ABUSE FORM
My Bloody Valentine – Loveless (US reissue) Vinyl rip in 24 Bit/96 Khz + CD
Posted By :
Kel bazar
|
Date :
04 Aug 2011 22:40:19
|
Comments :
34
|
|
My Bloody Valentine – Loveless (1991)
Vinyl rip in 24-bit/96kHz --> 16-bit/44kHz | FLAC (Tracks) , artworks | Stereo | 1,07 Gb, 338 Mb | 5% RAR Recovery
Styles: Alternative Rock, Shoegazer | FileSonic + Fileserve Download
Plain Recordings (2003)
Vinyl rip in 24-bit/96kHz --> 16-bit/44kHz | FLAC (Tracks) , artworks | Stereo | 1,07 Gb, 338 Mb | 5% RAR Recovery
Styles: Alternative Rock, Shoegazer | FileSonic + Fileserve Download
Plain Recordings (2003)
| “ | Isn't Anything was good enough to inspire an entire scene of My Bloody Valentine sound-alikes, but Loveless' greatness proved that the band was inimitable. After two painstaking years in the studio and nearly bankrupting their label Creation in the process, the group emerged with their masterpiece, which fulfilled all of the promise of their previous albums. If Isn't Anything was the Valentines' sonic blueprint, then Loveless saw those plans fleshed out, in the most literal sense: "Loomer," "What You Want," and "To Here Knows When"'s arrangements are so lush, they're practically tangible. With its voluptuous yet ethereal melodies and arrangements, Loveless intimates sensuality and sexuality instead of stating them explicitly; Kevin Shields and Bilinda Butcher's vocals meld perfectly with the trippy sonics around them, suggesting druggy sex or sexy drugs. From the commanding "Only Shallow" and "Come in Alone" to breathy reflections like "Sometimes" and "Blown a Wish," the album balances complexity and immediately memorable pop melodies with remarkable self-assurance, given its difficult creation. But Loveless doesn't just perfect the group's approach, it also hints at their continuing growth: "Soon" fuses the Valentines' roaring guitars with a dance-inspired beat, while the symphonic interlude "Touched" suggests an updated take on Fripp and Eno's pioneering guitar/electronics experiments. These glimpses into the band's evolution make Shields' difficulty in delivering a follow-up to Loveless even more frustrating, but completely understandable -- the album's perfection sounded shoegazing's death-knell and raised expectations for the next My Bloody Valentine album to unreasonably high levels. Though Shields' collaborations with Yo La Tengo, Primal Scream, J Mascis, and others were often rewarding, they were no match for Loveless. However, as My Bloody Valentine fans -- and, apparently, Shields himself -- will attest, nothing is. --Almusic. | ” |
Tracklisting:
01. Only Shallow
02. Loomer
03. Touched
04. To Here Knows When
05. When You Sleep
06. I Only Said
07. Come In Alone
08. Sometimes
09. Blown A Wish
10. What You Want
11. Soon
© 2003 Runt LLC
℗ 2003 Warner Bros. Records Inc.
Produced under license from Warner Bros. Records Inc.
Manufactured by Rhino Entertainment Company.
Reissue on 180-gram vinyl (originally released in 1991 on Creation Records).
In a gatefold sleeve.
| ADVERTISING » | High Speed Download | « ADVERTISING |
Recent searches:





This particular pressing was done with a digital master :(
There is another hi-res vinyl rip out there if you look for it. But I don't know what version and they don't really list how they ripped it.
Thanks kel! This is one of my all time favourites!
My place, is also a place for new discoveries in music in sound quality !
I heard there were Plain copies cut from the original Sire stampers. Mine is not. What's the deadwax on yours, Kel?
Also, by 1990 it was common to cut vinyl from the cd in the first pressing. Does anyone know that's not the case with the Creation vinyl?
Analyzed: My Bloody Valentine / Loveless [anon 2496 nd]
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR9 0.00 dB -10.25 dB 4:16 ?-01 only shallow
DR9 0.00 dB -9.32 dB 2:38 ?-02 loomer
DR7 -3.31 dB -11.55 dB 0:56 ?-03 touched
DR7 0.00 dB -9.27 dB 5:31 ?-04 to here knows when
DR9 0.00 dB -9.87 dB 4:11 ?-05 when you sleep
DR9 0.00 dB -10.45 dB 5:34 ?-06 i only said
DR9 0.00 dB -9.65 dB 3:58 ?-07 come in alone
DR10 -0.34 dB -11.42 dB 5:19 ?-08 sometimes
DR9 -0.94 dB -10.96 dB 3:36 ?-09 blown a wish
DR10 0.00 dB -11.88 dB 5:35 ?-10 what you want
DR9 0.00 dB -9.95 dB 6:56 ?-11 soon
--------------------------------------------------------------------------------
Number of tracks: 11
Maximum peak difference (0.00 dB - -3.31 dB): 3.31 dB
Official DR value (Song Mode): DR9
Analyzed: My Bloody Valentine / Loveless [Creation Japan]
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR11 -4.18 dB -16.46 dB 4:17 01-Only Shallow
DR10 -3.40 dB -14.80 dB 2:38 02-Loomer
DR5 -12.77 dB -19.22 dB 0:56 03-Touched
DR10 -1.34 dB -14.64 dB 5:31 04-To Here Knows When
DR10 -2.07 dB -14.89 dB 4:11 05-When You Sleep
DR10 -2.32 dB -14.70 dB 5:34 06-I Only Said
DR11 -1.59 dB -14.31 dB 3:58 07-Come In Alone
DR11 -4.60 dB -16.66 dB 5:19 08-Sometimes
DR9 -4.79 dB -15.42 dB 3:36 09-Blown A Wish
DR11 -2.21 dB -15.75 dB 5:33 10-What You Want
DR13 -0.52 dB -14.62 dB 6:59 11-Soon
--------------------------------------------------------------------------------
Number of tracks: 11
Maximum peak difference (-0.52 dB - -12.77 dB): 12.25 dB
Official DR value (Song Mode): DR10
'PLAIN-105 A2'
Love the controversy too, makes for exciting reading!
I agree with Melmoth, as long as it doesn't get out of hand. Comparing rips and even posting alternate links is not very respectful, imho.
We get to learn & share all sorts of trivia about the music.
Thanks to @longjose, @someotherguy @sbandoboy for remembering that its the music that counts.
And.........thanks to Kel for the hard work.
Cheers & good day to all
Listening: the c0rtland version from what.cd and holyfuckingshit4000 has more bass--that could be merely a reflection of the Grado cartridge. It also has content above 22 kHz. But it sounds like there is a slight bit of mistracking.
In the 90's, many master where only in 16/44 only (Neil Young etc...)!