ABUSE FORM
Arvo Part - Tabula Rasa (1999) by request
Posted By :
ooliver
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Date :
16 Jul 2009 00:11:58
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Comments :
11
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Arvo Part: Tabula Rasa (1999)
Gil Shaham & Adele Anthony, violin - Neeme Jarvi, conductor
Avant-Garde | (flac, cue, log) | 7-zip | 305 MB | RS.com
DDG 20/21 CD 457 647-2 | 58:29 | Artworks & Booklet
Gil Shaham & Adele Anthony, violin - Neeme Jarvi, conductor
Avant-Garde | (flac, cue, log) | 7-zip | 305 MB | RS.com
DDG 20/21 CD 457 647-2 | 58:29 | Artworks & Booklet
| “ | The music of Arvo Part contains a message which appeals to the deepest spiritual needs of our time. Neeme Jarvi | ” |
Tabula Rasa - Fratres - Symphony No. 3 - 58:29
01 Fratres for violin, strings and percussion [1977, 1992] dedicated to Gidon Kremer 09:54
Gil Shahan, violin
Roger Carlsson, percussion
Tabula Rasa [1977] dedicated to Tatjana Grindenko, Gidon Kremer, Eri Klas (2 tracks, 23:18)
02 1 Ludus, con moto 09:50
03 2 Silentium, senza moto 13:28
Adele Anthony, violin 1
Gil Shahan, violin 2
Erik Risberg, prepared piano
Symmphony #3 [1971] dedicated to Neeme Järvi (3 tracks, 25:17)
04 First movement 06:59
05 Second movement 09:09
06 Third movement 09:09
Gothenburg Symphony Orchestra, directed by Neeme Jarvi
Recording: Göteborg Concert Hall
Fratres, Tabula Rasa: 8/97
Symphony: 12/97
01 Fratres for violin, strings and percussion [1977, 1992] dedicated to Gidon Kremer 09:54
Gil Shahan, violin
Roger Carlsson, percussion
Tabula Rasa [1977] dedicated to Tatjana Grindenko, Gidon Kremer, Eri Klas (2 tracks, 23:18)
02 1 Ludus, con moto 09:50
03 2 Silentium, senza moto 13:28
Adele Anthony, violin 1
Gil Shahan, violin 2
Erik Risberg, prepared piano
Symmphony #3 [1971] dedicated to Neeme Järvi (3 tracks, 25:17)
04 First movement 06:59
05 Second movement 09:09
06 Third movement 09:09
Gothenburg Symphony Orchestra, directed by Neeme Jarvi
Recording: Göteborg Concert Hall
Fratres, Tabula Rasa: 8/97
Symphony: 12/97
Deutsche Grammophon 20-21 CD 457 647-2 (1999)
Enjoy
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Thanks a lot!
Hmmm.
I usually tend to get utterly vulgar at these kinds of self-indulgent exhibits, but let me refrain myself here for a moment.
So, do you really believe that too, ooliver? what is _your_ 'deepest spiritual need' then, if I may be so blunt? Which 'message' in this 'music' appeals to you to bring this all out?
Very curious to hear about this from you.
PS. To give you some kind of reference for this remark: today, I listened to Coltrane with Dolphy at Copenhagen in 1961, saw the Beatles' Hard days night (what was it, 1965?), and saw Tim Roth's 'The war zone' as well as Tarantino's 'Reservoir dogs' (Rafferty is still ringing in my head).
Yesterday I was reading a piece of Les Chants de Maldoror d'Isidore Ducasse, saw a very good italian film of Marco Risi: Fortapàsc (that I think it's not yet arrived in your country - http://akas.imdb.com/title/tt1272011/) and saw on Arte sat channel a reply of Pina Bausch ballet Orpheo and Euridice.... drinking a fresh white wine (Vermentino of Sardinia) with some parmigiano.
Every day I change my deepest spiritual needs, I hope for a long time to go.
Ciao.
Anyway, sorry for my grumpy tone, didn't mean to offend anyone. You take care, thanks for your reply, and the music.