ABUSE FORM
John Jenkins (1592-1678) - Fantazia - Ensemble Jérôme Hantaï
Posted By :
Edmond Mach
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Date :
28 Mar 2009 18:34:00
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Comments :
6
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John Jenkins (1592-1678) - Fantazia - Ensemble Jérôme Hantaï
EAC: WAV & CUE | TT 59:53 | 352 MB | Naïve/Astrée 2004 | Covers & booklet
EAC: WAV & CUE | TT 59:53 | 352 MB | Naïve/Astrée 2004 | Covers & booklet
Recorded in the German-Evangelical Church, Paris, april 2004
Jenkins was an uniquely important 17th Century master. So influential was he that when Henry Purcell was growing to
maturity he was described as "the Jenkins of his age".
We have to look to the Fantasias of the younger generation of Thomas Lupo and Christopher Gibbons for anything like
the flexibility of Jenkins' melody. William Lawes, killed tragically young at the siege of Chester in 1645, added adventurous
instrumental gesture to idiosyncratic harmony foreshadowing the works of Locke and Purcell. Jenkins, on the other hand,
produced a lyrical music, equally original, which, even at its most intense, is always smooth in outline and almost without
unprepared dissonance. He is however the most modern of them all in his use of the still developing diatonic system and
confident in the handling of of adventurous modulation. -Carolyn Coxon in booklet
...the sound of the recording, made in the German Evangelical Church in Paris, is top-notch. -James Manheim, AMG
This is chamber music, and chamber music-making, of real distinction. -Gramophone
Ensemble Jérôme Hantaï
François Fernandez, Simon Heyerick, violins
Jérôme Hantaï, Kaori Uemura, tenor & bas viols
Catherine Arnoux, Alix Verzier, bass viols
Brian Feehan, lute
Maude Gratton, Pierre Hantaï, organ & continuo
1. Fantazia 5 In Six Parts [5:03]
2. In Nomine 1 In Six Parts [4:28]
3. Suite 3: Fantasia [3:08]
4. Suite 3: Almain [1:57]
5. Suite 3: Corant [1:31]
6. Pavan In Six Parts [8:40]
7. Divisions For Two Viols [3:36]
8. Fantazia 8 In Six Parts [4:32]
9. Fantazia 3 In Six Parts [4:07]
10. Newark Siege [5:37]
11. Galliard [2:30]
12. Suite 1: Fantasia [4:33]
13. Suite 1: Air [3:19]
14. Suite 1: Corant [1:59]
15. In Nomine 2 In Six Parts [4:44]
Download:
Part I --- Part II --- Part III --- Part IV (Rapidshare)
Mediafire
Jenkins was an uniquely important 17th Century master. So influential was he that when Henry Purcell was growing to
maturity he was described as "the Jenkins of his age".
We have to look to the Fantasias of the younger generation of Thomas Lupo and Christopher Gibbons for anything like
the flexibility of Jenkins' melody. William Lawes, killed tragically young at the siege of Chester in 1645, added adventurous
instrumental gesture to idiosyncratic harmony foreshadowing the works of Locke and Purcell. Jenkins, on the other hand,
produced a lyrical music, equally original, which, even at its most intense, is always smooth in outline and almost without
unprepared dissonance. He is however the most modern of them all in his use of the still developing diatonic system and
confident in the handling of of adventurous modulation. -Carolyn Coxon in booklet
...the sound of the recording, made in the German Evangelical Church in Paris, is top-notch. -James Manheim, AMG
This is chamber music, and chamber music-making, of real distinction. -Gramophone
Ensemble Jérôme Hantaï
François Fernandez, Simon Heyerick, violins
Jérôme Hantaï, Kaori Uemura, tenor & bas viols
Catherine Arnoux, Alix Verzier, bass viols
Brian Feehan, lute
Maude Gratton, Pierre Hantaï, organ & continuo
1. Fantazia 5 In Six Parts [5:03]
2. In Nomine 1 In Six Parts [4:28]
3. Suite 3: Fantasia [3:08]
4. Suite 3: Almain [1:57]
5. Suite 3: Corant [1:31]
6. Pavan In Six Parts [8:40]
7. Divisions For Two Viols [3:36]
8. Fantazia 8 In Six Parts [4:32]
9. Fantazia 3 In Six Parts [4:07]
10. Newark Siege [5:37]
11. Galliard [2:30]
12. Suite 1: Fantasia [4:33]
13. Suite 1: Air [3:19]
14. Suite 1: Corant [1:59]
15. In Nomine 2 In Six Parts [4:44]
Download:
Part I --- Part II --- Part III --- Part IV (Rapidshare)
Mediafire
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