Telemann - Domestic Music (Simon Standage)
Classical | EAC | Flac(Image)+Cue, Logs, Scans | 398.16 MB
CD:78’35 | November 18, 1992 | Chandos
| “ | By comparison with the ambitious, sometimes pioneering products of the last musically active decade of his life (1755-1765) much of Telemann's chamber music is conventional in language if not always in form. Nevertheless, we should guard against any assessment which views it as merely fluent. Telemann's chamber suites and cantatas, solo sonatas, trios, quartets and songs almost invariably carry the hallmark of a composer whose understanding of the voices and instruments for which he is writing is both imaginatively practical and technically informed. Indeed, from his own account we know that he was a proficient if not accomplished player of most instruments comprising the standard ensembles of his day; and we know from his contemporaries as well as from Telemann himself that he was especially admired for his trios and quartets: 'I have been persuaded particularly that the trio showed my greater strength' wrote the composer in one of his autobiographical sketches 'because I so arranged it that one part should have as much to perform as the other'. It was an opinion endorsed by such eminent theorists as Johann Adolf Scheibe (1708-1776) in Leipzig, Johann Joachim Quantz (1697-1773) in Berlin, and Johann Mattheson (1681-1764) in Hamburg who reckoned that Telemann's trios 'though something Italian is mixed in, nonetheless flow very naturally and in the old French manner'. Of Telemann's quartets Quantz remarked in his celebrated "Versuch einer Anweisung die Flote traversiere zu spielen" (Essay of a Method for Playing the Transverse Flute, 1752):'... "six quartets" for different instruments, the majority for flute, oboe and violin, which Mr. Telemann wrote some time ago... may provide excellenl and beautiful models for compositions of this type'. | ” |
Performer:
COLLEGIUM MUSICUM 90
SIMON STANDAGE director & violin
RACHEL BROWN flute
SIMON STANDAGE
MICAELA COMBERTI violin
JANE СОЕ cello
LARS ULRIK MORTENSEN harpsichord
MARTIN KLIETMANN tenor
Tracklisting:
CD1
1. Trio Sonata for Two Violins and Continuo in E flat major: I. Affettuoso (3:05)
2. II. Vivace (3:56)
3. III. Grave (2:47)
4. IV. Allegro (3:58)
5. Singe-, Spiel- und Generalbass-Ubungen: I. Zufriedenheit (0:33)
6. II. Seltenes Gluck (1:49)
7. III. Die Einsamkeit (5:18)
8. IV. Gluck (0:59)
9. Suite No. 5 for Flute, Violin and Continuo in A minor: I. Largo (0:55)
10. II. Vivace - Largo (1:07)
11. III. Un poco vivace (3:25)
12. IV. Andante (5:01)
13. V. Presto (1:12)
14. VI. Un poco vivace (2:35)
15. VII. Vivace (0:43)
16. VIII. Allegro (2:20)
17. Moralische Cantata ''Das massige Gluck'': Aria I (4:01)
18. Recitativo (1:00)
19. Aria II (2:29)
20. Sonata for Two Violins in E minor: I. Largo (2:41)
21. II. Allegro (2:13)
22. III. Affettuoso (3:06)
23. IV. Vivace (3:33)
24. 24 theils ernsthafte, theils scherzende, Oden: I. An den Schlaf (3:48)
25. II. Trinklied (2:20)
26. Quartet for Flute, Two Violins and Continuo in G major: I. Dolce (3:24)
27. II. Allegro (3:29)
28. III. Soave (2:20)
29. IV. Vivace (4:30)
LOG CD1: Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 7. March 2011, 13:48
Simon Standage, Martin Klietmann, Collegium Musicum 90 / Telemann - Domestic Music
Used drive : PIONEER DVD-RW DVR-218L Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -T "DATE=%y" -T "GENRE=%m" -8 -V %s
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1 | 0:00.00 | 3:05.30 | 0 | 13904
2 | 3:05.30 | 3:56.20 | 13905 | 31624
3 | 7:01.50 | 2:47.12 | 31625 | 44161
4 | 9:48.62 | 3:57.50 | 44162 | 61986
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12 | 27:52.17 | 5:01.13 | 125417 | 148004
13 | 32:53.30 | 1:11.50 | 148005 | 153379
14 | 34:05.05 | 2:34.70 | 153380 | 164999
15 | 36:40.00 | 0:43.27 | 165000 | 168251
16 | 37:23.27 | 2:19.60 | 168252 | 178736
17 | 39:43.12 | 4:01.45 | 178737 | 196856
18 | 43:44.57 | 1:00.13 | 196857 | 201369
19 | 44:44.70 | 2:28.27 | 201370 | 212496
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21 | 49:54.32 | 2:13.10 | 224582 | 234566
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23 | 55:13.62 | 3:32.13 | 248537 | 264449
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25 | 62:34.20 | 2:19.55 | 281570 | 292049
26 | 64:54.00 | 3:24.62 | 292050 | 307411
27 | 68:18.62 | 3:28.63 | 307412 | 323074
28 | 71:47.50 | 2:20.00 | 323075 | 333574
29 | 74:07.50 | 4:29.25 | 333575 | 353774
Range status and errors
Selected range
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Peak level 80.2 %
Range quality 100.0 %
Test CRC B320FFE3
Copy CRC B320FFE3
Copy OK
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