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Paul Hindemith: Cello & Clarinet Concertos (1983)
Posted By :
peachfuzz
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Date :
26 Mar 2009 00:18:18
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Comments :
15
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Paul Hindemith - Cello & Clarinet Concertos (1983)
Classical | EAC (APE, CUE & LOG without the bark) | 213 MB
Classical | EAC (APE, CUE & LOG without the bark) | 213 MB
Hindemith's signature compositions usually take longer to make their mark, but when they do, they reveal a considerable depth and dimension. Of the two concertos, the Clarinet Concerto is clearly the more memorable one in that it was dedicated to no other than Benny Goodman, who gave its first performance with the Philadelphia Orchestra under Eugene Ormandy in 1950. While it is in a lighter vein than Hindemith's typical no-nonsense oeuvre, there are still several familiar tunes here that you will find enjoyable. The Cello Concerto, on the other hand, is the third and last of his Cello Concertos, which revives the concept of the soloist as a hero that admirably suits the temperament of it first exponent, Gregor Piatigorsky, who premiered it with the Boston Symphony Orchestra in 1941. Tibor de Machula, once Furtwängler's first cello in the BPO, plays with easy bravura and a slightly thin tone that suits the work well.
- Tracklist
Concerto for Cello & Orchestra (1940)
I. Mässig Schnell
II. Ruhig bewegt
III. Marsch
Concerto for Clarinet & Orchestra (1947)
I. Ziemlich schnell
II. Ostinato - Schnell
III. Ruhig
IV. Heiter
Tibor de Machula, cello
George Pieterson, clarinet
Concertgebouw Orchestra
Kirl Kondrashin, conductor
Etcetera Records: KTC 1006
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Graxias,
Maybe,by the way, you can upload the Corigliano concerto with Stoltzman? Pleeeease... ;)
Let's just focus on what we have always loved to do: the passion for listening and sharing good music. In that regard, feel free to share your wealth.
Thanks for the links. However, I find it regrettable that you decided to delete all your posts. Doesn't this in itself run smack against the very "principle" that you hold so dear? That principle should be applied consistently across the board at all times, not only when you feel like it.
It's fair to say that most of us don't like the recent policy that was introduced by AvaxHome, but lets not forget why we're here in the first place. It's okay to begrudge those who you don't particularly like but, at the same time, don't get so damn emotional that your action in the end only deprives the innocent bystanders from accessing your music. After all, isn't that the real reason why we're here?