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The Rolling Stones - Beggars Banquet [Universal Japan 200g LP] Definitive Master vinyl rip in 24/96 & 16/44.1
Posted By :
aksman
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Date :
06 Nov 2011 09:32:28
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Comments :
41
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The Rolling Stones - Beggars Banquet
"Definitive Master" vinyl rip (presented in 24/96 & 16/44.1) | FLAC | m3u, cue & Tech Log
Artwork | DR Analysis | 860 / 250 mb incl. recovery | FSonic, FF & WU | Rock | 1968
Universal Japan 200g LP / Cat.#: UIJY-9022
"Definitive Master" vinyl rip (presented in 24/96 & 16/44.1) | FLAC | m3u, cue & Tech Log
Artwork | DR Analysis | 860 / 250 mb incl. recovery | FSonic, FF & WU | Rock | 1968
Universal Japan 200g LP / Cat.#: UIJY-9022
| “ | At the time, though, the approach was still fresh, and the lyrical bite of most of the material ensured Beggars Banquet's place as one of the top blues-based rock records of all time. - Richie Unterberger/AMG (5/5 Stars) | ” |
Beggars Banquet is the seventh studio album by the English rock band The Rolling Stones. It was released in December 1968 by Decca Records in the United Kingdom and London Records in the United States. It marked a return to the band's R&B roots, generally viewed as more primal than the conspicuous psychedelia of Their Satanic Majesties Request.
More infos are avaible at Wikipedia...
Track listing
All songs written by Jagger/Richards, except where noted.
- Side one
1. "Sympathy for the Devil" 6:18
2. "No Expectations" 3:56
3. "Dear Doctor" 3:22
4. "Parachute Woman" 2:20
5. "Jig-Saw Puzzle" 6:06
Side two
6. "Street Fighting Man" 3:16
7. "Prodigal Son" (Robert Wilkins) 2:51
8. "Stray Cat Blues" 4:38
9. "Factory Girl" 2:09
10. "Salt of the Earth" 4:48
Personnel
- The Rolling Stones
Mick Jagger – lead and backing vocals, harmonica
Keith Richards – acoustic and electric guitar, bass guitar, backing vocals, lead vocals on opening of "Salt of the Earth"
Brian Jones – slide guitar, backing vocals, sitar, tambura, mellotron, harmonica
Charlie Watts – drums, percussion, backing vocals
Bill Wyman – bass guitar, backing vocals, percussion
Additional personnel
Rocky Dijon – congas
Ric Grech – fiddle
Nicky Hopkins – piano
Dave Mason – Mellotron, shehnai
Jimmy Miller – backing vocals
Watts Street Gospel Choir – backing vocals
All files are inside the folders.
High resoulution files are marked as "hr", CD-compatible files as "rb".
The files are interchangeable!!!
Hope you enjoy!!!
Check my blog for more audiophile stuff.
High resoulution files are marked as "hr", CD-compatible files as "rb".
The files are interchangeable!!!
Hope you enjoy!!!
Check my blog for more audiophile stuff.
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Far more superior than the other rips.
Thanks!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
If you have a similar quality rip of Let It Bleed, you'd really make my day! :-)
Thank you aksman. But I'd like to offer some constructive criticism. With all the money you've spent on your rig(s), I think it's time for you to spend a little more money on original pressings.
This sounds nothing like the original. It sounds like a dull, lifeless "copy". You have spent thousands of dollars on equipment. I'd REALLY like to see you spend a little more $$$ on original pressings.
If you search avax for "rolling stones beggars vinyl" you'll find my original (stereo) pressing rip. Unfortunately my rip sounds a bit "Hard" and "Brittle". But that's because my rig sucks. I'm using a $100 shure. An original pressing on your rig would "kill".
Please understand I love you and your work but, I think it's time for you to stop spending $4'000 on new cartridges and blow a few hundred bucks on some "real" vinyl.
Just my thoughts.
Thanks again for all you do.
t.
@ Tubert: First off your comment calls goodkat & freedom2 a liar. Secondly you have nothing to compare too, just empty words.
Bring you Original pressing recording (that doesn't suck) and let us decide. Otherwise say thanks and move on.
