by aksman's new gear AND it's the first "reference listen" through my new gear:
• SPEAKERS:   2x Fostex SM6600 Studio Monitors, at rearfield   |   2x TDL Electronics monitors, at nearfield    //    The 4 speakers are running as stereo
• AMPS:   QUAD 34 Preamp (solid-state)   |   QUAD 405 Poweramp (solid-state)

Here is a quote from 2007: "..The Quad sound is a very distinctive one. Quite flat and not at all overstated. It's the "closest approach to the original sound". And the build quality is second to none.."

I tested the sound quality of my rig by playing a few favourite reference tracks from my collection, just to name two: "Led Zeppelin - Whole Lotta Love - Original pressing PBTHAL Vinyl Rip" and "Helmut Walcha - playing BACH on the organ at St.Laurens Church, Alkmaar, Holland (1962) - CD Deutsche Grammophon"

So, how does this vinyl rip by aksman sound to me? ...nothing less than sublime!!! I feel as if the LP is on a turntable in my room and I am dropping the needle down myself!!! clarity, definition and sweet tones are hitting my ears from every range of the audio spectrum.

I'm rendering a real-time visualization of the audio file in the Waveform Seekbar in foobar2000 , and the detail is truly astonishing! ...trust me, I stare at a LOT of waveforms, but this type of waveform has me dazzled. I don't see it often.

And that JPG image of the Dynamic Range being used as part of the artwork ...very cool AKSMAN +++ ...it looks a bit blurry in my foobar2000 auto-cycling artwork viewing panel, any chance you can offer it at slightly higher resolution next time?

EVERYTHING here is 10/10 ...even the music itself; very nice music.

Thankyou AKSMAN ++++++++++
Posted By: Galopin Date: 20 Dec 2011 02:24:53
This rip is fantastic, it sounds sublime and the music is amazing.
Congratulations for the new Benchmark and thanks for share.
Posted By: nedjo Date: 28 Dec 2011 10:36:45
Thanks Aksman > Happy Holidays!
Posted By: diegocopola Date: 31 Dec 2011 11:18:58
thanks!!!!!!!
Posted By: space22 Date: 19 Jan 2012 03:35:14
Thank you very much Mr. Aksman!!!!!!
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