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George Harrison - All Things Must Pass (Toshiba Red Vinyl) 24-bit/96 kHz Vinyl Rip
Posted By :
doctarippa
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Date :
11 Jan 2010 18:29:29
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Comments :
15
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George Harrison - All Things Must Pass
Original 1970 Phil Spector Mix
Toshiba Red Vinyl (AP-9016C) Pressed in Japan
Vinyl rip in 24-bit/96kHz | FLAC (5% Recovery) | no cue or log (vinyl) | Artwork
2.06 GB | RS + Hot File | Genre: Rock | 1970
Original 1970 Phil Spector Mix
Toshiba Red Vinyl (AP-9016C) Pressed in Japan
Vinyl rip in 24-bit/96kHz | FLAC (5% Recovery) | no cue or log (vinyl) | Artwork
2.06 GB | RS + Hot File | Genre: Rock | 1970
| “ | Though George Harrison's solo albums for most of the 1970s and early '80s were uneven, often slapdash affairs, 1970's ALL THINGS MUST PASS is a brilliant piece of work. Produced by Phil Spector, whose expansive, majestic arrangements and sonic flourishes suit Harrison's songs perfectly, ALL THINGS MUST PASS eclipses everything the other Beatles recorded at the time (excepting John Lennon's PLASTIC ONO BAND). This sprawling triple record set gives the impression of Harrison being uncorked and pouring forth all of the songs and ideas edged out by Lennon and McCartney during the Beatles years. The title and the melancholic black and white cover photo match the mood of the music, which brims with an armchair wisdom, and the weary, disillusioned air that permeated the early '70s in the counter-cultural wake. Yet the album also boasts an abiding sense of spirituality and tenacious optimism, as on the lullaby-like hit single "My Sweet Lord" and "Isn't It a Pity," a compassionate study of human suffering. "What Is Life" and "Awaiting on You All" continue these themes, but Spector's bright pop polish lends a counterweight, making the record feel light and deeply personal at once. Despite some lengthy, formless jams, as on the 11-minute-plus "Out of the Blue," ALL THINGS MUST PASS stands among the great records of the early '70s. | ” |
Track Listing
All songs written and composed by George Harrison, except where noted.
Side One
1. "I'd Have You Anytime" (George Harrison/Bob Dylan) 2:56
2. "My Sweet Lord" 4:38
3. "Wah-Wah" 5:35
Thanks to the O'Hara-Smith Singers, Cyril, Betty, and Tommy Boy
4. "Isn't It a Pity (Version 1)" 7:08
Originally written in 1966
Side Two
1. "What Is Life" 4:22
2. "If Not for You" (Bob Dylan) 3:29
3. "Behind That Locked Door" 3:05
Written for Bob Dylan following his performance at the Isle of Wight
4. "Let It Down" 4:57
Written and performed during the Get Back sessions
5. "Run of the Mill" 2:49
Side Three
1. "Beware of Darkness" 3:48
2. "Apple Scruffs" 3:04
Written about the Apple Records groupies nicknamed "Apple scruffs"
3. "Ballad of Sir Frankie Crisp (Let It Roll)" 3:46
Frankie Crisp was the original proprietor of Harrison's mansion Friar Park
4. "Awaiting on You All" 2:45
5. "All Things Must Pass" 3:44
Written and performed during the Get Back sessions
Side Four
1. "I Dig Love" 4:55
2. "Art of Dying" 3:37
Features 19-year-old Phil Collins on percussion
3. "Isn't It a Pity (Version 2)" 4:45
4. "Hear Me Lord" 5:46
Side Five (Apple Jam)
1. "Out of the Blue" (Jim Gordon/Carl Radle/Bobby Whitlock/Eric Clapton/Gary Wright/George Harrison/Jim Price/Bobby Keys/Al Aronowitz) 11:14
2. "It's Johnny's Birthday" (Based upon "Congratulations" - Bill Martin/Phil Coulter) 0:49
Recorded in August 1970 with Ringo Starr and presented to John Lennon on his 30th birthday
3. "Plug Me In" (Jim Gordon/Carl Radle/Bobby Whitlock/Eric Clapton/Dave Mason/George Harrison) 3:18
Side Six (Apple Jam)
1. "I Remember Jeep" (Ginger Baker/Klaus Voormann/Billy Preston/Eric Clapton/George Harrison) 8:07
Uses white noise from Harrison's 1969 Electronic Sound album track "No Time or Space". "Jeep" was the name of Clapton's dog that had been stolen
2. "Thanks for the Pepperoni" (Gordon/Radle/Whitlock/Clapton/Mason/Harrison) 5:31
This vinyl rip courtesy of DLedin
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The music repeats for a split second. I'll re-rip that track and post it soon.
(BTW, it was else where on the net for like a year, not?)
This was re-done by DLedin in March 2008. It is the same rip as posted on the private torrents since then. Read the "ripper's notes" and compare with what you have.
But listening to both LP versions must say that this version sounds much better than the 2001 remastered, in my opinion than.
Since I already have it and believe that his new recording rig and method will do a better job I'll wait for a new rip from him if he's into it. In fact, I've been waiting for it for months.
To me, this rip has some distortion in the high frequencies when all the instruments kick in. This would not be present or not sound as harsh if he did it now.
Now if Dr. Robert would do a ATMP-Spector rip with his gear... :-)
I'm in the Phil Spector camp after sampling the two versions.
The re-master sounds brighter (louder) and more compressed. The original mix is more laid back to my ears and I prefer that sound.
Also in complete agreement with Steve jobs on this one.
I think humankind (or at at least those with decent stereos) would reach nirvana
if Doctor Deluxe ever got his hands on the Phil Spector Version and spun his magic with it.
Thanks again for getting us closer to the top of Mt. High Fidelity. The view is splendid from up here.
Nice job!
great thanks to you