ABUSE FORM
Jana Winderen - Heated: Live in Japan (2009)
Posted By :
peachfuzz
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Date :
09 Aug 2009 05:20:46
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Comments :
7
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Jana Winderen - Heated: Live in Japan (2009)
Avantgarde | EAC (APE, CUE & LOG) | 137 MB
Avantgarde | EAC (APE, CUE & LOG) | 137 MB
| “ | Blog Critics For those of you expecting to hear something along the lines of the delicate sounds of raindrops plopping on leaves, you'll be sorely disappointed. In her first full length CD from Touch Music, Heated, a performance she gave in October 2008 in Tokyo, Norwegian sound artist Jana Winderen creates soundscapes from recordings that she has made with specially designed microphones of rivers in China, far beneath the surface of the North Sea, and crevices that run into the hearts of icebergs. According to the credits on the disc the source material used for this show was gathered with various types of hydrophones and microphones in Greenland, Iceland, and Norway. This is a world of mysterious groans, squeaks, and loud unearthly growls, as Winderen's microphones pull sounds from depths beneath the ice pack in the frozen north. For twenty-six plus minutes she plays back sounds that are so alien to our ears that they could be from another planet. Believe me when I tell you, listening to this disc is unlike anything you're likely to have experienced ever before. | ” |
- Tracklist
1. Tetsuro Yasunaga 1:25
2. Jana Winderen 26:29
Live performance at Super Deluxe, Tokyo, 24th October 2008. Source material recorded with 2 x 8011 DPA hydrophones, 2 x DolphinEAR/PRO hydrophones and 2 x 4060 DPA microphones on a Sound Devices 744T recorder in Greenland, Iceland and Norway.
Touch # Tone 36
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(Love the "Rapido Crap" bit.. ;)
Thanks! :D
give it a try .. hope its good and unusual
thx anyway
I want to ask you ( hope this is the right place to do it ) if it is possible to repost The Early Gurus of Electronic Music (ape).
Thank you and respect from Finland.
Now that I've listened to this, I'm even more impressed by Dunn's work from the 1980's. It sounds practically the same, minus the drone backdrop. And I think it's perhaps more otherworldly that Dunn sourced his sounds from the most ubiquitous and unexceptional location - a small pond.
This Winderen is very very cool...thanks again!