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Manuel de Falla - Songs and piano music
Posted By :
tapaz9
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Date :
02 Jan 2012 00:07:59
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Comments :
17
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Manuel de Falla - Songs and piano music
Classical | EAC: FLAC+Cue+Log | 1 Cd, Cover+Booklet | 255 Mb
Label: Naxos - Date: 2000
Classical | EAC: FLAC+Cue+Log | 1 Cd, Cover+Booklet | 255 Mb
Label: Naxos - Date: 2000
| “ | Part Impressionist, and part neo-Classicist, Manuel de Falla is difficult to peg, but he is widely regarded as the most distinguished Spanish composer of the early twentieth century. His output is small but choice, and revolves largely around music for the stage. Falla's reputation is based primarily on two lavishly Iberian ballet scores: El amor brujo (Love, the Magician), from which is drawn the Ritual Fire Dance (a pops favorite, often heard in piano or guitar transcriptions), and the splashy El Sombrero de tres picos (The Three-Cornered Hat). He also gained a permanent place in the concert repertory with his evocative piano concerto, Nights in the Gardens of Spain. Born in 1876,Falla first took piano lessons from his mother in Cádiz, and later moved to Madrid to continue the piano and to study composition with Felipe Pedrell, the musical scholar who had earlier pointed Isaac Albéniz toward Spanish folk music as a source for his compositions. Pedrell interested Falla in Renaissance Spanish church music, folk music, and native opera. The latter two influences are strongly felt in La Vida breve (Life Is Short), an opera (a sort of Spanish Cavalleria rusticana) for which Falla won a prize in 1905, although the work was not premiered until 1913. A second significant aesthetic influence resulted from Falla's 1907 move to Paris, where he met and fell under the Impressionist spell of Claude Debussy, Paul Dukas, and Maurice Ravel. It was in Paris that he published his first piano pieces and songs. In 1914 Falla was back in Madrid, working on the application of a quasi-Impressionistic idiom to intensely Spanish subjects; El amor brujo drew on Andalusian folk music. Falla wrote another ballet in 1917, El Corregidor y la molinera (The Magistrate and the Miller Girl). Diaghilev persuaded him to expand the score for a ballet by Léonide Massine to be called El sombrero de tres picos, and excerpts from the full score have become a staple of the concert repertory. In between the two ballets came Nights in the Gardens of Spain, a suite of three richly scored impressions for piano and orchestra, again evoking Andalusia. In the 1920s, Falla altered his stylistic direction, coming under the influence of Stravinsky's Neo-Classicism. Works from this period include the puppet opera El retablo de Maese Pedro (The Altarpiece of Maese Pedro), based on an episode from Don Quixtote, and a harpsichord concerto, with the folk inspiration now Castilian rather than Andalusian. After 1926 he essentially retired, living first in Mallorca and, from 1939, in Argentina. He was essentially apolitical, but the rise of fascism in Spain contributed to his decision to remain in Latin America after traveling there for a conducting engagement. He spent his final years in the Argentine desert, at work on a giant cantata, Atlántida, which remained unfinished at his death in 1946. From Allmusic | ” |
Tracks:
01. Sieite canciones populares espanõlas (1914) 1 [0:01:18.30]
02. Sieite canciones populares espanõlas (1914) 2 [0:01:20.37]
03. Sieite canciones populares espanõlas (1914) 3 [0:02:30.73]
04. Sieite canciones populares espanõlas (1914) 4 [0:02:54.62]
05. Sieite canciones populares espanõlas (1914) 5 [0:01:32.58]
06. Sieite canciones populares espanõlas (1914) 6 [0:01:04.32]
07. Sieite canciones populares espanõlas (1914) 7 [0:01:26.15]
08. Nocturno for solo piano (1896) [0:04:00.23]
09. Serenata andaluza for solo piano (1900) [0:04:32.24]
10. Preludios (1900) [0:03:10.13]
11. Olas gigantes (1900) [0:02:15.35]
12. Tus ojillos negros (1902-3) [0:03:27.00]
13. El pan de Ronda que sabe a verdad (1915) [0:01:03.28]
14. Pour le tombeau de Paul Dukas for solo piano (1935) [0:03:34.65]
15. Dios mio, qué solos se querdan los muertos ! (1900) [0:04:01.27]
16. Oracion de las madres que tienen a sus hijos en brazos (1914) [0:01:50.23]
17. Canto de los remeros des Volga for solo piano (1922) [0:03:55.65]
18. Cortejo de gnomos for solo piano (1901) [0:02:04.17]
19. Vals-Capricho for solo piano [0:03:07.35]
20. Cantares de Nochebuena 1 [0:01:03.10]
21. Cantares de Nochebuena 2 [0:00:32.40]
22. Cantares de Nochebuena 3 [0:00:50.33]
23. Cantares de Nochebuena 4 [0:00:45.02]
24. Cantares de Nochebuena 5 [0:00:54.53]
25. Cantares de Nochebuena 6 [0:00:38.35]
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See my classical digital download posts in the Vinyl & HR section or check out My Avax blog
See my classical digital download posts in the Vinyl & HR section or check out My Avax blog
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Thank you,but there is a problem in the Vals-Capricho the laser skips on tracks ( ( (Could you again rip this album correctly?
Thanks in advance.
Give me a day. I will try to fix it this evening. I hope it's not in the CD.
If it is not a compact disc's problem,but your CD - rom device,may be all 3 piano albums of Manuel de Falla can have the same problem too....
Now I'm trying to listen all these 3 piano albums of Manuel de Falla on Naxos from beginning to the end.If they are correct, I will necessarily let to you know.
I like spanish music and composers very much and Manuel de Falla one of them.
Thanks in advance!
Happy New Year 2012!))
Best regards!
Thank you very much for this great music,dear tapaz9!
I don't know what went wrong, but I re-ripped the CD and Vals-Capricho runs without problems now. I replaced the wronf flac with the new one and am re-uploading the files right now. Wrong files will be replaced within one hour and I will let you know through an update if this comment. Sorry for the trouble.
Update: Wrong files in filesonic-, fileserve and uploadstation-folders are replaced. yoy can use the links provided in the post. If you download the new rar's everything should work out fine.
Please let me know. Once again sorry for the trouble.
I intend to re-up eveeything I posted but it takes a lot of time so please have patience.