ABUSE FORM
Wayne Shorter - JuJu (King Records Japan) Vinyl rip in 24 Bit/96 Khz + CD-format
Posted By :
Kel bazar
|
Date :
27 Sep 2011 18:52:59
|
Comments :
16
|
|
Wayne Shorter - JuJu (1964)
Vinyl rip in 24-bit/96kHz --> 16-bit/44kHz | FLAC (Tracks) , artworks | Stereo | 923 Mb, 274 Mb | 5% RAR Recovery
Jazz, Hard-bop, Post Bop | Filesonic + FilePost
Blue Note BST-84182 - King Records Japan (1978)
Vinyl rip in 24-bit/96kHz --> 16-bit/44kHz | FLAC (Tracks) , artworks | Stereo | 923 Mb, 274 Mb | 5% RAR Recovery
Jazz, Hard-bop, Post Bop | Filesonic + FilePost
Blue Note BST-84182 - King Records Japan (1978)
| “ | Fulfilling the potential promised on his Blue Note debut, Night Dreamer, Wayne Shorter's Ju Ju was the first really great showcase for both his performance and compositional gifts. Early in his career as a leader Shorter was criticized as a mere acolyte of John Coltrane, and his use of Coltrane's rhythm section on his first two Blue Note albums only bolstered that criticism. The truth is, though, that Elvin Jones, Reggie Workman, and McCoy Tyner were the perfect musicians to back Shorter. Jones' playing at the time was almost otherworldly. He seemed to channel the music through him when improvising and emit the perfect structure to hold it together. Workman too seemed to almost instinctively understand how to embellish Shorter's compositions. McCoy Tyner's role as one of the greatest jazz pianists of all time was played here as well, and his light touch and beautiful, joyful improvisations would make him a much better match for Shorter than Herbie Hancock would later prove to be. JuJu rests in the uphill portion of Shorter's creative peak. While the sidemen may have been an even better match for him than the ensembles he would put together for later albums, he was just beginning to find his footing as a leader. His performances were already showing evidence of great originality -- yes, they were influenced by Coltrane, but only in the way that they broke apart the structures of the bop sound to create a sound that had all of the variety and flexibility of the human voice. On later albums like Speak No Evil and The Soothsayer, however, Shorter would rise to an even higher level as a performer with more powerful, confident playing that reached farther afield in its exploration of melodic textures. What really shines on JuJu is the songwriting. From the African-influenced title track (with its short, hypnotic, repetitive phrases) to the mesmerizing interplay between Tyner and Shorter on "Mahjong," the album (which is all originals) blooms with ideas, pulling in a world of influences and releasing them again as a series of stunning, complete visions. --Allmusic | ” |
Tracklist:
All pieces written by Shorter
01. JuJu
02. Deluge
03. House of Jade
04. Mahjong
05. Yes or No
06. Twelve More Bars to Go
Recorded at Rudy Van Gelder Studio, Englewood Cliffs, New Jersey on August 3, 1964
Personnel:
Wayne Shorter - Tenor Saxophone
McCoy Tyner - Piano
Reginald Workman - Bass
Elvin Jones – Drums
| ADVERTISING » | High Speed Download | « ADVERTISING |
Recent searches:
Hero!
You are the man Kel bazar
Contrats for this one
Cheers and thanks again for this one.
Can we please have some more Wayne Shorter 50s and 60s ?