Carlo Gesualdo: Tenebrae -- The Hilliard Ensemble
EAC | FLAC IMG+CUE+LOG (486 MB) | Complete HQ Scans (26,9 MB) | 2CD | MU-RS-Multiupload
Classical: Renaissance, Sacred, Vocal | ECM 1422/23 (843 867-2) | 1991
| “ | On 16 October 1590, Don Carlo Gesualdo carried out an act which was to change his life forever and secure him a place in the annals of history: he murdered his adulterous wife and her lover. It would seem that Gesualdo then spent the rest of his life attempting to atone for his sin. He built chapels and paid for prayers to be said; Gesualdo the madrigalist overnight began composing religious music, copious amounts of which have survived. The passions and madness of his life became reflected in his music. His very dramatic style had neither precedent nor antecedent, and Gesualdo stands as an isolated genius of unaccompanied vocal writing. His music has continued to haunt people down through the ages. No-one can remain unmoved by his sad and sombre "Miserere Mei Deus", a setting of Psalm 51, a cry to God to forgive the sinner. Gesualdo also found himself drawn towards the "Tenebrae", the shadows, the texts and prayers used in Catholic mass from Maundy Thursday to Easter morning, texts which convey the betrayal, suffering and death of Christ. A subject which suited Gesualdo's suffering soul. He used his music to illustrate the emotion and anguish of the sacred texts: the mood created changes word by word, rhythm is highly irregular and violently interrupted. The whole tonal colour is quite startlingly different from what one finds in Gesualdo's contemporaries. The performance by the Hilliard Ensemble is exemplary - quite honestly the best recording of "Tenebrae" I've ever heard. Their performance sets the benchmark for other vocal groups to attempt to match. Two discs' worth of music might seem like too much of a good thing, but if you delve into this collection taking Thursday, Friday, Saturday and Miserere separately, you will find it a delight to explore - if you don't find the subject matter too depressing!
Reviewed by John Irvine (Cross Rhythms Mag) | ” |
EAC Log Vol. 1Exact Audio Copy V1.0 beta 1 from 15. November 2010
EAC extraction logfile from 17. December 2010, 19:38
The Hilliard Ensemble / Carlo Gesualdo: Tenebrae
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Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %j--picture="%i"%j %s -o %d
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EAC Log Vol. 2Exact Audio Copy V1.0 beta 1 from 15. November 2010
EAC extraction logfile from 17. December 2010, 20:08
The Hilliard Ensemble / Carlo Gesualdo: Tenebrae
Used drive : LITE-ON DVDRW LH-20A1S Adapter: 3 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %j--picture="%i"%j %s -o %d
TOC of the extracted CD
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Range status and errors
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Copy CRC 59DC2D7E
Copy OK
No errors occurred
AccurateRip summary
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All tracks accurately ripped
End of status report
However, I have once read a review which praised a recording by the Scolania de Montserrat even higher.
Never found a trace of that disc.
Does any Gesualdo lover know about it?
Also, you can find a full review from Gramophone here:
http://www.gramophone.net/Issue/Page/January%201980/83/823895/
[Thanks for Rapidshare links]