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Liszt - The Great Transcriptions
Posted By :
zedda piras
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Date :
14 Feb 2010 14:57:40
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Comments :
3
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Liszt - The Great Transcriptions
C.Arrau - M.Campanella - M.Dichter - Z.Kocsis - A.Uninsky
Separate FLAC files | LOG | CUE | full scans | RS | RAR | 482.7 MB | TT: 125’
Classical | 1997 | Philips 456052 | 2CD | EAC V0.99 pb 5
C.Arrau - M.Campanella - M.Dichter - Z.Kocsis - A.Uninsky
Separate FLAC files | LOG | CUE | full scans | RS | RAR | 482.7 MB | TT: 125’
Classical | 1997 | Philips 456052 | 2CD | EAC V0.99 pb 5
| “ | Five stars for adrenalin: the cast of virtuosi and philosophers of the keyboard lives up to Liszt’s rethinkings, independent fantasies and (fairly) straight arrangements. Verdi and Wagner operas are the chief sources. Gounod takes the honours for spectacle, Schumann’s ‘Widmung’ for erotic ardour in Dichter’s sole contribution. The powerfully focused Arrau and the now flamboyant, now delicate Campanella appear most often, while there is softer-grained playing from Uninsky and Kocsis. Altogether a summit of creative and pianistic astonishment. ~ Robert Maycock, BBC Music Magazine | ” |
| “ | Franz Liszt was a virtuoso pianist, an amazing composer and brought many innovations to classical piano music. He was the first to introduce the solo recital and provided more independence to musicians raising the artistic level of concert performances. Liszt brought even more freedom to pianists by creating a completely new piano technique that allowed playing fast and brilliantly at the same time. Transcriptions and paraphrases played a special role in Liszt's professional life. Unlike others pianists of his time, he never viewed transcriptions as tools for showing off his virtuoso abilities. Liszt transcribed works of others in order to promote music of not very well known composers to the public. In orchestral transcriptions he introduced new sound to reflect the contribution of many instruments. In transcriptions of songs Liszt aimed at preserving a vocal line while creating a self contained piano piece with rich accompaniment. In opera transcriptions he managed to describe characters and ideas in all their complexity based on just a small fragment of an opera. Liszt's works contain an astonishing number of piano transcriptions of works by other composers. Some of these are extremely faithful to the original. For example, Beethoven's Symphonies or Erlkonig from Schubert's Lieder. Others are more rhapsodic, taking themes from here and there in larger works and treating them to more or less free development like Verdi's Rigoletto. These pieces are referred to as paraphrases, and one of the most remarkable aspects of them is how they manage to sound like Liszt and the original composer at the same time. All the pieces in this 2 cd set are dramatic and passionate, full of virtuoso piano playing and theatrical atmosphere. This is one of my favorite Liszt cd's and if you like exciting piano playing and want to listen to Liszt's transcriptions and paraphrases I know you will enjoy this cd set. ~ amazon.com | ” |
Tracklist
CD1
1. Valse de l'opéra Faust, transcription for piano (after Gounod), S. 407 (LW A208)
with Michele Campanella
2. Polonaise aus der Opera Eugene Onegin, for piano (after Tchaikovsky), S. 429 (LW A293)
with Michele Campanella
3. Illustrations du Prophète (3), transcription for piano (after Meyerbeer), S. 414 (LW A165) No. 2 (The Skaters)
with Michele Campanella
4. Spinnerlied aus Der Fliegenden Holländer, transcription for piano (after Wagner), S. 440 (LW A204)
with Alexander Uninsky
5. Elsas Brautzug zum Münster, transcription for piano (after Wagner: Lohengrin), S. 445/2 (LW A176/2)
with Zoltan Kocsis
6. Feierlicher Marsch zum heiligen Gral aus Parsifal, for piano (after Wagner), S. 450 (LW A315)
with Zoltan Kocsis
7. Widmung (Liebeslied), transcription for piano (after Schumann, I & II), S. 566 (LW A133)
with Misha Dichter
CD2
1. Réminiscences de Norma, transcription for piano (after Bellini), S. 394 (LW A77)
with Michele Campanella
2. Rigoletto: paraphrase de concert (after Verdi), for piano, S. 434 (LW A187)
with Claudio Arrau
3. Ernani: paraphrase de concert (I & II), for piano (after Verdi), S. 432 (LW A203)
with Claudio Arrau
4. Miserere du Trovatore, transcription for piano (after Verdi) , S. 433 (LW A199)
with Claudio Arrau
5. Salve Maria de Jérusalem (I & II), transcription for piano (after Verdi, I Lombardi), S. 431 (LW A149)
with Claudio Arrau
6. Aida: Danza sacra e duetto finale, transcription for piano (after Verdi), S. 436 (LW A276)
with Claudio Arrau
7. Don Carlos: Coro di festa e Marcia funebre, transcription for piano (after Verdi), S. 435 (LW A240)
with Claudio Arrau
Product Info:
Liszt - The Great Transcriptions
Performer: Michele Campanella, Alexander Uninsky, Zoltán Kocsis, Misha Dichter, Claudio Arrau
Composer: Franz Liszt
Audio CD (June 10, 1997)
SPARS Code: ADD
Number of Discs: 2
Label: Philips 456052
ASIN: B0000041MP
More info about this issue.
Download link
Pass: Raiding
If you like this set you can buy it.
It is interesting to also listen the version of Leslie Howard, here at avaxhome:
[Liszt Complete Music for Solo Piano (95 CD box), Howard].
Now it can be downloaded again. There are very recent and useful comments in the old posts of soloweb... ;)
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Continue !
Dear PPClass, if you like Liszt, I hope you read carefully the last three rows of my post... :)
It's about new links for "Liszt Complete Music for Solo Piano (95 CD box), Howard".
See the last comment in this post: http://avaxhome.ws/music/classical/romantic/SW_81.html
Besides, you should also consider posts like: "Claudio Arrau: Liszt, Piano Works"
http://avaxhome.ws/music/classical/romantic/arrau_liszt.html