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O Terço (Compacto Duplo) [vinyl-rip]

Posted By : audio_family | Date : 26 Aug 2010 15:12:00 | Comments : 7 |
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O Terço (Compacto Duplo)
16-bit/44.1 kHz | FLAC | no cue or log (vinyl) | Covers
91.76MB (16/44) | Genre: Prog/Folk Rock | 1972 | Phonogram C07-007
Treatment for your convenience: Declick & Pink Noise Reduction.

In the history of "O Terço", which has its origins in 1968, are three bands in far-off the 60 - Joint Stock Co., Hot Dog and Os Libertinos, where began the guitarist Sergio Hinds, bassist Cesar de Mercês and drummer Vinícius Cantuária. The group Os Libertino, then formed by the three aforementioned musicians, was an attraction that ruffled domingueiras of Rio de Janeiro. The band was still called Santíssima Trindade. In 1970 or 71, Caesar de Mercês is replaced by Jorge Amiden. Now change the name to O Terço. The set, as I might have guessed, was from Rio de Janeiro, but then would settle down in Sao Paulo.

O Terço began singing a rock that they themselves would rank after a "rude" (Chuck Berry, Bo Diddley, etc..), On the outskirts of Rio de Janeiro. At the time, were rivals of A Bolha (another historic national band), but changed the style, concentrating on vocals and enjoyed great success with the song "Tributo ao Sorriso", including between public is not fond of rock.

On the third meaning of the word, of course it is a "fractional equivalent to three" or "the third part of something," including the Rosary, a set of accounts used in Catholic liturgy to compute a certain number of prayers (fifteen Our Fathers and fifteen Hail Marys). The name O Terço out nicely at least for this first incarnation of the band, which was a trio (guitar-bass-drums). Sérgio Hinds, asked where the name was taken from the group said: O Terço as a trio and the symbol of the union representing the rosary.

According to Marcelo Dolabella, in his ABZ of Brazilian Rock, the group had released two singles before the first single LP.
That was the time of Rural Rock and Progressive Rock, and O Terço followed these sounds.

Over the year to launch the debut LP: the site's Casa do Rock 70 reports that was in 1969, Leonardo Nahoum, in his Encyclopedia of Progressive Rock in 1970, and Marcelo Dolabella in 1972. There seems to be more unanimity with respect to the second date, 1970.

Sérgio Hinds had moved away from the group to play with Ivan Lins. It was then that Jorge Amiden called Cezar de Mercês to join the group as bassist. Sérgio Hinds returned shortly afterwards to complete the quartet. With innovation and creativity, in partnership with Guarabyra, the group created the electric cello (played by Sergio Hinds) and the three arms of guitar (nicknamed "tritarra", played by Jorge Amiden). It was so beautiful O Terço released a compact double with five songs, among them, a theme by Bach, who showed well the classical influences of the band.

Soon after, Jorge Amiden which until then was the main creative mind of the O Terço, quarreled with the group and leave. By agreement between the other three members, Sérgio Hinds registered the name "O Terço" for which George Amiden did not. After leaving the group in 1972, Amiden created a new group called Karma, along with musicians Luiz Mendes Junior (guitar) and Alen Earth (below). Karma recorded a beautiful album this year and then disbanded.

O Terço then became Sérgio Hinds (guitar), Cesar de Mercês (bass) and Vinicius Cantuária (drums). Even in mid-1972, O Terço recorded the album "South Wind" by Marcos Valle. Also participated in some tracks the trio "Paulo, Claudio and Mauricio" formed by twin brothers Paul and Claudio Guimaraes (flute and guitar) and arranger Mauricio Maestro, plus guitarist Frederik (Fred), ex-Som Imaginário. The Rosary along with Marcos Valle toured throughout the country and played at the Midem Festival in Cannes, France.

Tracklist
1 - I Visitante (Jorge Amiden/Cesar de Mercês)
2 - Adormeceu (Jorge Amiden/Cesar de Mercês)
3 - Doze Avisos (Ivan Lins/Ronaldo Monteiro de Souza)
4 - Mero Ouvinte (Jorge Amiden/Cesar de Mercês)
5 - Trecho da ária extraída da suíte em Ré Maior (Bach)

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Posted By: znkp Date: 26 Aug 2010 19:22:57
Thank you. Nice.
Posted By: derBaker Date: 27 Aug 2010 10:47:55
I think that's a joke.
Posted By: jaspiongirl Date: 28 Aug 2010 19:57:39
Valeu amigão.
Posted By: Dreasy Date: 01 Sep 2010 22:19:36
I'd like to know ripping equipment, thanks for sharing but IMO this is a bad work --> immediately deleted fron my HD :(
Posted By: audio_family Date: 01 Sep 2010 23:44:01
Dear Dreasy
We did a good work despite of your comments. We are telling you that because you don't know how bad was this recording. All vocals seens left behind a heavy velvet curtain and the instruments where many miles away from the speakers. We did a good work of restoration. Sorry you don't like the music or our job, but this recorded wasn't release on CD and will never be. We used a very good equipment for recording the album and the best tools to restore it to a better level. Of course isn't perfect. This is a 1972 record made with bad materials. It never sounds good. The voices got distortion in some points and we test it in many different phono players. Sorry for wasting your time, but this is history.
All our love 2u
aF
Posted By: Dreasy Date: 02 Sep 2010 02:45:39
Thanks for PM, af. Don't be angry, I love brasilian music (Joao Gilberto, Marisa Monte, Chico Buarque and many other vocalists) and there are not many vinyl rips out there on Avax. My comment wasn't addressed to your work but to vinyl quality only. I expressed myself badly, I'm not English native speaker, I come from the country of Pavarotti and Bocelli. I meant bad work of sound engineer and not your work certainly. Your efforts of restoration are appreciated. I do not despise the work of anyone here on Avax. I understand your difficulties in vinyl restoration. Generally Avax rules require publication of good stuff in Vinyl & HR section, as you read in the home page. In case of pops and clicks you can pass it through ClickRepair with light settings as major rippers do, but the starting material should be good. I appreciate your work, believe me, only a little disappointed because of vinyl conditions but, I repeat, I thank you for your generosity and efforts to offer us a good product. Please if you have more brasilian music to share, do it!!! :)

PS Please include in your post your equipment as every publisher does, just for technical info. I'm always interested in such information
Peace and money 2u
Posted By: audio_family Date: 02 Sep 2010 15:23:30
Dear Dreasy

The equipment used was a Thorens turntable with Shure capsule. The sound went directly throught golden cables to a M-Audio MicroTrack recorder, recording in WAV mode. After that SoundForge with Waves restoration, DeClicker (few clicks found) Waves EQ and iZotope Ozone 4. This was the transfer saga! :-)
All our love 2u
aF
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