ABUSE FORM
The Who - A Quick One (1967) [Classic Records 200g Mono LP] 24-bit/96kHz & CD-format
Posted By :
aksman
|
Date :
07 Sep 2011 05:59:25
|
Comments :
6
|
|
The Who - A Quick One
Vinyl rip in 24-bit/192kHz (presented in 24/96 & 16/44.1) | FLAC | m3u, cue & Tech Log
Artwork | DR Analysis | 690 / 208 mb incl. recovery | FSonic, FF & WU | Rock | 1967
Mastered from the original analog master tapes by Chris Bellman @ Grundman Mastering
Classic Records 200g Mono LP (Quiex SV-P) / Cat.#: Reaction 593 002-200G
Vinyl rip in 24-bit/192kHz (presented in 24/96 & 16/44.1) | FLAC | m3u, cue & Tech Log
Artwork | DR Analysis | 690 / 208 mb incl. recovery | FSonic, FF & WU | Rock | 1967
Mastered from the original analog master tapes by Chris Bellman @ Grundman Mastering
Classic Records 200g Mono LP (Quiex SV-P) / Cat.#: Reaction 593 002-200G
| “ | The album was ranked number 383 on Rolling Stone magazine's list of the 500 greatest albums of all time. | ” |
A Quick One is the second album by English rock band The Who, released in 1966. American record company executives at Decca Records released the album under the title Happy Jack, rather than the sexually suggestive title of the UK release, and due to "Happy Jack" being a top 40 hit in the US. "Happy Jack" was not included on the UK version of the album (replaced with a cover of the Holland–Dozier–Holland hit Heat Wave), but instead was released as a non-album single.
This is widely regarded[citation needed] by fans to have been a pivotal album for the group, due to the departure from the R&B/pop formula featured on the band's first release. Part of the marketing push for the album was a requirement that each band member should write at least two of the songs on it (although Roger Daltrey only wrote one), so this Who album is the least dominated by Pete Townshend's writing.
The album was also the band's first foray into the form of rock opera, with "A Quick One, While He's Away", the title track of the LP, a nine-minute suite of song snippets telling a story of infidelity and reconciliation. The Who would later go on to write and record the full scale rock operas Tommy and Quadrophenia.
The album was intended to be pop music, a sonic participant in the pop art movement. The cover was designed by the pop art exponent Alan Aldridge, with the front cover depicting the band playing their instruments. The back cover is a black-and-white photo montage of the band members accompanied by a short personality sketch of each (infamous among Who fans for Keith Moon's humorous assertion that he was keen on "breeding chickens"). A track listing, a couple of paragraphs touting the band, an ad for their first album, and a technical blurb are also crowded onto the back cover.
The blurb reveals the recording technology of the time by announcing "This is a high-fidelity record! For proper reproduction use RIAA or a similar Record Compensator setting." The album was recorded at IBC Studios, Pye Studios and Regent Sound, in London, England in 1966 with Kit Lambert as the record producer.
In 2003, the album was ranked number 383 on Rolling Stone magazine's list of the 500 greatest albums of all time.
Track listing
- A1 Run Run Run
A2 Boris The Spider
A3 I Need You
A4 Whiskey Man
A5 Heat Wave
A6 Cobwebs And Strange
B1 Don't Look Away
B2 See My Way
B3 So Sad About Us
B4 A Quick One, While He's Away
Personnel
- Roger Daltrey – lead vocals, trombone and bass drum on "Cobwebs and Strange"
John Entwistle – bass guitar, keyboards, French horn, trumpet, vocals
Pete Townshend – guitar, penny-whistle, keyboards, vocals
Keith Moon – drums, percussion, tuba, vocals
All files are inside the folders.
High resoulution files are marked as "hr", CD-compatible files as "rb".
The files are interchangeable!!!
Hope you enjoy!!!
Check my blog for more audiophile stuff.
High resoulution files are marked as "hr", CD-compatible files as "rb".
The files are interchangeable!!!
Hope you enjoy!!!
Check my blog for more audiophile stuff.
| ADVERTISING » | High Speed Download | « ADVERTISING |
Recent searches:



A Quick One, While He's Away however has obvious problems with sibilance distortion: "... he wasshh due home yessshherday ..." and the tambourine is only identifiable as such from memory of other copies.
As always, thanks again for yet another generous rip.