0pp0
A few of us believe he is EQ's his stuff.
After comparing wav files. His highs are gone and the midrange is pushed.
There I said it. Not saying it did not sound good. Just saying.
I'm trying to be polite. I gave aksman full respect because he deserves it. I also didn't call goodkat & freedom2 "liars". I simply suggested that an original pressing ripped by aksman would "kill". I would bring more to the table if I could afford it. As it is, all I can offer is my original rip. Have you listened to it?
It has more detail than the Japanese reissue but suffers from the use of inferior equipment. I respect everybody's opinion especially when it comes to my own rips. I'm doing everything I can to make my rips better with what I have to work with and constructive criticism is always welcome (please add comments about my rips in *my* posts).
The only point I was trying to make is that I think aksman may be spending more money than he needs too trying to make these 180g reissues sound better when original pressings might blow his (and our) mind(s).
It's just my opinion and I offer it with all due respect to everybody who has ever spent 4 hours "editing" a 35 minute LP. This includes you. I have downed and enjoyed some of your rips. This isn't a "pissing" contest. But wouldn't you die to hear aksman rip an original Decca "Beggars"? I would.
t.
Compare kind of blue classic pbthal/aksman, just to hear that the highs are gone and the midrange pushed....
but maybe you were'nt talking about pbthal...
I own an original uk stereo pressing of "Beggars Banquet" and the differences between it and the japanese re-issue are so extreme that you can hear it even integrated laptop speakers... Especially in this case the original sound dull & flat while this japanese LP is airy & clean with a sensational soundstage and depht.
Really surprising me that you didn' recognize it.
Regarding the differences between original pressings and re-issues I agree with you. Some originals are better if they are in mint condition (good luck to find them) some are not... When I review my last 50 rips I found that 20 of them been original pressings and 30 re-issues. Not a bad quote IMO.
However, it is my philosophy to post rips of LP's which I like. I never said I will post only the best sounding records. If there are better sounding versions, no prob for me. Go for it!
For records which are in-print I want to give anybody the chance to check if they are worth to buy.
The US "Aftermath" has different tracks but the songs that are the same are still mixed differently. Some are even slower than the UK versions.
Thank you for being such gentleman, respecting my onion and providing details about the UK Decca Vs. the reissue. Now, do you have a Decca "Let It Bleed"? I do. Unfortunately it has a scratch all the way through the second half of side two even click repair can't fix. I think it's a monster recording.
Once again you have my total respect and appreciation. Thank you for sharing so much music.
}---:)
You do realize I changed my cartridge, my preamp and have a SUT, and I changed my resample/dither settings...or did that shit just go unnoticed by "the few of you" critically trained powers of observation.
And since you brought this "out" who are the other morons in this witch hunt?
Best not take it too seriously.
Please don't get in a fight over it, just ain't worth it.
Please, all rippers continue to rip, in any way you want to rip on whatever you have available to rip with and I for one will be most grateful for all you post.
No "morons" here.
Just Friendly "Russian Roulette"
@manwhocan,
We just want what Lennon wanted... TRUTH
http://www.mediafire.com/?gtv1izxkua91zbz
"First it was me ripping CD's and passing them off as vinyl rips, now it is that I EQ and that this EQing cause me to have no highs".
I'd like to say something. Aksman, pbthal, soa, enhomonica are all world class peeps. In fact, every vinyl ripper I've spoken to on avax is a class act. But these rumors about pbthal need to stop. I have many of the same original "classic rock" pressings he has. I've even done a few rips with more bass than him but they lack the transparency he gets from his rig. Fact of matter is, his linear tracking table is a MONSTER!
The rest of us are using "broken clocks". They're correct twice a day. Pbthal's linear tracker is correct "24/7". Deal with it.
t.
first of all, thank you and thanks to pbthal, 0pp0, aksman, dr.robert, garybx... providing me with so much fantastic music. your work is so valuable to me.
but in this case, I have to confirm that to my ears, with my equipment, this aksman rip is in every aspect much better than all the other rips I've found here.
enjoy the music, be happy, love and peace to everyone.
