ABUSE FORM
David Popper – Samtliche Etüden für Violoncello (2004)
Posted By :
d'Avignon
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Date :
01 Oct 2011 11:24:01
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Comments :
17
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David Popper – Sämtliche Etüden für Violoncello (2004)
Classical/late 19th C. | FLAC lossless/3cd | cuesheets+logs | covers+booklet | 2h42m18s | 765mb
Label: Musicaphon | cat. no. M 56858
Classical/late 19th C. | FLAC lossless/3cd | cuesheets+logs | covers+booklet | 2h42m18s | 765mb
Label: Musicaphon | cat. no. M 56858
Many of these compositions for the cello are quite interesting; but yes, they were typically written for students of the instrument. We hear an endless stream of exercises…I can see the poor youth pining away in his sparsely lit attic on a cold and wintry night, dark bags under his eyes; practising and practising, incessantly stroking and plucking away at the strings, because his cruel, unforgiving academy teacher demands he suffers for art.
And suffer he will. This is classical music. Art. Torture.
So that we know!
Tracks:
CD1
15 leichte Etüden op. 76 I
10 mittelschwere grosse Etüden op. 76
CD2
Hohe Schule des Violoncellospiels op. 73 - Etüden 1-20
CD3
Hohe Schule des Violoncellospiels op. 73 – Etüden 21-40
Performers:
Martin Rummel - Violoncello - cello
Sebastian Hartung - Violoncello II - cello II
EAC LOG Exact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 30. September 2011, 18:22
David Popper / Sämtliche Etüden für Violoncello cd1
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David Popper / Sämtliche Etüden für Violoncello cd1
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EAC LOG Exact Audio Copy V1.0 beta 2 from 29. April 2011
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EAC LOG Exact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 30. September 2011, 18:35
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Quality : High
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Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--ta
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==== Log checksum 1758A2DC9BF864778BECF506EF08EB10AC931809AC92E3DE1E715CF851B647E7 ====
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Recent searches:

GEORGES ENESCU-Piano Quartet No.1 Op.16 - the 2nd quartet is around but haven't found this one. If anybody has it on CD please post?
----
Ah! here it is, a quote from Wikipedia:
Well, that book is on cd2 and 3
This is one of the most pretentious I have ever read.
"His cruel, unforgiving academy teacher demands he suffers for art"
WHAT DOES IT MEAN?
Incredible that someone who write this don't feel shame.
DAVID POPPER (Born in Prague, 18 June 1843; Died in Baden, Vienna, 7 Aug 1913).
Austrian cellist and composer. He was born in the Prague ghetto, the son of Angelus Popper, cantor at two local synagogues. Having auditioned for the Prague Conservatory at the age of 12 as a violinist, he matriculated as a cellist because of the shortage of cello students, and became a pupil of Julius Goltermann. He made such rapid progress that within six years he presided over the cello class when Goltermann was on tour. At the age of 18 he was appointed assistant principal cellist of the Löwenberg Court Orchestra, and the following year assumed the post of principal. During this time he was engaged by Bülow and the Berlin Philharmonic as soloist in Robert Volkmann’s newly composed concerto. In 1868 he secured the position of principal in the Vienna Hofoper and the Vienna PO (the youngest player to hold such a post) and later joined the Hellmesberger Quartet. In 1872 he married Liszt’s pupil Sophie Menter (daughter of the cellist Joseph Menter), with whom he also toured. Denied leave for his solo engagements, he resigned from the orchestra the following year. In 1886 his marriage was dissolved, and he was appointed by Liszt as professor at the National Hungarian Royal Acadamy of Music, where he established the cello and chamber music divisions. He remained until his death, having also served as a member of the Hubay Quartet.
WHO TEACHER DEMANDS HE SUFFERS FOR ART?
Pay no attention to the comments of capparissi. He obviously has no feeling or understanding for irony or humor in English. Perhaps he does a little better in his native language.
Why don't you ask d'Avignon if he has feeling or understanding for irony o humor in his comments.
Surely you can not stop to laugh all the time. You have a xenophobic great sense of humor.
In addition, he does not know the etiquette of not writing in capital letters.
As a friend of mine told me, listening classical music does not prove you are clever.
Please, tell your friend that is better to keep his mouth shut and appear a fool than to speak and leave no doubt.
dd099, would you like or prefer that I write it in capital letters?
upload some stuff to show us the right way to commment
be grateful to have free stuff
be grateful to have nice uploaders
instead of writing comment which makes you stupid and aggresive because you don't understand/apprciate a particular sense of humor.
How many stuff are you upload? NOTHING AT ALL.
Tell me, who decide the right to comment? Are you? Sure you don't.
Should I be grateful to have free stuff? What does "BE GRATEFUL" mean? Grateful to Misicaphon Label or to Martin Rummel cellist?
BE GRATEFUL TO HAVE FREE STUFF... I'm just as amoral as you but I am not a hypocrite. Don't forget, WE PLAY THE GAME!
Otherwise, you have a really stupid particular sense of humor. Tell your friend (THE WISE) from me.