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Bernadette Speach - Reflections (2002)
Posted By :
basa005
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Date :
20 May 2010 17:24:12
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Comments :
7
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Bernadette Speach - Reflections (2002)
EAC RIP | APE + CUE + LOG | COVER+BOOK | RAR FILES (3% recovery) | 281 Mb
Classical | Mode Records mode105
EAC RIP | APE + CUE + LOG | COVER+BOOK | RAR FILES (3% recovery) | 281 Mb
Classical | Mode Records mode105
Tracklist:
1. Trio Des Trois III (1992) (10:56)
Lois Martin, viola; David Heiss, cello; Anthony de Mare, piano
2. When It Rains...Lleuve (1995) (5:55)
Anthony de Mare, piano
3. Chosen Voices (1991) (3:59)
Jeffrey Schanzer, prepared guitar; Bernadette Speach, toy piano
4. les ondes pour quatre (1988) (10:04)
The Arditti String Quartet
5. Angels In The Snow (1993) (5:57)
Bernadette Speach, piano
6-12. Woman Without Adornment (1995) (24:37)
Text from 1959 by Thulani Davis
Thulani Davis, reciter; Alva Rogers, voice; Jeffrey Schanzer, guitars; Mark Dresser, bass; Bernadette Speach; piano & conductor
13. Viola (2000) (10:51)
Rozanna, viola; Anthony de Mare, piano
Speach, a student of Morton Feldman, often captures the suspended dynamism and coloristic vision of her mentor, but the work is further infused with her own considerable musical personality. It deftly bridges new music, jazz and appealing, easily enjoyed sensibility - bursting the bonds of postminimalism to evoke a thoughtful, introverted romanticism.
Reflections consists of recent compositions. les ondes pour quatre was written for the Arditti String Quartet at the request of Irvine Arditti. When It Rains...Lleuve showcases the pianistic and vocal talents of regular Speach collaborator Anthony de Mare.
Woman Without Adornment is Speach's latest collaboration with acclaimed write Thulani Davis, who also contributed the libretto to Anthony Davis's opera "X". Writer/critic/composer Kyle Gann said of their collaborations: "Not since the beat poetry/jazz fusion of the 1950s has anyone sought the kind of fusion of spoken word and music that Bernadette Speach and Thulani Davis are exploring. But where beat poetry revealed in an improvisatory relationship between words and music, Speach and Davis have created a snug fit still loose enough to allow for the spontaneity of Davis's reading. And over the years their collaborations have shown how flexible and fertile their self-made genre can be.
It's given us vivid pictures of a moment in American society like Telepathy Suite; ... and in Woman without Adornment a more intimate, personal memoir from Davis's novel 1959. And through the whole series, Speach's delicate postminimal jazz and Davis's warmly idiosyncratic inflections infuse the genre with subtle shades of color that could have come from no one else."
download:
part 1
part 2
part 3
part 4
cover+book:
cover
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