I agree with Tubert. So far I've only noticed the difference in sound on a great team, stratospheric, I would say is Globalbee3 team. I think with a needle of 150 euros is more than enough to get a decent rip. Spending more money to get a 5 percent accuracy is not worth it. Keep in mind that most of the original editions we handle are very old and very used. A needle of thousands of dollars working on worn grooves is something pathetic and over if the end result is subject to wear ClickRepair program. A long time ago trying to get early editions of the great rock recordings of the seventies and just as I look hard capsule uploader.
The same pbthal acknowledgment of the issue when he explains the meaning of their Ultimate Masters.
Amen to that!!! His latest "Breakfast in America" rip made me cream in my jeans...'nuff said!
A few less idiots in an already over-crowded planet.
seriously guys , GO KILL YOURSELF.you'll be doing the thinking minority a HUGE FAVOUR.
thankx to pb/aksman/doc and whoever rips albums for all of us , the quality may vary but he dedication and sharing don't.
Cheers.
PS : Pb , don't waste your energy with all these stupid trolls . Thanx for everything.
Four signs of an inflated ego:
1) You find yourself being defensive. Defending ideas ultimately turns into becoming defensive.
2) You continually compare yourself to others. In truth, being too competitive actually makes you less competitive.
3) You seek acceptance to justify your ego needs. You crave respect and recognition from others, which eventually interferes with your success.
4) You make a point of showcasing your brilliance.
Lastly, name calling is the last refuge of a desperate mind. I believe this expert is better than that, why resort to childish behavior? If this hobby causes so much repeated anguish, so much as to bring about the abhorrent behavior displayed in this thread, why present offerings to an open forum, where the feedback may not always be positive? The answers to those questions can be found within the four signs listed above...
Breathe in, breathe out. If you're not having fun, you're doing it wrong. If your motivation is truly about the music, who cares what people think? The only one you have to impress is yourself. Externalizing your emotions leaves you open to ridicule.
For that reason we should come back to the topic. Thank you!
Sorry aksman for not adhering to your request for keeping on subject. I had already a different rip of Beggars Banquet - totally happy with it and did not plan to download yours... however, I might give it a try now after the above comments ;)
IMO pbthals Original UK Unboxed Decca & tuberts Original US London have some more highs but the sound is bit thiner. There's also the fine kel bazar 2003 ABKCO Records DSD rip which lies in the middle of those originals & the new japanese pressing. I almost forgot the nice MFSL Collection Millennium Remaster rip. So further listening is needed.
So everyone can make his own choice.
There's only one thing, it's the music that counts.
Again I say thanks to all You hard working, "crazy", dedicated, perfectionists, ambitious needledroppers which share one of the best thing in life with us: music
lplover
p.s. there's a also a "nice" PAX - Tel-Aviv pressing which should be ripped. L-O-L
Out of my own experience I can tell you, that you are totally wrong... My previous cart been also not a cheap one and I really liked the sound. But after changing to my new rig it is like to play 3 classes higher in the top league.
Those few missing percents make the difference between hearing music and enjoying music.
Like with every other thing in life the last few percents are the most expensive ones. If it is worth everyone has to decide for himself.
Would be interesting to hear your rip of the original stereo pressing tubert mentions - but based on what I've heard of his rip and yours here, I can't imagine the London's dynamics could match up to this. Thanks again!
Also, pbthal doesn't EQ his rips. It's not a debate whether or not he does: it's a totally baseless claim that he does, vs the truth that he doesn't. There are plenty of identical masterings/pressings that both he and another ripper (aksman, Doc Rob, whomever) have done, and pb's don't sound at all EQ'd in comparison.
A good audio equipment must have a good sound card. Some of our biggest rippers forget about it and also the ASIO drivers. I would recommend the RME Fireface 400 sound card. Right now I'm waiting for the Asus Xonar Essence STX, more modest, but impressive results.
True words. There is one bottleneck in the setup of ALL vinyl rippers... The ADC! Of course a 200€ ADC can't capture the whole beauty of the analogue sound. The gap was there also on my old setup but now it is much bigger. Unfortunately good ADC are expensive... I hope I can do an upgrade here, but it hasn't the highest priority for me.