ABUSE FORM
Stockhausen - Kurzwellen (1969) re-post
Posted By :
ooliver
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Date :
30 Nov 2009 10:53:34
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Comments :
12
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Stockhausen - Kurzwellen (1968-69)
for six players & short-wave radio
Avant-Garde | Analog to Digital Rip (ape) | rar 3% recovery record | 309 MB | RS.com
Deutsche Grammophon 2707 045 | 2 Vinyl LP 47' & 53' | Full Sleeve Scans
for six players & short-wave radio
Avant-Garde | Analog to Digital Rip (ape) | rar 3% recovery record | 309 MB | RS.com
Deutsche Grammophon 2707 045 | 2 Vinyl LP 47' & 53' | Full Sleeve Scans
| “ | HOW the players react to what they hear on the radio; HOW they imitate and then modulate it, transpose it in time (longer or shorter, more or less rhythmically articulated) and in space (higher or lower, louder or softer); WHEN and HOW and HOW OFTEN they play synchronously or alternatingly, in duos, trios or quartets; HOW they call and invite each other to hear together an event which wanders among them for a prolonged period of time, letting it shrink and grow, compressing and expanding it, darkening and lightening it, concentrating or playfully decorating it. Stockhausen, from the attached sleeve text | ” |
Kurzwellen is a piece where, the musicians need to improvise and react to signals they receive on randomly tuned Shortwave radio's. Participants:
Aloys Kontarsky, piano & short-wave radio
Harald Bojé, electronium & short-wave radio
Alfred Alings & Rolf Gehlhaar, tam-tam & short-wave radio
Johannes G. Fritsch, electric viola & short-wave radio
Karlheinz Stockhausen, filters & potentiometers
Aloys Kontarsky, piano & short-wave radio
Harald Bojé, electronium & short-wave radio
Alfred Alings & Rolf Gehlhaar, tam-tam & short-wave radio
Johannes G. Fritsch, electric viola & short-wave radio
Karlheinz Stockhausen, filters & potentiometers
Same work recorded twice during two different performances:
LP A was recorded in the television studio's of Radio Bremen on May fifth, 1968, during the festival Pro Musica Nova.
Reissued on CD by Stockhausen-Verlag in 1998 (Stockhausen 61)
Reissued on CD by Stockhausen-Verlag in 1998 (Stockhausen 61)
LP B was recorded in the Rhenus studio in Godorf for the Cologne Radio (WDR, Westdeutscher Rundfunk Köln) on the 8th and 9th of April 1969.
Reissued on CD by Stockhausen-Verlag in 1992 (Stockhausen 13)
Reissued on CD by Stockhausen-Verlag in 1992 (Stockhausen 13)
Deutsche Grammophon 2707 045 - 2LP (1969)
Why version 1969 was reissued 6 year before version 1968?
For a technical take on KURZWELLEN
http://home.earthlink.net/~almoritz/kurzwellen.htm
For a more philosophical take on KURZWELLEN:
http://home.swipnet.se/sonoloco2/Rec/Stockhausen/13.html
During the recording 1968 LP Side 2 a little strange and unexplicable thing happened at the 5th minute: a very short loop of the same sound.
This is the link for a new recording for replacement of the previous file:
A2 Kurzwellen (Radio Bremen Aufname - 4 Mai 1968) Teil 2 (new recording)
This is the link for a new recording for replacement of the previous file:
A2 Kurzwellen (Radio Bremen Aufname - 4 Mai 1968) Teil 2 (new recording)
My Analog to Digital Conversion System:
- Transcriptor Hydraulic Reference Turntable
- SME Arm Model 3200 with a Shure Stylus VN35HE
- Marantz 1120 Power Amplifier
- TerraTec Electronic Aureon Wave
- Total Recorder Professional Edition Version 7.1 (with Click, Noise and Hiss Removal activated)
Enjoy
THE LINK BELOW IT'S NOT MINE, CLICK AT YOUR OWN RISK
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many thanks ooliver!
----
btw, it only strikes me now - the album was recorded in Bremen and Cologne, Germany; I wonder what that sign they're holding is doing there. It's Dutch and means "no access; entrance (go right)". The juxtaposition of the nouns is a bit weird. I take it Karlheinz snitched it somewhere in the Netherlands because he liked the absurdity of it
One little comment I would like to offer: because of the very nature of Stockhausen's music, and his unconventional
use of tones and frequencies, some of these could very much be taken as 'noise' and removed by your software.
While the software probably works reasonably well for 'normal' music, this is one instance where I wonder
if it may not be better to let people decide how much noise and hiss removal should be performed on these pieces.
(That is, besides removing the obvious clicks and pops from the vinyl)
What do you think? Anyway, looking forward to more of these! Also, do you have any Oskar Sala by any chance?
sg
I've checked the difference (noise removal on/off) with the software that now I use (Total Recorder) and found no relevant significance (you can check with my files: on LP A noise removal is on and LP B is off): probably why my LP are quite new and well kept.
BTW tomorrow I will add a link for the second file, the loop problem on LP A side B noted by Antidatum (if anyone send me other problems..).
Finally Oscar Sala. I've 3 cd, found on the web (My fascinating instrument; Subharmonische Mixturen; Trautonium Works, with also Hindemith's works) and 2 LP (Electronic Kaleidoscope; Elektronische Impressionen): please, the LP transfer it's a lot of work.....