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Jethro Tull - Aqualung [Classic Records 200g LP] "DM series" vinyl rip in 24-bit/96kHz & CD-format
Posted By :
aksman
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Date :
11 Nov 2011 09:29:36
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Comments :
22
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Jethro Tull - Aqualung
"Definitive Master" vinyl rip (presented in 24/96 & 16/44.1) | FLAC | m3u, cue & Tech Log
Artwork | DR Analysis | 887 /243 mb incl. recovery | FS, FF & WU | ProgRock | 1971
Classic Records 200g LP (Quiex SV-P) / Cat.#: ILPS 9145-200G
Mastererd by Chris Bellman @ Grundman Mastering, Hollywood
"Definitive Master" vinyl rip (presented in 24/96 & 16/44.1) | FLAC | m3u, cue & Tech Log
Artwork | DR Analysis | 887 /243 mb incl. recovery | FS, FF & WU | ProgRock | 1971
Classic Records 200g LP (Quiex SV-P) / Cat.#: ILPS 9145-200G
Mastererd by Chris Bellman @ Grundman Mastering, Hollywood
| “ | This newest Aqualung is the definitive version and if you love this record, it's worth the money. You will hear musical details and colors not previously revealed on any other version and Mr. Anderson's vocals will literally be in your lap, they are so purely and intimately rendered on Bellman's cut. On no other version do the acoustic guitars have both believable attack and sustain. - Michael Fremer/musicangle.com | ” |
Aqualung is the fourth studio album by the rock band Jethro Tull. Released in 1971, Aqualung, despite the band's disapproval, is regarded as a concept album, featuring a central theme of "the distinction between religion and God". The album's "dour musings on faith and religion" have marked it as "one of the most cerebral albums ever to reach millions of rock listeners". Aqualung's success marked a turning point in the band's career, with them going on to become a major radio and touring act.
Recorded in Island Records' studio in London, it was their first album with John Evan as a full-time member, their first with new bassist Jeffrey Hammond and last album featuring Clive Bunker on drums. The album is something of a departure from the band's previous works, featuring more acoustic material than previous releases; and—inspired by photographs of homeless people on the Thames Embankment taken by singer Ian Anderson's wife Jennie—contains a number of recurring themes, addressing religion along with Anderson's own personal experiences.
Aqualung has sold over 7 million units worldwide according to Anderson, and is thus Jethro Tull's best selling album. The album was generally well-received critically, and has been included on several music magazine "best of" lists. The album spawned one single, "Hymn 43", and has been cited as an inspiration by bands such as Iron Maiden.
Check out Michael Fremer's review of this release!
Track listing
All songs written and composed by Ian Anderson, except where noted.
- Side One - Aqualung
1. "Aqualung" (Ian Anderson, Jennie Anderson) 6:34
2. "Cross-Eyed Mary" 4:06
3. "Cheap Day Return" 1:21
4. "Mother Goose" 3:51
5. "Wond'ring Aloud" 1:53
6. "Up to Me" 3:15
Side Two - My God
1. "My God" 7:08
2. "Hymn 43" 3:14
3. "Slipstream" 1:13
4. "Locomotive Breath" 4:23
5. "Wind Up" 6:01
Personnel
- Ian Anderson: vocals, acoustic guitar, flute
Martin Barre: electric guitar, descant recorder
John Evan: piano, organ, mellotron
Jeffrey Hammond (as "Jeffrey Hammond-Hammond"): bass guitar, alto recorder and odd voices (and backing vocals on "Mother Goose")
Clive Bunker: drums and percussion
Glenn Cornick: bass guitar (played with the band at rehearsals for the album in June 1970, some of which may also have been recording sessions, although he is not credited on the album)
John Burns: recording Engineer
David Palmer: orchestral arrangements and conduction
Burton Silverman: album artwork
All files are inside the folders.
High resoulution files are marked as "hr", CD-compatible files as "rb".
The files are interchangeable!!!
Hope you enjoy!!!
Check my blog for more audiophile stuff.
High resoulution files are marked as "hr", CD-compatible files as "rb".
The files are interchangeable!!!
Hope you enjoy!!!
Check my blog for more audiophile stuff.
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Very good job, but I'm obsessed with the first pressings.
"DM series" stands for "Definitive Masters" and can be helpful for those users who follow my rips since several years, to know imidiately that this rip stands for highest quality. In the process of transfering the sound of a LP into a digital format equipment and the condition of the record are most important parts...
Of course there are also other pressings/re-issues which sound maybe different. Which one someone prefer differs widely uasually. Some prefer only originals, sometimes because they are better, sometimes out of historical/personal reasons. This can be often found when people damn remixed classic rock-records (I remember the discussions about the Genesis Box) only because they sound differnt. But does different mean wrong? Maybe we will never know because we seldom have the opportunity to listen to a mastertape.
Personally I'm very open about this topic. I just want to have a good sounding record no matter if original or re-issue.
Finally spoken, "Definitive Master" stands for highest quality transfer of this particular pressing.
It's your miss, not mine...
The good thing is that the recent editions are generally in good condition vinyl and scan jobs are much more brilliant. Come on, that his new team will look to stop. In my case, old vinyl and worst team, the results are less brilliant, no doubt.
Thank you for the detailed response. It's much appreciated.
Every rip is unique.
Thank You very much!
Love this one 40 years!
I spent a nice Sunday afternoon comparing three Aqualungs: two Doc's rips - his Classic Records, then his DCC record mastered by Steve Hoffmand and finally Aksman's new rip of Classic. All three versions were burnt on DVD-A and I was only switching tracks and listening. At first, I must congratulate to new Aksman rig - Bergmann Audio "Magne" sounds stellar. I was arguing agianst Doc's Classic rip that Classic pressing of Aqualung sounds too "thin" and less like "rock record" in comparison to DCC and wanted to keep DCC rip as reference. But Aksman's rip made on new Bergmann audio setup lost most of this disadvantage against DCC and brings advantage in clearer vocals and more natural sound of accoustic instruments. DCC pressing is settled more in lower frequencies and sounds really "big"...but unnatural a bit. Everything sounds like covered in ranbow haze - nice experience on first listening, but when you switch to Aksman's Classic and then back to DCC it is a bit unpleasant. I'm a big fan of Steve Hoffman efforts in audio restoration but Aqualung mastered by Chris Bellman @ Grundman Mastering (rippped on new Aksman setup) sounds better. Thank Aksman, Bergmann Audio was a good choice for all of us! Does anybody know if Chriss Bellman used the same mastertape as Steve Hoffman?
According the Fremer's review of this, yes Bellman got the masters from Anderson, same as Hoffman. On the other hand, Fremer's review also states that he's not aware that anyone prior to Classic got the true masters, so he clearly isn't aware of what Hoffman also had.
CD version with interview is probably 25th Anniverary edition that was not remastered from original master tapes but from Crystalis copies marked as masters and it sounds really bad. Several days ago was released 40th Anniversary edition what is not just another remaster but complete new mastering done by Steve Wilson. It sounds promising. I look for it and feel that one more comparison is coming :-)!
For what this is worth, my favorite version is the US WLP and I have all significant versions of this great piece of music.
Thanks again Aksman. Others can fixate on whatever they care to but this rip sounds terrific to me. Classic album, tons of thanks.
The version on The Pirate Bay: http://thepiratebay.org/torrent/5668153/Jethro_Tull_-_Aqualung_1971_%28Vinyl_Rip%29_%5B24_96%5D
STUNNING!!!!
This is a "Definitive Master"!
Thanks!